Kaija Saariaho: Innocence

Staatsoper Berlin’s new production of Rameau’s tragédie lyrique, directed by Alletta Collins; featuring costumes, sets and lighting designed by Ólafur Eliasson; and musical direction by Simon Rattle, who makes his debut with the Freiburg Baroque Orchestra.

At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.

Franz Schreker’s career was cut short by the events of 1933 in Germany but he achieved real fame with his operas, and the huge success of Der Schatzgräber (‘The Treasure Hunter’) in the 1920s was the high point of his career. In a complex and ultimately tragic tale of destructive greed, desire and toxic social hierarchy, the innkeeper’s daughter Els is forced to confront the consequences of her murderous intent in what conductor Marc Albrecht considers ‘a work of exceptional quality, concentration and significance’. Following the huge success of Korngold’s Das Wunder der Heliane (Naxos DVD 2.110584–85 / Blu-ray NBD0083V), director Christof Loy continues his exploration of strong female characters and neglected 20th-century masterpieces with this highly acclaimed Deutsche Oper Berlin production.

Like Handel’s Orlando (1732) and Ariodante (1734), Alcina derives from the narrative material in Ariosto’s Orlando furioso. The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. The result is marvellous modern musical theatre in a historizing frame.

Inspired by a fable by La Fontaine, [composer Jean-Philippe] Rameau produced perhaps his most brilliant music for his penultimate great work, blending reality and the surreal on several levels.

“As I child, I always had music in my head. I thought everybody did,” the legendary conductor Sir Simon Rattle recalls. His charming and humorous reflections on the unifying magic of conducting are complemented by interviews with well-known contemporaries and accompanied by thrilling concert footage. His music is a joy to all those who listen to it!

Newman's poem tells the story of a soul's journey through death, and provides a meditation on the unseen world of Roman Catholic theology. Gerontius (a name derived from the Greek word geron, "old man") is a devout Everyman. Elgar's setting uses most of the text of the first part of the poem, which takes place on Earth, but omits many of the more meditative sections of the much longer, otherworldly second part, tightening the narrative flow.

Love, power and ambition meet on the stage of the Teatre de Liceu in Barcelona with L'Incoronazione di Poppea by Monteverdi directed by Jordi Savall and directed by Calixto Bieito.

Founded in 2012 by Laurence Equilbey, the Insula Orchestra performs on period instruments and experiments with new concert formats. In summer 2018, the French conductor and her ensemble will present a little-known work by Mozart at the Parisian cultural center La Seine Musicale: the incidental music to "Thamos, King in Egypt". In 1773, the author Tobias Philipp Freiherr von Gebler asked his fellow Freemason Wolfgang Amadeus Mozart to compose incidental music for his heroic drama "Thamos, King of Egypt". The boy wonder composed two choruses and five interludes for the play, which took up the Egyptian theme popular in the 18th century.

At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc’s death, his gripping and moving operatic masterpiece, Dialogues des Carmélites was staged in Paris by director Olivier Py with a cast featuring some of France’s finest female singers – Patricia Petitbon, Véronique Gens, Sandrine Piau and Sophie Koch – under the baton of Jérémie Rohrer. Le Figaro described the production as “a thing of wonder,” while Le Monde called it: “A masterpiece ... the most exciting and consummately achieved show to have been seen on a Parisian stage in a long time … This was great work, magisterial and unforgettable.” “The memorable Dialogues des Carmélites at the Théâtre des Champs-Elysées marked the climax of commemorative activities for the 50th anniversary of Poulenc’s death,” wrote Opera magazine of the production of Poulenc’s gripping and moving opera that was staged by the French director Olivier Py in Paris in December 2013.

From the Rai ‘Arturo Toscanini’ Auditorium in Turin, conductor Ion Marin and Czech mezzo-soprano Magdalena Kožená pay tribute to the Italian composer Luciano Berio with his *Folk Songs* for voice and orchestra, followed by *Rendering*, based on Schubert’s sketches for an unfinished Tenth Symphony. Between the two pieces by Luciano Berio, Ion Marin presents Arvo Pärt’s Cantus in Memory of Benjamin Britten.

