Là-Haut, Un supplément d'âme

An international expedition led by French mountaineer Benoit Chamoux reached the summit of Annapurna (8091 m) on Tuesday, May 10, 1988, via its south face, one of the most difficult routes in the Himalayas. The expedition, named "L'Esprit d'Equipe" (The Spirit of Team), financed by the computer company Bull (Chamoux thus secured one of the largest contracts in the history of mountaineering: twenty million francs to carry out his project), aimed to reach six peaks over 8,000 meters, as a full team, within three years: Annapurna, Everest, Manaslu, Cho Oyu, Makalu, and Kangchenjunga. The challenge results: in 1988: Annapurna (8091 m) - 5 out of 6 men reached the summit, 1988: failed on Everest, 200 m below the summit, 1989: Manaslu (8183 m) - 8 out of 8 men reached the summit in 4 teams of 2, 1990: Cho Oyu (8201 m) - 7 out of 7 men reached the summit, 1990: Shisha Pangma (8013 m) - 7 out of 7 men reached the summit.

Gure Himalaya is a documentary about the mountaineering exploits of the Iñurrategi brothers between 1990 and 1998 — from climbing Pumori and Gyala Peri to tracking down the yeti. It was directed by Alberto Iñurrategi in 2005 and produced by BBK, starring Alberto Iñurrategi, Félix Iñurrategi, José Luís Zuloaga, Juanjo San Sebastián, Jon Lazkano, Iñaki Ochoa de Olza and others.

Behind the scenes of the filming of a film on climbing a cliff by Patrick Berhault and Georges Unia on the parishes of the route "La Tête de Chien" in Monaco. Director Laurent Chevallier explains the difficulties of filming at height, the kind of shots that are suitable and the specifications of equipment suitable for filming on a cliff.

"In 1983, a French expedition, led by Yannick Seigneur and including Jean Afanassieff, left for Tibet to climb the western ridge of Everest on the Chinese side in alpine style. Jean Afanassieff films the Tibetan population between tradition, religion and modernity and tells us about this expedition."

A compelling film about British Mountaineers Andy Kirkpatrick and Ian Parnell's controversial winter attempt to repeat Jean-Christophe Lafaille's groundbreaking route on the west face of the Drus, a route dubbed the hardest big wall in Europe. One can count the number of Brits who are bold enough to play this game on a pair of frostbitten fingers, and Andy and Ian are both experienced in the art of suffering. Through sunshine and snow, bad times and worse, this film is an honest and revealing insight into the world of modern alpinism and big-wall climbing.

Oversand is one of the first films about free climbing, the third film in a series of three with "Overdon" and "Over-Ice". Directed by Jean-Paul Janssen, the film was shot in 35mm in Algeria, in the Sahara Desert, in the Tamanrasset region, on the walls of the majestic peaks of the Atakor massif, central sub-region of Hoggar, mountainous heart of Hoggar, a volcanic plateau of almost circular shape, whose average altitude is 2000 meters, and which culminates at Mount Tahat (2918m), the highest point in Algeria. The Atakor is distinguished by its spectacular volcanic peaks, its needles, and its rugged landscapes, resulting from the erosion of ancient volcanic chimneys, which make it the most emblematic summits of the Hoggar, such as the Assekrem, the Ilamane, or the Tizouyag, where climbers Patrick Edlinger, Patrick Bérhault, Bernard Gorgeon, Hugues Jaillet, Jacques Perrier, Stéphane Troussier and Odette Schoënleb evolve under the watchful eye of the Tuareg caravans.

A fascinating chronology of 100 years of mountain film history in the Alps. This documentary focuses primarily on films shot on the Matterhorn, the Eiger, and the Grandes Jorasses, considered until the 1930s as the "last problems of the Alps," and shows the evolution of mountain filmmaking through numerous excerpts from documentaries and feature films – notably on the Matterhorn in 1901. The genre, appropriated as a means of mass exaltation by "fascist" regimes during the Second World War, was reinvented in the 1950s by Gaston Rebuffat, Marcel Ichac, and Lionel Terray in the Mont Blanc massif, avant-garde figures of French mountain cinema, who reintroduced, beyond performance, the values ​​of the mountains – and in color – poetry, humor, and sharing among people from all walks of life.

