A portrait of the great British contralto who, despite little formal musical training, rose from humble origins to become an internationally acclaimed artist before her tragic early death in 1953. With contributions from Dame Janet Baker , Ian Jack, Sir George Christie and Lady Evelyn Barbirolli.
Serving as Ludwig van Beethoven's copyist gives a conservatory student access to the composer's musical genius, but also exposes her to his cruelty.
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For nearly a decade, Gilbert and Sullivan’s collaborations have delighted the English people. But in 1884, as a London heat wave cuts into the theater trade, their latest work, "Princess Ida", receives lukewarm press. In an effort to reconcile their creative differences and drawing inspiration from Japanese culture, they went on to create the hit opera "The Mikado", one of the duo's greatest successes.
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This film follows the remarkable and inspirational true story of Paul Potts, a shy, bullied shop assistant by day and an amateur opera singer by night.
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The rise of Aretha Franklin’s career from a child singing in her father’s church’s choir to her international superstardom.
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A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.
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Singer and songwriter Hank Williams rises to fame in the 1940s, but alcohol abuse and infidelity take a toll on his career and marriage to fellow musician Audrey Mae Williams.
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Pianist David Helfgott, driven by his father and teachers, has a breakdown. Years later he returns to the piano, to popular if not critical acclaim.
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Ex-military specialist Clair Hamilton returns home from her tour in the Middle East due to her father's passing and to claim her inheritance. Her son is then kidnapped and held for ransom by a gang led by a mysterious figure known only as “Father”.
Shares a lead actor
Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.
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A film of the life of the renowned musical composer, playwright, actor, dancer and singer George M. Cohan.
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A lonely boy discovers a mysterious egg that hatches a sea creature of Scottish legend.
Ex-military specialist Clair Hamilton returns home from her tour in the Middle East due to her father's passing and to claim her inheritance. Her son is then kidnapped and held for ransom by a gang led by a mysterious figure known only as “Father”.
Long considered lost footage, this exceptional concert, which originally aired April 14, 1968, on the BBC, is a full-colour performance of Edward Elgar’s The Dream of Gerontius recorded inside the stunning Canterbury Cathedral and featuring three of the greatest voices of the era: mezzo-soprano Dame Janet Baker, tenor Sir Peter Pears, and bass-baritone John Shirley-Quirk. Conducted by Sir Adrian Boult, ardent champion and esteemed interpreter of Elgar’s works, this concert film — which required eight of the nine existing colour cameras in the UK at the time — constitutes a rare and treasured artifact marking the beginning of high-quality colour footage of British operatic productions.
Dame Janet Baker, in one of her greatest roles, leads a cast of some of Britain’s finest interpeters of baroque opera and their performance under the baton of Sir Charles Mackerras is one of the highest musical excellence. John Copley’s acclaimed English National Opera production was restaged in studio, skilfully using all the technical advantages offered, to create this top quality recording. The opera was first performed in 1724 at the Haymarket Theatre in London using castrati singers in the heroes’ roles. This production follows modern practice in using women in these parts. Dame Janet’s virtuoso role as Julius Caesar has been heralded as a masterful recreation of the music which Handel wrote for the finest singers of his time.
Directed by Sir Humphrey Burton, this 90-minute powerhouse features Sheila Armstrong (soprano), Janet Baker (mezzo-soprano), the Edinburgh Festival Chorus and the London Symphony Orchestra conducted by Bernstein at Ely Cathedral in 1973.
Interviews with and performance footage of conductor Sir John Barbirolli.
Yo-Yo Ma narrates a documentary about the remarkable cellist Jacqueline du Pré, whose life and career were cut short by multiple sclerosis.
Beginning with the First Symphony, Bernstein reveals Mahler's position at the hinge of modernism, while emphasizing his emotional extremism. The uplifting Second "Resurrection" Symphony, with which Bernstein had an especially long and close association, is recorded here in a historic performance from 1973, set in the Romanesque splendor of Ely Cathedral. In the Third, Bernstein encompasses the symphony's spiritual panorama like no other conductor, with the Vienna Philharmonic players alive to every nuance.
Mary Marquis introduces a concert recorded in the Queen's Hall, Edinburgh in 1981 with Dame Janet Baker. She performs Mendelssohn's concert aria Infelice and Handel's dramatic solo cantata Lucrezia with the Scottish Chamber Orchestra.
A feat that fully matches its title, an alphabetical trawl through both the history of British music and Russell's own likes and dislikes, the latter summed up by a scene in which he takes a phone call and listens for a bit before concluding that 'it's either an obscene call or the beginning of Michael Tippett's Fourth Symphony.' Gleefully exploiting an already contrived format, Russell uses alphabetical coincidence as an excuse to throw wildly disparate material together: Elgar is fused with Elton John, Holst with Heavy Metal and Punk with Purcell.
This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler's birth. Recorded in Israel, Vienna and later in London, it is punctuated by biographical interludes and illustrated by musical examples drawn from the cycle of Mahler's works recorded by Bernstein. Bernstein talks, plays and conducts various orchestras (Israel Philharmonic Orchestra, London Philharmonic Orchestra, Wiener Philharmoniker) and soloists (Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp, Walton Groenroos) in performances spanning 17 years. Leonard Bernstein also examines the roots of Gustav Mahler's inspiration. The programme also features music from the nine symphonies, 'The Song of the Earth' and the 'Wunderhorn Cycle'.
Ken Russell's engrossing examination of the great 20th-century composer tells Williams' story through the eyes of his widow, Ursula, with personal remberances from those who knew him.
