Justino - Behind the Kingdom

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small town in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.

Caught between family life and his obligations to the criminal underworld, Nando faces an impossible choice about where his true loyalties lie.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

Zé is a very poor man whose most prized possession is his donkey. When his donkey falls terminally ill, Zé makes a promise to Saint Bárbara: If his donkey recovers, he will carry a cross - like Jesus - all the way from his city to Saint Bárbara's church, in the state capital. Upon the recovery of his donkey, Zé leaves on his journey. He makes it to the church, but the priest refuses to accept the cross once he discovers the context of Zé's promise.

About to turn 35 years old and in the imminence of having to give up his music, Samuel comes to Lisbon to do a concert. He stays over at Teresa's, the attractive mother of his girlfriend, a woman who resists getting old. During 3 days, accomplices and inert, they create a silent intimacy, feeling time overcome them without knowing where to go.

Tony and his best friend, Ivy, decide to rob the bar where he works to steal a new drug that will take them on a journey to meet God.

In 1940s São Paulo, Pedro’s tasked to retrieve his estranged brother André. André’s departure stems from a domineering father, an overly affectionate mother, and Pedro’s jealousy over the father’s favoritism. Further complicating matters is André’s unconventional relationship with their sister, Ana.

An impoverished teen seeking to escape the clutches of a human trafficker must weigh living up to his moral code against his struggle to survive.

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.

Set in the 1950s Soviet Union, centers on a young artist who is commissioned to create Stalin's monument and must go through KGB scrutiny.

Rafa is a 13 years old kid concerned with his mother, held in a police station for driving without a license. The director shows a day in the life of a teenager who lives on a problematic area and discovers that her mother was arrested because of an automobile accident.

Passionate romance, brutal treachery, and selfless nobility are set against the background of Napoleon’s 1810 invasion of Portugal.

The life story of Claudinho e Buchecha, greatest icons and most successful duo of the Brazilian funk melody in all time, showing how the rhythm and poetry of the periphery conquered Brazil.

Camila is a Portuguese therapist who works at Rio de Janeiro State University, where she attends Glória, the university's elevator operator. Throughout the sessions, Camila faces a very violent reality, since Glória was raped by her own father as a child and her brother Jonas is a dangerous bandit that is in prison. Increasingly frightened by the reports she hears, she feels threatened at the same time that Glória sees her as essential in her life.

The film follows two men living in a Rio de Janeiro slum: a black shoe-shiner and a white mill worker.

Arne Sucksdorff’s drama follows four homeless children—Jorginho, Rico, Lici, and Paulinho—struggling to survive in the Rio de Janeiro slums. They shine shoes, scavenge food, and pickpocket while dreaming of escape from the streets. When Rico, once escaped from a brutal institution in Caxambu, falls ill, he chooses to return there rather than die outside. A somber portrait of poverty and resilience, the film was selected for the 1965 Cannes Film Festival.

The year is 1984. Estela is going through the turbulent phase of adolescence. Sex, lovers, friendships; everything seems very complicated. Her uncle Carlos is her hero, and visiting him in California is her biggest dream. But everything collapses when he returns thin, weak and ill. Between crises and discoveries, Estela will face a reality that will forever change her way of seeing the world.​

Isolated in a country house, a group of young friends decide to write and bury letters addressed to their future selves, to be opened ten years later. However, following a tragedy that occurs that very same day, the friends do not reunite for a decade. Their eventual reunion brings to the surface old passions, new frustrations, and a secret that was never properly buried.

A lonely architect attends the funeral of his childhood best friend and embarks on a personal journey of reminiscence and self-reflection.

Three friends are part of a fascist opposition group in the chaotic Chile of the early 70's and together commit a political crime that changes the history of the country and incidentally involves them in a betrayal that separates them forever.

Born in the small town of Feira de Santana, in the interior of Bahia, Divaldo has lived with mediumship since he was 4 years old. Disturbed by what he sees, rejected by other children and repressed by his father, the boy does not have an easy childhood. At 17, he is convinced that it is useless to try to deny his gift. With the support of his mother, he comes into contact with Spiritism and moves to Salvador to study the doctrine. Under the guidance of his spiritual guide, Joanna de Ângelis, the young man overcomes the homesickness and the loneliness of the big city and embraces his mission. A few years later, that strange boy from Feira de Santana becomes one of the most important mediums of all time and gives up his personal life to dedicate himself to charity.

