La Gare Aïn Lahdjar

Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.

Up bright and early with their pet in tow, Zohra Bouderbala and her five children are heading to the beach. This is not a drill! In Algiers, the coveted front row spot waits for no one, but it’s not this family’s first time having to beat the summer seaside crowds. The unmotivated and out-of-luck masses who arrive too late will be left to a viewless laze in the sun, the alleged horizon blocked by a fortress of parasols and flowing canopies.

For thirty years, French-Algerian sisters Zorah, Nohra and Djamila have been living in the hope of finding their brother Rheda, abducted by their father, and hidden in newly decolonised Algeria. Their relationship is shaken when Zorah, the eldest sister, decides to write a play based on the traumatising events of their childhood that haunted them their whole life. But when they learn that their father is dying, the three sisters decide to go to Algeria to seize their last opportunity to have him reveal where their brother is. When the past catches up, the three sisters have no choice but to put their differences aside.

The kidnapping of a little girl creates tension and suspicion in Algiers. Only Dounia, a brilliant psychiatrist, and Sami, a police inspector, can unearth the demons of the past.

Mahfoud is a young teacher at a technical school in Algiers. Using his technical and computer skills, he refurbishes an old weaving loom that he intends to present at an international inventors’ conference in Germany. However, his travel plans are thwarted by administrative obstacles. Meanwhile, his neighbors keep a close eye on him, especially the elderly M’nouar, marked by the terrible memories of the Algerian War. He sees everything and everyone with suspicion. As far as he is concerned, Mahfoud has no good intentions—he may even be involved in subversive activities. Naturally, it does not help that Mahfoud is in a relationship with Samia, a young psychiatrist who has returned to the country after studying in Belgium. She challenges local norms and breaks taboos that unsettle those around her. In the end, Mahfoud manages to obtain a visa to attend the international fair. His invention wins a prize, and when he returns home, he receives a very different kind of welcome.

Three guys have a discussion sitting on the ground floor of their building. Their conversation is about their best friend's trip and a strange event that is meant to take place the next day. Upstairs, Fouad packs his bags. He still doesn't know whether he'll dare to say goodbye to them or not.

1953, colonized Algeria. Fanon, a young black psychiatrist is appointed head doctor at the Blida-Joinville Hospital. He was putting his theories of ‘Institutional Psychotherapy’ into practice in opposition to the racist theories of the Algies School of Psychiatry, while a war broke out in his own wards.

The film relates the career of Colonel Lotfi, whose real name is Benali Boudghene, since his beginnings as an activist in Tlemcen where, with his classmates from high school, he posted the call of 1 November 1954, addressed by National Liberation Front (FLN) to the Algerian people.

Set in the northern Algerian port city of Mostaganem. The title refers to the hordes of refugees, the 'Harragas', who smuggle themselves out of the country via any means possible. Here we meet one such group, Rachid, Nasser and Imene who pay a smuggler, Hassan, to take them to Spain in his rickety boat. Along with a group of African and Arab migrants, they are risking all they have to cross the stormy Straits.

After the December riots and the first peaceful marches in Algeria, while the Arab Spring begins in Tunisia and Egypt, Fouzi wants to gather his actors to show them the unfinished editing of the film he made two years ago on the illusion of a young man who seeks to express his artistic ideas. He seeks another point of view, especially an end, and he relies on the reactions of the actors to invent a new resolution of his history, in a country suddenly raised by a wave of disputes. During the projection of the film, the debate takes place: what is the place of art creation in Algeria today? How to create something without confronting censorship? How to resist ? By making movies or walking in streets towards a new revolution? Two stories intertwine, fiction and reality? A new vision of the Algerian youth of today in full political and artistic questioning.

Ali, a young Algerian who carried out an attack in Algiers, hastily leaves the city to join the resistance. But he is disappointed to find that the National Liberation Army consists of only a few fighters scattered throughout the mountains. However, he is impressed by the authority of the leader, Si Tayeb, who gives him a weapon. Meanwhile, a young French sergeant, Gachon, arrives in Algeria with his contingent of conscripts. In civilian life, he is a schoolteacher, and he becomes the colonel's secretary. One night, the FLN group invades a village, the dechra of Beni Allel: waking the inhabitants, the leader gives them a propaganda speech to incite them to fight the French, then gives them weapons; He claims that all the other villages have rallied to their cause, which is false. When he finds himself in difficulty at one point, he is rescued by Ali, who saves the day with his authority and skill.

Brahim a master craftsman, is one of the richest men in the country. He takes a third wife, Fadah, a young beautiful girl, hoping that she will give him an heir before he is too old.

This film retraces the combat journey of Krim Belkacem, one of the leading figures of the Algerian War. When he left the Dellys barracks in October 1945, the day after the Second World War, Krim Belkacem was 23 years old. He is a man revolted by the May massacres in Sétif, Guelma, Kherrata and several other localities in the ravaged country. But it is also and above all a young Algerian who questions the future of Algeria. On March 21, 1947, Krim at the age of 25, he dug up his "Sten" submachine gun, he took action against the boss of his douar who was none other than his cousin. He goes into hiding with six companions. He meshes this entire part of Algeria with a dense and dense network with the sole objective of taking action which will lead to the outbreak of the armed struggle on November 1, 1954.

Algeria region of the high flatlands. As Islamist groups continue to spread terror, Rashid, a young Jihadist, leaves the mountains to return to his village. In keeping with the law « of pardon and national harmony », he has to surrender to the police and give up his weapon. He thus receives amnesty and becomes a « repenti ». But the law cannot erase his crimes and for Rachid it's the beginning of a one-way journey of violence, secrets and manipulation.

During a beach excursion, Nfissa, a young mother, is violently sexually harassed and drowned by a group of young men after she absent-mindedly swims into their midst. Nobody seems to witness her disappearance. Anxiety and fear grow among her family, especially as, on the same beach, bathers suddenly start dying en masse.