One moment the singer Floria Tosca is standing on the stage, next moment she is the key figure in a deadly political intrigue sparked by jealousy and the craving for power. Giacomo Puccini’s thriller continues to captivate audiences to this day. Helsinki presents an audacious new production of this classic directed by Christof Loy. Award-winning German director Christof Loy promises a new and original vision of Puccini’s masterpiece. Lithuanian soprano Aušrinė Stundytė has the title role for the 2018/19 season, Italian tenor Andrea Carè plays the artist Cavaradossi and Finnish baritone Tuomas Pursio the power-hungry Scarpia. The conductor is Patrick Fournillier.

The most famous Scenes and Arias from French operas

Mozart's opera telling the story of the King of Crete who returns from Troy to find his his son in love with the daughter of the slain Paris, King of Troy. Conducted by Sir Roger Norrington and performed by Ramon Vargas, Magdalena Kozena, Anja Harteros and Ekaterina Siurina.

Nothing is for forever. And people make mistakes. And yet, letting go is the hardest challenge when you're burning with love for the first time and want nothing more than to hold on to it forever. But can you feel as intensely forever as you did in the beginning? Così fan tutte in Benedict Andrews’s new production deals with the exuberant feelings that drive young love in the rush of hormones. Sometimes it touches the fringes of human relationships, where one threatens to lose oneself in the search for intensity. Thus the two young couples, who think they have already discovered the essence of true love, meet two experienced counterparts in Don Alfonso and Despina. An experiment begins in which the men put the fidelity of their partners to the test by playing a game of disguise. What remains is disillusionment. And the possibility of a painful realization: only freedom and the longing for union are certain. Disappointment and rejection are part of the game – because no love is ideal.

Finland may be the happiest country on earth, but it is also known as the land of a thousand sad songs. Lurking in the shadows of this Nordic welfare state are violence, alcoholism and inequality. A century after its premiere, the most Finnish of all operas is now being performed in a new production at the Helsinki Opera House.

The insatiable Don Giovanni is not picky: anyone will do, from Donna Elvira to her maid and the bride at a country wedding. But when one of his conquests ends in murder, he sets off a chain of events that takes him forever closer to his bitter fate. When the most skillful librettist and the most ingenious composer of their time join forces, the result brims with an irresistible blend of tragedy and comedy. Carnivalistic joy and lust overflow in Finnish actor-director Jussi Nikkilä’s new interpretation of Don Giovanni, marrying modern and rococo styles.

Live performance from Oper Leipzig, 26 November 2005.

Johann Sebastian Bach’s St John Passion with the Berliner Philharmoniker and Sir Simon Rattle was one of the outstanding events of the past season. As before with the St Matthew Passion, star director Peter Sellars succeeded in creating a staging which made the spiritual and dramatic content of the Passion story even more intensive. The New York Times also praised the “brilliant and energetic” playing of the orchestra, the Frankfurter Allgemeine Zeitung the “haunting, almost unsurpassable singing of all those involved.”

Serse is perhaps Handel's most intriguing operas. Rediscovered at the 1924 Göttingen Handel Festival, the work soon became one of the composer's most popular operas, surpassed only by Giulio Cesare. Its popularity might in part be due to the incredibly popular aria it contains, Ombra mai fu. Recordings of the complete opera are rare and this one first presented in Dresden combines a visually strong staging with exceptional cast and ensemble of Baroque specialists.

Sir Simon Rattle was in no doubt: the performance of the St Matthew Passion which he realised together with the Berliner Philharmoniker and the Rundfunkchor Berlin in 2010 was for him “the single most important thing we ever did here”. Critics around the world agreed. They praised the semi-staged “ritualization” by American star-director Peter Sellars, as well as the outstanding musical performances by the soloists, including Magdalena Kožená, Christian Gerhaher, Thomas Quasthoff and Mark Padmore as the Evangelist.

Margreet Honig, eighty-four years old, is an internationally sought-after Dutch singing teacher. She teaches all over Europe and works with world-famous singers. She has developed her very own way of working.