Famed Italian director Romeo Castellucci re-envisions his groundbreaking 1997 production Giulio Cesare (Julius Caesar) as a series of “fragments” rearranged and positioned against each other—a clash between the ethereal and the obscure, the power of rhetoric and language stripped to its source.
Dante's 'La Divina Commedia' is a poem in three parts about a journey to hell, purgatory and finally, paradise. Romeo Castellucci created his own free adaptation on the gigantic stage of the Cour d'Honneur in Avignon, in the palace where the first French pope, Clement V, resided. The pope allows Dante to descend into the inferno. We are confronted with man's confusion, the fragmentation of the community and the darkness of art.
Young Beetle Hobbs wants out of his small town and sees his ticket in Grady Wilson. Set in the desolate Smoky Mountains, Grady has recently left the big city to become the proprietor of a resort lodge. When Beetle joins Grady's staff, he gives new meaning to the adage 'keep your friends close and your enemies closer'. A stunning ensemble cast steer this original tale of chilling suspense as different shades of gray ignite a battle between good and evil. FLIGHT OF THE CARDINAL possesses a rare combination of heart and soul with edge-of-your-seat suspense
Dante's 'La Divina Commedia' is a poem in three parts about a journey to hell, purgatory and finally, paradise. Romeo Castellucci created his own free adaptation on the gigantic stage of the Cour d'Honneur in Avignon, in the palace where the first French pope, Clement V, resided. The pope allows Dante to descend into the inferno. We are confronted with man's confusion, the fragmentation of the community and the darkness of art.
Shares a lead actor · Same director
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
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Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.
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The incredible true story behind the most controversial Italian court cases in recent years. Stefano Cucchi was arrested for a minor crime and mysteriously found dead during his detention. In one week's time, a family is changed forever.
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In a small suburb on the outskirts of Rome, the cheerful heat of summer camouflages a stifling atmosphere of alienation. From a distance, the families seem normal, but it’s an illusion: in the houses, courtyards and gardens, silence shrouds the subtle sadism of the fathers, the passivity of the mothers and the guilty indifference of adults. But it’s the desperation and repressed rage of the children that will explode and cut through this grotesque façade, with devastating consequences for the entire community.
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Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
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Fleeing from his enemies in the Catholic Church, the free thinking philosopher, poet and scientist Giordano Bruno has found some protection in Venice. But the Roman Inquisition, fearing his influence in Europe, wants to bring him on trial for 'heresy'.
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A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
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Young Father Giulio returns to Rome, where he was born and raised, to replace a priest who has left the clergy to start a family. He is delighted to reunite with his loved ones, especially his mother, sister, and old friends. Once radical leftists like Giulio himself, the latter are now each coping in their own way with the defeat of the revolution. Soon, however, Giulio realizes that despite his best efforts, he seems unable to solve the problems troubling those around him.
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A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
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The man who goes through purgatory – the “song of the earth” – is a curious being, constantly stopped by the concrete nature of the things and objects that surround him, in a depiction of his own life. This material occupies him, blocks his way, attaches him and often torments him. It bears witness to what exactly purgatory is to Romeo Castellucci: human life in its daily repetition, familiarity with everyday tasks, the trap of routine, the experience of the ordinary body, encounters with the finished world, known nature, the substances of life.
Two men, caught in the chaos of contemporary America. One man (portrayed by Anthony Martinez-Briggs), working inside a hospital during the COVID pandemic, comes to grasp the volatility of what it means to be “essential.” The other (portrayed by Ross Beschler) frantically parrots President Trump’s rhetoric. This digital production, directed by Wilma Artistic Director Blanka Zizka, takes its inspiration from absurdist theater (such as Beckett’s "Not I"), and the Wilma HotHouse Company’s bold physical performance style. The title, Code Blue, refers to the hospital code indicating an emergency when a patient enters cardiac arrest.
In an environment coloured with talcum powder, the Soldiers of Conception escort a Child-Judge as he walks backwards across the set. When he bumps into the Tables of the Law, reality is overturned and all interiors becomes exterior.
A human figure dressed as a woman is anatomically exposed by means of a series of photographic poses. The show is seeped from beginning to end in darkness, an allusion to the photographic negative.
The New York Times recently called Dmitry Krymov “one of the world’s finest theatermakers.” For this new adaptation of The Cherry Orchard, the world-renowned Russian director collaborates with the Wilma’s acclaimed HotHouse Acting Company to reimagine one of theater’s enduring masterworks. What is it like to lose your home? The Cherry Orchard centers around a Russian family grappling with the potential foreclosure of their estate, and a community in transition as the old makes way for the new. Volleyballs and sunflower seeds fly, while a giant mechanical train station flipboard tells the future … plus more surprises await in Krymov’s inventive re-interpretation. One family is in danger of losing their home, their comfort, and their power. What comes next … and who will profit?
A nightmare which envelops the everyday tranquility of domestic life, turning it into a tragedy. Confusion between man, animal and God.
Mussolini is surrounded by pictures torn from a history-generated dream which gradually merge into everyday reality. Harlequin is the servant of two masters. The permanence of the clergy in the Eternal City is placed under a great bell which swings without a clapper.
Le Maillon Théatre is a huge pavilion originally built for international exhibitions. A number of people are present, but nothing happens. Something may happen outside, on the other side of the window which separates the theatre from the car park, but inside the theatre, everyone is lost.
