Kanhopatra, a courtesan goes through many struggles as she rebels against tradition and people. She fights to retain her individuality and dignity while she has encounters with multiple men.
Set during the Pandavas’ exile in the Mahabharata, the story focuses on Draupadi living incognito as a maid-in-waiting named Sairandhari in King Virata’s palace. The arrogant Keechak becomes obsessed with her, prompting Bhima (disguised as a cook) to intervene and kill Keechak to protect her honor.
This film is based on the Indian Mythological love story of Radha and Krishna.
Meera is immersed in her love and devotion to Lord Krishna since a young age. When she grows older, her family get her married to the Rana of Mewar. Misunderstandings occur when her devotional poetry is thought to be love songs for someone. Several hardships are inflicted on her by her husband and her in-laws. She takes to sitting in the temple and singing bhajans (sacred songs) composed by her. Her brother-in-law tries to have her killed many times, but fails. She finally renounces her life in the palace and wanders from place to place singing devotional songs.
Seeta was a 1933 Indian talkie Bengali film, directed by Debaki Bose and produced by the East India Film Company.[1] It won an honorary diploma in the 2nd Venice International Film Festival in 1934, becoming the first Indian talkie to be shown at an international film festival.
The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
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94-year-old Eleanor Morgenstein tries to rebuild her life after the death of her best friend. As a result, she moves back to New York City after living in Florida for decades.
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When a rebellious teen embarks on a solo summer journey to connect with her roots, she finds herself in a new world, geared up for the ride of her life, and discovers she had the drive in her all along.
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South America, 1960. A lonely and grumpy Holocaust survivor convinces himself that his new neighbor is none other than Adolf Hitler. Not being taken seriously, he starts an independent investigation to prove his claim, but when the evidence still appears to be inconclusive, Polsky is forced to engage in a relationship with the enemy in order to obtain irrefutable proof.
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Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.
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A street smart runner develops an intense rivalry with an equally ambitious wealthy young athlete.
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An odyssey through time and memory, centered on a place in New Jersey where—from wilderness, and then, later, from a home—love, loss, struggle, hope and legacy play out between couples and families over generations.
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A blind teacher breaks the rules to help a female student rediscover the pleasures of life.
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Joy lives a life filled with bad choices. At a young age, she marries and has a child–with an abusive thief who quickly ends up incarcerated. Left alone, she takes up with the guy's mate, another thief, who seems to give her some happiness but who also ends up locked up. She then takes up with a series of seedy types who offer nothing but momentary pleasure–if that.
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Seeta was a 1933 Indian talkie Bengali film, directed by Debaki Bose and produced by the East India Film Company.[1] It won an honorary diploma in the 2nd Venice International Film Festival in 1934, becoming the first Indian talkie to be shown at an international film festival.
Shares 2 cast members
A period adventure with Motilal in a famous dual role. Judhajit (Sankatha), the outlawed brother of the king of Udayanagar, wants revenge on the royal family. He had left the palace with one of the king's twin sons who grew up as Indrajit, the twin of the drunken and debauched Prince Shatrujit (both Motilal) due to marry Princess Chanda (Sabita Devi). Indrajit is sent to kidnap her as part of the vendetta but the two fall in love. Shatrujit is too drunk to go through the marriage procedure and the dewan (Ansari) asks Indrajit to impersonate his brother. Indrajit is now torn between his love for Chanda and his promise to the dewan, but the story ends happily,
Dhanna and his young daughter Tulsi struggle in poverty until Tulsi, trying to help her sick father, is arrested for theft and sent to jail. She later comes under the care of Dr. Kailash, whose household is held together by Rekha, the prosecuting attorney’s daughter in love with him. As Tulsi’s presence stirs tensions between Rekha and Kailash, the story weaves through themes of love, money, and morality, moving from hardship and conflict toward reconciliation and harmony.
Directed by A.R. Kardar, the plot is described as episodic, potentially involving a protagonist's capture and interaction with a powerful sultana
Naveena Sarangadhara is a 1936 Tamil film directed by K. Subramaniam under Murugan Talkies. Naveena in Tamil means modern. The movie was titled thus in order to distinguish itself from the earlier versions and also in order to highlight the slight modifications made to the original story. The cast are M. K. Thyagaraja Bhagavathar and S. D. Subbulakshmi in the lead roles supported by S. S. Mani Bhagavathar, G. Pattu Iyer and Indubala. Papanasam Sivan had written the lyrics and composed music for M. K. Thyagaraja Bhagavathar songs such as sivaperuman krupai vENdum, gnana kumarai nadana singari and abaraatham seithaRiyEn had a successful run wherever the movie was screened.
Prince Sudhirchandra goes into hiding as an infant when his father gets overthrown by Naagraya, a greedy minister. After 20 years, Sudhirchandra returns to reclaim his throne.
An early Indian drama about a bandit's son, exploring themes of legacy, justice, or a conflict between his path and his father's.