A 2016 film about the Cateissard, a mountain overlooking the Val di Susa near Turin, a laboratory of innovation and evolution in Italian climbing. From the Risveglio route opened by Grassi, Bonelli and Galante in 1974, in the heart of Nuovo Mattino, to Patrick Berhault's visit in 1980 and his legendary climbing demonstration on the Nani Verdi route, to the rediscovery of these rocks by Andrea Giorda who, with Marco Croce, Fabrizio Pennicino, Aldo Tirabeni and Claudio Battezzati, Marco Bernardi, Federica Mingolla, Carlo Giuliberti and others, opened 116 new single-pitch routes, graded from IV to 8b. The success of these climbing sites is undeniable; the cliffs of Profondo Rosso, Falchi Penne and Croci, Neverending Wall, Cateissoft, Sky Wall and Cateisstrong, opened by Giuliberti and Lotito, attract dozens of climbers, even from elsewhere.

“The Conquerors of the Impossible: Group Portrait” is a documentary on free climbing which takes place in the Verdon Gorges and Toulon. It was directed by Bernard Dumont in 1986 and produced by Les Films du Soleil. It is part of the series The Conquerors of the Impossible (3-3). There we find Patrick Berhault, Patrick Edlinger, Eric Escoffier, Christophe Profit, Laurent Chevallier, Jean-Paul Janssen and other pioneers of free climbing.

Daulagiri (8167m), Naga Parbat (8125m) and Broad Peak (8051m) are among the 14 peaks in the world. Jean-Christophe Lafaille has set himself the goal of reaching these 3 peaks in the space of two months. This film takes us on a surprising journey that begins in Nepal and ends in Pakistan, while exploring the soul of this committed mountaineer… Ed Viesturs and Katia Lafaille accompanied Lafaille on his adventure.

To understand the difficulties of an ascent to over eight thousand metres, it is enough to remember the almost 300 victims these peaks have claimed. The Swiss alpinist Ehrart Loretan, the third alpinist in the world to have climbed all 14 8,000, and the Austrian alpinist Kurt Diemgerger cover the whole history of the conquest of the world’s 8,000, from the fifties to the present day, together with other alpinists and film directors who have climbed them. They talk about their experienced when they ventured into the death zone.

"Les Compagnons Du Vide" (The Companions of the Void) is a documentary made in 1989 by Claude Andrieux and Gilles Chappaz, broadcast in two parts on the FR3 program "Montagne." The film explores the history of the mountain guide profession through portraits of mountain guides, showcasing the diversity of this high-risk occupation. It also delves into the intimate relationship between the climbing team and the client, using the example of prestigious guides. The documentary follows these teams on major climbs around Chamonix, on Mont Blanc, and on La Meije in the Écrins massif.

Less than two years after his serious road accident, Eric Escoffier brought together the "Turbo" team (Frédéric Ancey, Michel Fauquet, Christine Janin and Stéphane Schaffter) with whom he will attempt to climb Everest without oxygen and without prior acclimatization in the Himalayas, the project being to complete the Paris-Everest-Paris loop in two weeks. It is also a medical experiment: the athletes spend a week at Mont Blanc, at the Vallot observatory between 4000 and 4800m, then a week in a hypobaric chamber in Grenoble. Doctors (Dr. Richalet, Herry and Bittel) perform tests throughout this training, which will learn about how the body acclimatizes to altitude and allow applications in the management of mountain-related illnesses . On September 2, 1989, they arrived at Everest base camp in China. They attempted the ascent via the North Col but could not carry out their project, prevented by bad weather.

K2 Chasing Shadows chronicles Benjamin Védrines' record-breaking 2024 ascent of K2 (8,611m) in 10 hours, 59 minutes, and 59 seconds, without supplemental oxygen: a story that unfolds as much in the mind as on the mountain. In human exploration, each boundary pushed awakens a new thirst. Each feat paves the way for a deeper quest. It is this tension between extreme performance and inner aspiration that drives K2 Chasing Shadows. For Benjamin Védrines, it is a journey of humility, resilience, and a search for meaning amidst the raw beauty of the Pakistani Karakoram. The film exposes the physical demands of a formidable summit, while also exploring fear, loss, and the perilous nature of dreams that demand total commitment. Between unforeseen obstacles, forced retreats and new attempts, Védrines faces the most trying and exhilarating aspects of mountaineering, constantly questioning where true accomplishment lies.

A documentary portrait of the legend Eric Escoffier at the height of his mountaineering career. A true athlete, Escoffier has comprehensive, cutting-edge preparation in three different climbing disciplines: rock climbing, ice climbing and solo free climbing, without any safety devices. Philippe Lallet's camera follows Eric in his performances and in his preparation for one of the first La Sportroccia climbing competitions, in 1985 in Bardonecchia in Italy.

