J.S. Bach Christmas Oratorio

Philippe Herreweghe, principal conductor of the Royal Flemish Philharmonic, has devoted himself for over ten years to fresh and invigorating readings of the (pre-) Romantic repertoire. Together with the Collegium Vocale, founded in 1970 by Philippe Herreweghe himself, and superb soloists they perform Dvorak’s Requiem. A modern and stylistically flexible symphony orchestra, the Royal Flemish Philharmonic demonstrates an artistic flair which allows for a variety of styles and occupies a unique position in Flanders. Collegium Vocale Gent were one of the first ensembles to use new ideas about baroque performance practice in vocal music. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at the major concert venues and music festivals all over the world.

Louis Andriessen's opera, based on Dante's Divine Comedy, plays out as a combination of a stage production and filmed elements, which sees Dante as a journalist, Beatrice as a Diplomat and Lucifer as a factory owner.

On Thursday 2 May 2019, the Monteverdi Choir and English Baroque Soloists, led by John Eliot Gardiner, brought a new production of Semele to “London’s oldest new theatre” at Alexandra Palace. This concert-staging of “Handel’s sexiest opera”, directed by Thomas Guthrie, was the only London date on a prestigious European tour. Featuring a young, glamorous cast of international soloists, the performance provided London audiences with a fuller version of the work, notably with some passages by Handel very rarely heard in modern performances.

This large-scale live recording (Gardiner's second) was made in Venice's St Mark's Basilica. It captures the drama as well as the ceremonial aspect of the work, despite sometimes cloudy recorded sound.” Gramophone Classical Music Guide. “Gardiner's second [recording of the Vespers], spectacularly recorded live in St Mark's, has a punchy choral sound, near-operatic solo singing (Bryn Terfel and Alistair Miles are among the basses), emphatic enunciation, big contrasts and deliberate exploitation of the building's spaces. Its outright theatricality sets it apart from other performances.

Hartley's conscientious assistant in Berlin receives weekly letters from her boss and sends him the books he needs as he struggles in Amsterdam to create the staging for Dutch composer Louis Andriessen's opera, "La commedia."

The moon landing is juxtaposed to Dante and Beatrice's journey through paradise in this visual oratorio composed by Jacob ter Veldhuis.

George Frederic Handel's oratorio Theodora, in its first-ever staged version at the Salzburg Festival, was among the highlights of Handel Year 2009. Acclaimed director Christof Loy presented Theodora as the profoundly moving tale of a woman who prefers death to denying her faith, an interpretation captivated with bravura by world-renowned video director Hannes Rossacher. A luminous Christine Schaefer and countertenor Bejun Mehta formed a perfect leading couple altogether suited to conductor Ivor Bolton's vigorus reading.

Two of Mozart's best-loved choral works - the 1791 Requiem, and the Mass in C minor, both of which were unfinished when he died. Performed at the Palau de la Mùsica Catalana in Barcelona in December 1991 to commemorate the 200th anniversary of Mozart's death.

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century

John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).

This epic opera follows Virgil, beginning as the Greeks appear to have ceded the field after ten years of the Trojan War. Cassandra tries to warn of the terrible fate to come, but fate is set and Troy falls. The first two acts cover this tragic end, then the flight of survivors to Carthage and events at Carthage continue in acts 3 - 5, culminating in the further voyage for Italy and Rome. This is Virgil's classic epic, in operatic form, in about a three and a half hour performance from French Opera.

In the magnificent rooms of the Galleria Borghese in Rome, John Eliot Gardiner and his ensembles The Monteverdi Choir and The English Baroque Soloists bring together the music of Claudio Monteverdi and the paintings of Caravaggio. The encounter of two works whose creators revolutionised their disciplines.

In present-day Los Angeles, controversial stand-up comedian Henry McHenry and internationally renowned opera singer Ann Defrasnoux form the façade of a happy couple in the spotlight. Ann gives birth to a baby girl named Annette, who possesses an exceptional gift that will change all of their lives forever.

The story of Henry Purcell.

Winter 2012 - Committed against her will in a psychiatric hospital in Tehran, Iranian psychoanalyst Mitra Kadivar begins a correspondence by email with Jacques-Alain Miller, founder of the World Association of Psychoanalysis. Summer 2017 - An artistic team creates an opera inspired by these exchanges while absorbing the reality of the Montperrin psychiatric hospital in Aix-en-Provence.

Documentary about sixteen great conductors of the 20th century.

During Marian Anderson's historic concert in front of the Lincoln Memorial in 1939, a white man and a black woman fall in love. During the turbulent half-century that follows, they try to protect their three musically gifted children from prejudices they themselves have suffered. Belgian avant-garde jazz pianist and composer Kris Defoort’s new opera is a fascinating symbiosis between jazz and classical music deeply rooted in the now. Inspired by Richard Powers' great American novel, The Time of Our Singing tells the story of a mixed-race family against the backdrop of racial segregation in the USA. In the world premiere at La Monnaie, Ted Hoffman's production lets official history and intimate stories collide to explore issues of identity, race and art.

Gustav Mahlers Gigantic Symphony No. 2 in C minor usually lls out a concert on its own. But in this recording with the Bayerischen Rundfunks' Symphonieorchester (Bavarian Radio Symphony Orchestra) under its principal conductor Mariss Jansons , the work is introduced by an exquisite and tting choral work: A contemporary (1982) 16-voice arrangement of a song by Mahler, Ich bin der Welt abhanden gekommen, based. on a poem by Friedrich Rückert and originally composed for voice and orchestra in 1901 performed here by the superb Chor des Bayerischen Rundfunks (Bavarian Radio Choir).

The film On a Warm Day in July (2015) was shot at the Wolfers Hotel in Brussels, with American soprano singer Claron McFadden. The elements that constitute the main motifs of this work are breath, space and the emptiness of the architecture; the performer freely improvises a sung piece inspired by a 17th century chant.