Kahla wa Bayda

Haroun is an old bachelor who has lived in Oran for several years. A retired civil servant, he leads a reclusive life until the day he meets Kamel in a bar—a journalist to whom he tells an incredible story dating back to 1942. He claims to be the brother of ‘the Arab’ killed in a story told in one of the most famous novels of the 20th century, ‘The Stranger’ by Albert Camus. An Arab with an erased name: Moussa. Through anger, assertions, details, and confidences, Haroun finally convinces the journalist to listen to his story. His confession is a cry of freedom and distress—but above all, a cry of revolt: against an abusive mother, against a country that failed to achieve true independence, against a book, and against a famous French writer.

Driss and Manuel both grew up on the same council estate. An estate where the sense of belonging to your patch is much stronger than the sense of belonging to a country, a nation or a culture... Manuel has assimilated this belonging, and he has even benefited from it and built his life on it. Driss, meanwhile, has shunned it. They will both have to face up to the consequences of their decisions – because they will each have a price to pay…

In the early 1970s, Lakhdar, an Algerian peasant, is forced to leave his desert land and his family for France, but immigration weighs on him and he dreams of returning. This day arrives, he walks in Paris, events decide otherwise.

Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga

Nine people with Abdullah Le Clandestin (Illegal Taxi), in one car, on the way to Algiers.

Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.

Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.

An 18-year-old aspiring fashion designer refuses to let the turmoil of the Algerian Civil War dictate her life and defies growing conservative restrictions by organising a fashion show.

Thirty-four year old Ramsès has established himself as a clairvoyant in La Goutte d’Or, Paris. A shrewd manipulator and something of a poet, he built a sound business consoling people. Elusive and dangerous youths, freshly arrived from the streets of Tangier, disrupt his business and the whole neighbourhood. Until the day Ramses has an actual vision.

Belkacem, a young unemployed man living in the Saharan village of Boulhilet, is entrusted by Bouacha, an old dervish who came from nowhere, with the secret of the olive tree, the only lush tree and true mystery in this stone desert. After water supply works, modern life bursts into the village. Belkacem, ill-prepared for this situation, confuses dream and reality. Believing he has killed his rival who loves his beloved, he flees the village after donning the clothes of the dervish, whose gait he now imitates.

In this comedy, the requirements of living a respectable life grow too great for Maurice, as do the burdens of his well-paid executive position. After getting fired when a business proposal he has worked on is translated very badly to his English boss, he confides that he has lost his job to his wife. When she freaks out about that, he gets into his camper and heads south. There, a group of wandering Arab thieves rob him of everything he has of value but then admit him into their circle, calling him "Mohamed." One of their best scams comes when the newly renamed executive proposes that they rob his Paris home to raise money to start a restaurant. Though they are thieves, these new friends show every evidence of having more loyalty, good cheer, and basic morality than the associates the hero left behind.

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

Two women get on the highway heading to Santa Fe. Marilyn dreams of winning a contest held by a famous belly dancing company, while her friend, Mona, has a darker secret.

Jacques Belin, presenter of a silly TV show, gets drunk after receiving an award and misses the train bringing his TV-soap-star fiancée. He meets up with Frède, just out of prison after a three year sentence and, in between numerous arguments and Jacques' break-up with his girlfriend, the two of them get drunker together, going across Paris in search of more alcohol and adventure.

The story of a young Belgian actor of Moroccan origin who agrees to play the role of Saint-François-d'Assise to put an end to the roles of nice Arabs that are stuck on his forehead in often mediocre films. Getting into the historical figure will represent a real challenge for him; when his father, settled in Morocco, suddenly returns to Brussels with a new wife, and the beginnings of Alzheimer's, he finds himself having to juggle between the expectations of his colleagues and his family.

Le match France - Algérie vient chambouler le train-train de Brahim et Mouloud. Cet évènement va diviser les deux amis : Brahim revendique son identité algérienne, Mouloud fustige son refus de la France, pays qui les a vu grandir.

After losing their family home in Algeria in the 1920s, three brothers and their mother are scattered across the globe. Messaoud joins the French army fighting in Indochina; Abdelkader becomes a leader of the Algerian independence movement in France and Saïd moves to Paris to make his fortune in the shady clubs and boxing halls of Pigalle.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

Moussa, a young Franco-Algerian, returns to Algeria, but adapting to life in his country of origin proves difficult. Just as he is about to leave for France, he is called up for military service, which suits him fine because he is secretly in love with the beautiful Nacira.

In 1957, the Battle of Algiers intensifies. Hassan, a peaceful resident of the Casbah, is mistakenly identified as a dangerous "terrorist leader," earning him the nickname "Hassan Terro." He is arrested, but the French occupation army secretly organizes his escape in the hope of tracking down the leaders of the resistance. In turn, the Algerian liberation army exploits Hassan's naivety to thwart the French military command and disperse its forces.

Is Nosfer Arbi a vampire? Or is he just a very emaciated, very strange and possibly quite lonely young man from an Arabic country with an obsession with death? On the other hand, why is the previously cheery Parisian teenager Nathalie Belfond throwing fits and speaking in Arabic? Her strange behavior began with the appearance of a caped and cadaverous man outside her window. Mr. & Mrs. Belfond have their hands full trying to sort this mess out, in this extremely unusual and award-winning comedy which puts a new wrinkle on the vampire mythos.

A small town in Algeria, in the years 1960-1962. Two young idle boys and rock fans, Boualem and Salah, try to survive in the turmoil of war, taking great care not to get involved.

On the outskirts of Algiers, Algeria. the arrival of the satellite dishes governs the lives of the inhabitants. Dissatisfied with their lives, they think of themselves as the heroes of American soap opera and movies, so JR, Sue Ellen, Rambo, Kojak, Spock and others take possession of bodies and minds, with many typical American culture elements. These heroes mix in a beautiful funny mess, with tradition and modernism, Islam and television, reality and fiction.

The story of Hassan, the handyman in the inn of his sister Aïcha, widowed and childless. A whole series of incidents, misunderstandings, will punctuate his daily routine in which we find him in turn driver, waiter, welder, etc. But, he refuses to submit to anything that does not conform to the idea he has of society and things...

Hassan, tired and worn out by the long years of post-independence, obtains a taxi license as a veteran and will crisscross the streets of Algiers, experiencing the most incredible adventures.

The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.

El Kalaa, a village in southern Oran. Although already married, old Sidi planned to marry another. He sets his sights on the beautiful Aïssa, with whom Kaddour, his adopted son, is in love. The old man decides to play a trick on Kaddour to teach him never to covet a woman that an elder wants to marry...

In Algiers, the shock duo made up of Inspector Tahar and his sidekick L'Apprenti lead the investigation in the footsteps of a formidable bandit named "La Souris".