Jean-Christophe Lafaille is the first mountaineer to attempt the solo ascent of the steep Himalayan face of "Shishapangma". As one of the 14 highest peaks in the world, Shishapangma peak rises over 8000 meters. Jean-Christophe defies the merciless conditions of the Himalayan winter. Without oxygen and exposed to extreme cold, Jean-Christophe, aware of the objective danger, is determined to achieve this long-held dream by reaching the summit by the magnificent British South West face course of 1982, with a new course on the first 1000 meters. He will reach the summit on December 11, some, like the Pole Krzysztof Wielicki, challenge him for the first. Jean-Christophe will be very upset and some of his relatives will be worried to see him then lock himself into an increasingly obstinate quest, some of whom were already guessing the outcome.

On some peaks in 2003, the statistics are impressive. For the K2 dubbed "wild mountain" or "ruthless mountain", only 240 reached the summit and more than 60 perished in the ascent. An unimaginable rate of one death in four to survive. And these statistics are even worse At the start of the 2004 climbing season, only five talented and determined women had reached the 8,616-meter summit of K2, but only two made it out alive. , they too perished while climbing other peaks of 8000 meters, these five women all disappeared in the mountains.

Meeting in Chamonix with Éric Escoffier, famous mountaineer of the 80s, victim of a car accident in September 1987. Victim of multiple fractures and total paralysis on his left side, Escoffier managed to walk again, despite the doctors' pessimistic prognoses... The commentary on images of Éric Escoffier in his daily life in Chamonix and archive images and photographs alternates with archive documents, extracts from the films "Profession grimpeur" by Philippe Lallet and "Face nord" by Jean Afanassieff as well as interviews with the protagonist, Rémi Éric Escoffier and Michel Garcia. Great among the greatest, Éric Escoffier, who disappeared in the mountains at Broad Peak on July 29, 1998, will never have been an ordinary man.

In 1983, three climbers became the first French people to reach the summit of Everest. Among them were expedition leader Pierre Mazeaud and a promising 25-year-old climber, Jean Afanassieff. Twenty years later, the two legends, accompanied by mountain guide Michel Pellé, retrace the steps of their exploit and make the trek from Kathmandu to the foot of the roof of the world. This is an opportunity to retrace the history of the successive assaults on Everest and to assess the current situation of a mountain that has become a victim of its own success: while Sherpas have been able to take advantage of Western enthusiasm and thus enrich themselves and equip the summit to make it more accessible, the site's attendance poses numerous problems, both human and ecological.

March 12, 1987. The young French mountaineer Eric Escoffier prepares his equipment, very reduced in material and food. He leaves the next day and intends to chain three north faces in the Alps: Eiger, Matterhorn and Grandes Jorasses. The ascent of the first summit, the Eiger is slow, difficult and full of pitfalls. It takes 17 hours to reach it. Without recognizing the terrain -he prefers to improvise- the mountaineer continues through the Matterhorn. When night falls, anxiety is felt on Zermatt's side. Help is organized to pick him up. Despite his refusal to return, Escoffier is finally hoisted. Christophe Profit, a few hours earlier, managed the chain of three summits.

Many mountaineers as part of their activity have used cameras and films to allow us to participate through images in their adventures and their emotions. Many of them have become true film professionals: Joseph Vallot, Lionel Terray, Marcel Ichac, Renè Vernadet, Jean Afanasieff, Pierre Royer, Denis Ducroz, Kurt Diemberg and many others are among the conquerors of the image of the mountain. The film depicts the passion of these men on the highest mountains in the world... behind the lens.

In 1984, climbing virtuoso Patrick Berhault gave a night climbing demonstration with Nico Ivaldo in Finale Ligure, Italy. This close and spontaneous connection with the audience, the silence followed by the cheers of the crowd with each move, amplified the climbers' sensations, creating a powerful feeling that gave them a state of flow. This idea of ​​climbing dance took root and culminated in the film "Star Climber," composed of parodic vignettes retracing the history of climbing through the ages. Berhault, by turns a Cro-Magnon man, a Zulu in a trance, a troubadour climber accompanied on the flute by Catherine Destivelle, a Buster Keaton trying to climb his beautiful woman's wall, as Blues Brothers, Berhault and Robert Cortijo push the dial on rock 'n' roll 10 meters above the ground solo on the facade of a building at the crossroads of West Side Story and a Terry Gilliam film.

Following a climbing accident in the mountains, Pascal loses the use of his legs and is confined to a wheelchair. The film follows his gradual acceptance of this during his stay in a rehabilitation centre and, with the support of fellow residents, the return of his will to live.