J. S. Bach: Weihnachtsoratorium Sir John Eliot Gardiner

Philippe Herreweghe, principal conductor of the Royal Flemish Philharmonic, has devoted himself for over ten years to fresh and invigorating readings of the (pre-) Romantic repertoire. Together with the Collegium Vocale, founded in 1970 by Philippe Herreweghe himself, and superb soloists they perform Dvorak’s Requiem. A modern and stylistically flexible symphony orchestra, the Royal Flemish Philharmonic demonstrates an artistic flair which allows for a variety of styles and occupies a unique position in Flanders. Collegium Vocale Gent were one of the first ensembles to use new ideas about baroque performance practice in vocal music. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at the major concert venues and music festivals all over the world.

Louis Andriessen's opera, based on Dante's Divine Comedy, plays out as a combination of a stage production and filmed elements, which sees Dante as a journalist, Beatrice as a Diplomat and Lucifer as a factory owner.

On Thursday 2 May 2019, the Monteverdi Choir and English Baroque Soloists, led by John Eliot Gardiner, brought a new production of Semele to “London’s oldest new theatre” at Alexandra Palace. This concert-staging of “Handel’s sexiest opera”, directed by Thomas Guthrie, was the only London date on a prestigious European tour. Featuring a young, glamorous cast of international soloists, the performance provided London audiences with a fuller version of the work, notably with some passages by Handel very rarely heard in modern performances.

This large-scale live recording (Gardiner's second) was made in Venice's St Mark's Basilica. It captures the drama as well as the ceremonial aspect of the work, despite sometimes cloudy recorded sound.” Gramophone Classical Music Guide. “Gardiner's second [recording of the Vespers], spectacularly recorded live in St Mark's, has a punchy choral sound, near-operatic solo singing (Bryn Terfel and Alistair Miles are among the basses), emphatic enunciation, big contrasts and deliberate exploitation of the building's spaces. Its outright theatricality sets it apart from other performances.

Hartley's conscientious assistant in Berlin receives weekly letters from her boss and sends him the books he needs as he struggles in Amsterdam to create the staging for Dutch composer Louis Andriessen's opera, "La commedia."

The moon landing is juxtaposed to Dante and Beatrice's journey through paradise in this visual oratorio composed by Jacob ter Veldhuis.

George Frederic Handel's oratorio Theodora, in its first-ever staged version at the Salzburg Festival, was among the highlights of Handel Year 2009. Acclaimed director Christof Loy presented Theodora as the profoundly moving tale of a woman who prefers death to denying her faith, an interpretation captivated with bravura by world-renowned video director Hannes Rossacher. A luminous Christine Schaefer and countertenor Bejun Mehta formed a perfect leading couple altogether suited to conductor Ivor Bolton's vigorus reading.

Two of Mozart's best-loved choral works - the 1791 Requiem, and the Mass in C minor, both of which were unfinished when he died. Performed at the Palau de la Mùsica Catalana in Barcelona in December 1991 to commemorate the 200th anniversary of Mozart's death.

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century

John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).

After ten years battling in the Trojan War—and another ten on an epic journey homeward—Ulysses returns to his homeland. Disguised as a beggar, the king of Ithaca must recover his wife, his son, and his people... Il ritorno d'Ulisse in patria (Venice, 1640), directed here by Klaus-Michael Grüber and conducted by Nikolaus Harnoncourt, achieves a perfect dramatic balance, stirring the imagination and instantly transporting the viewer to a long-ago time. The all-star cast features one of the earliest recorded appearances by the great Jonas Kaufmann, who makes his presence felt as Ulisse's son Telemaco.

This epic opera follows Virgil, beginning as the Greeks appear to have ceded the field after ten years of the Trojan War. Cassandra tries to warn of the terrible fate to come, but fate is set and Troy falls. The first two acts cover this tragic end, then the flight of survivors to Carthage and events at Carthage continue in acts 3 - 5, culminating in the further voyage for Italy and Rome. This is Virgil's classic epic, in operatic form, in about a three and a half hour performance from French Opera.

A live recording of the premier of Korean composer Unsuk Chin's Alice in Wonderland opera at National Theater Munich in June 2007. It is a modern opera based on Lewis Carroll's fantasy novel of the same name. The amazing characters Alice meets are portrayed with a colorful combination of puppets and singer-actors.

Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.

In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English Baroque Soloists perform Gardiner's new interpretation of this classic piece. For the renowned conductor, this Weimar concert is a special performance, marking the start of his Bach Cantata Pilgrimage. With this new interpretation of the Christmas Oratorio, Gardiner shows himself once again to be an incontestible specialist of Bach's music. Including two complementary documentaries: J.S. Bach: Jauchzet, frohlocket! An Introduction to the Christmas Oratorio presenting the best performers in their field, including John Eliot Gardiner, the Monteverdi Choir founded by him, the English Baroque Soloists, as well as other internationally-known vocal soloists.