This is an adaptation of the 2015 TV show, featuring two intertwining love triangles that drive the plot. The first triangle involves Aragão, his wife Arlinda, and her lover, Chico. The second triangle unites Malvina, Lena, and Gabriel, who is the son of Arlinda and Chico but raised by Aragão.

Paralysed by fear of the future, a middle aged French bureaucrat escapes to Brazil where a destructive affair with a boy forces her to learn to live in the present.

Three mothers see their reality become completely, they are: Ruth, whose teenage son, Raul, faces problems with drugs; Elisa, trying to make up for the absence of her husband giving full attention to the child, the little Theo, and Lara, teacher who faces the dilemma of an unplanned pregnancy. These three women, living in different times of their lives, seeking comfort next to Chico Xavier. And Karl reporter remains insisting on interviewing the medium, even without being prepared for it.

'The Last Party' is a young romantic comedy that follows a group of four friends at their high school graduation party. Each protagonist with their love dilemma to solve throughout the night, all connected by the issues of this generation. It's their last night as teenagers. The last night with friends before being separated by different colleges. The last night before the rest of their lives.

After his mother's sudden death, Socrates, a 15-year-old living on the margins of São Paulo's coast, must survive on his own while coming to terms with his grief.

In Lisbon, Claudia offers guided tours in and out of the city. At night, she kills time with her sister in a modest apartment. In Lisbon, lonesome Martinho is fluent in Italian and guide tourists all around town. In Lisbon, a band is jamming. They perform improvisational noise jazz. In Lisbon, a mysterious phenomenon fills the air. Claudia and Martinho’s lonely hearts will discreetly meet to the sound of music.

When the progress of robotics makes Paralympic athletes the new sports stars, Maria dreams of competing against her sister. For that, she will have to enter a world of crime and violence.

Luís Mário Lopes wrote the solo A Boa Alma for Mónica Calle in 2015, based on the works of Bertolt Brecht marking the departure of Casa Conveniente from Cais do Sodré and their arrival in the new venue in zona J, Chelas. The original score is by JP Simões.

The selfish Ancelmo dies and ends up trapped in limbo. To secure his place in heaven, he must practice a good deed and play cupid, as he is tasked with uniting a man and a woman with widely differing personalities.

Barravento Novo depicts correspondences between Antônio Pitanga—a Cinema Novo actor seen here delivering lines from Glauber Rocha’s first feature, Barravento, from 1962—and his daughter, Camila Pitanga, a well-known actor and filmmaker working today.

When they discover their town lacks funding for a sewage system, but does have a federal grant to make a movie, a group of villagers decide to make a sci-fi joint about a monster who lives in the building site of a septic tank.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

A scientist tells us that Pluto is no longer considered a planet. The feelings of disappointment and nostalgia, and the impossibility of being able to go back to certain moments of his life, make him want to find in the story of David an answer for whatever exists beyond science and reason.

Alice Segretto is more agitated than ever. The success of her chain of stores Sexy Delícia takes the businesswoman on a tour around the world. Working endlessly, Alice realizes that she has not been able to keep up with her family, which has also grown. Conflict sets in: how to reconcile this insane life with her family? Impetuously, Alice makes a curious decision, deciding to retire and hand over the business to her mother. But when a competitor comes up with a plan to steal the scene, Alice's life is once again flipped legs in the air.

In the film, actor Leandro Hassum plays lawyer Michelle Barbieri, known as Mike. The company where he works is bought by an office that decides to keep only women in its positions. However, the character is not fired, since, due to her name, the HR department believes that she is a woman. The character then starts dressing in women's clothing to stay in his job.

In July 1942, filmmaker Orson Welles arrives in Recife to film the city and finds himself at a grand celebration with local intellectuals.

A couple decides to have a free pass to be with another person without it being considered cheating, causing them to question the terms of their relationship. Maia and Caetano have been living together for a year and, upon signing a cohabitation agreement for their health insurance, they experience the true impact of monogamy. During a game with friends, they both choose one that is permitted for themselves. However, when the hypothetical situation becomes reality, they rethink the limits and desires of their relationship.