La Vie sexuelle des Belges partie 4 - La jouissance des hystériques

In this pitch black comedy the rivalry between two neighbors escalates into an all out war. Through a maintenance error on a tractor they both end up, paralyzed, in a wheelchair. It seems they are doomed to stay together. They no longer focus their rage on each other but on the manufacturer of the tractor, in Helsinki. So get ready for a hilarious wheelchair road movie.

The most daring drivers in the world have gathered to compete for the 1966 Formula One championship. After a spectacular wreck in the first of a series of races, American wheelman Pete Aron is dropped by his sponsor. Refusing to quit, he joins a Japanese racing team. While juggling his career with a torrid love affair involving an ex-teammate's wife, Pete must also contend with Jean-Pierre Sarti, a French contestant who has previously won two world titles.

A woman who only has a couple of months left to live decides to go on a final journey, crossing several countries.

Mady, a student, works as a locksmith by night. He helps Claire get into her apartment and soon realizes that she lied to him about her identity and robbed something that belonged to a dangerous man, Yannick. Mady gets embroiled in a manhunt and will have one night to prove his innocence.

Revolution isn't a piece of cake, not even for Noël, the anarcho-burlesque agitator and imperial troublemaker of the international pastry world. And since the road from the great night to the radiant dawn is long, you might as well do it in a Cadillac. Provided, of course, you can find one, because Cadillacs are like the Indignados: the more you talk about them, the fewer you find. But when it comes to getting behind bars, it's still classier than a cell in La Santé prison. Jean-Marc wouldn't disagree. A persevering man, Jean-Marc, not the type to give up. With him, you have to be content with a lot. Long drawn to direct action, he discovers with Noël the charms of a guerrilla revolution. And together they lead us down the back roads, beyond the barriers, guided by the Muses and by chance encounters, irresistibly drawn in by the quest for a better world.

When 39 people are killed prior to the European Cup at the Brussels Heysel stadium in 1985, the mayor's daughter and an Italian journalist are torn between their professional assignments, family, and human nature.

Threatened and beaten by her ex-husband for many months, Julie Douib, 34, mother of two young children, had gone to file a complaint many times. On March 3, 2019, Julie was shot by her ex-partner in L'île Rousse in Haute-Corse. On the night of 16 to 17 April 2018, after several years of domestic violence, Laura Rapp finally found the courage to file a complaint: her spouse tried to strangle her in front of their two-year-old daughter. After a year of pre-trial detention for attempted homicide, her ex-spouse is released pending trial.

An ageing punk-with-a-dog and his brother the conformist decide to get their revenge on a shopping mall. Directing duo Benoit Delepine and Gustave Kervern, longstanding comic crusaders against capitalism, again set out to surprise and shock the bourgeois audience.

This is the story of two childhood friends - Lucas (a 16-year-old high-schooler) and Bert (a mechanic’s apprentice) - who flee the suffocating fish bowl that their killjoy families’ lives have become. Lucas, still quite immature, finds a “big brother” in Bert, a guide who is going to take him straight to the brink of catastrophe. But very quickly, boredom resurfaces and the freewheeling sense of being on an adventure evades them. Should they return to the fold, or keep moving on? Their drifting logic compels them to blindly forge ahead.

Jan Bucquoy narrates the story of his sexual life to age 28, imagining his conception (parents drunk, the encounter lasting ten seconds) and reporting his first orgasm (at the hands of Eddy, in a beach-side caravan, as they watch Laurel and Hardy), his comparative experiences with girls, and his move from Harelbeck to Brussels. There he meets Greta, bartender at a Bohemian cafe, who teaches him the Kama Sutra, the naked Esther, who reads him stories, and Thérèse, his wife for three years. They split after two children; he moves to a small flat, writes pornography to pay the bills, works sporadically on a novel, espouses anarchism, and meets more women. His self-confidence grows.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

On a Belgian beach at Camping Cosmos. The delegate send by the Ministry is confronted with sex and murder. The residents enjoy their holidays in a peculiar way...

A cinematographic “cadavre exquis”, whose entrails reveal the odd nature of a (un)certain Belgian cinema. Authors, directors, actors who have proved that imposture could be an act of creation. Convinced that any so-called “new” cinematographic production was in fact a rehash of what had already been made, these pirates of images snuck as forgers, liars, tricksters, usurpers, … Outlaws of the cinema who falsified its form. From the filmed imposture of Man Bites Dog to Jan Bucquoy’s fabulist biopic, everything participates in the dynamiting of institutional language through simulacrum and absurdity. This free journey in the “cine-belgitude” has for vocation to approach these marvellous eccentrics followers of a overexcited and stripping situationism.

In the Belgian town of Liege, in order to buy a moped for the wife of their friend Patrick, three men decide to organise a large-scale hold-up. As expected, nothing goes to plan.

Marc, who works for a soundproofing company, and Sylvie, who runs a temp agency, have been married for several years. Still in love with his wife, Marc nevertheless cheats on her with Vanessa, a 25-year-old woman, telling her that his wife is dying. One day, Vanessa, who is looking for a job, happens to walk into Sylvie's temp agency.

A journey inside a picture thus offers the opportunity to travel through Belgium at the approach of the 21st century, and also to bring up a host of questions an what the eye sees: what do we see disappearing under our very eye? Why do we look at specific things? What is a point of view?