In present-day Los Angeles, controversial stand-up comedian Henry McHenry and internationally renowned opera singer Ann Defrasnoux form the façade of a happy couple in the spotlight. Ann gives birth to a baby girl named Annette, who possesses an exceptional gift that will change all of their lives forever.

A 2014 French production of John Adams and Peter Sellars' opera Doctor Atomic at the Opéra national du Rhin.

The Marschallin is relishing time with her young lover, when her cousin’s sudden arrival ignites a comic chain of events. With honour at risk, social status bartered and happiness illusive, the Marschallin accepts time cannot be stopped and she must set young love free. After opening the 2022-23 season in Brussels with Pikovaya Dama, La Monnaie / De Munt now streams Der Rosenkavalier live on OperaVision. The mystery of time resonates throughout Hugo von Hofmannsthal’s highly spiritual and nostalgic libretto, for which Richard Strauss took a step back in time to eighteenth-century Vienna. Waltzing in neoclassical style, with sublime lyricism and a refined orchestral palette, the opera looks back to the past, faded beauty, lost loves.

The story of Henry Purcell.

Winter 2012 - Committed against her will in a psychiatric hospital in Tehran, Iranian psychoanalyst Mitra Kadivar begins a correspondence by email with Jacques-Alain Miller, founder of the World Association of Psychoanalysis. Summer 2017 - An artistic team creates an opera inspired by these exchanges while absorbing the reality of the Montperrin psychiatric hospital in Aix-en-Provence.

Heart Chamber focuses on the elements of falling in love that expose us to our most intense beauty but also to our most intense vulnerabilities and insecurities. It is a grand opera of the smallest physical and psychic changes that push two strangers towards or away from each other as they embark on a transformative path, the conclusion of which one cannot envision. Two naked souls wrapped in their existential loneliness like a second skin have a chance of a true connection which might outweigh the internal isolation. This chance is equally euphoric and dangerous: so much is at stake. While society frames love as the true course to fulfillment, a love connection can have many unexpected consequences. Some live and die surrounded by their families. However, the Russian woman whose husband took her to the forest and cut her arms off in 2018 surely did not envision this at the beginning of their relationship.

Documentary about sixteen great conductors of the 20th century.

During Marian Anderson's historic concert in front of the Lincoln Memorial in 1939, a white man and a black woman fall in love. During the turbulent half-century that follows, they try to protect their three musically gifted children from prejudices they themselves have suffered. Belgian avant-garde jazz pianist and composer Kris Defoort’s new opera is a fascinating symbiosis between jazz and classical music deeply rooted in the now. Inspired by Richard Powers' great American novel, The Time of Our Singing tells the story of a mixed-race family against the backdrop of racial segregation in the USA. In the world premiere at La Monnaie, Ted Hoffman's production lets official history and intimate stories collide to explore issues of identity, race and art.

The exiled Austro-German musician and composer Artur Schnabel was a giant of his time, but in Germany today he is nearly forgotten. Pianist and Schnabel devotee Markus Pawlik (in collaboration with baritone Dietrich Henschel and the Szymanowski String Quartet) brings Artur Schnabel's greatest compositions back to Berlin with a filmed commemorative concert. Along the way, Pawlik visits the places, landscapes, and history that shaped Schnabel's life and music. "Artur Schnabel: No Place of Exile" rediscovers an essential artist displaced by the catastrophe of the two World Wars and the Holocaust and inspired by the possibilities of modernism.

Gustav Mahlers Gigantic Symphony No. 2 in C minor usually lls out a concert on its own. But in this recording with the Bayerischen Rundfunks' Symphonieorchester (Bavarian Radio Symphony Orchestra) under its principal conductor Mariss Jansons , the work is introduced by an exquisite and tting choral work: A contemporary (1982) 16-voice arrangement of a song by Mahler, Ich bin der Welt abhanden gekommen, based. on a poem by Friedrich Rückert and originally composed for voice and orchestra in 1901 performed here by the superb Chor des Bayerischen Rundfunks (Bavarian Radio Choir).

Ruth Ziesak, soprano ; Anna Larsson, contralto ; Christoph Genz, tenor ; Dietrich Henschel, bass ; GewandhausKammerchor ; Gewandhausorchester Leipzig ; Herbert Blomstedt, conductor. Recorded in performance May 8, 2005, St. Thomas Church, Leipzig, during the 2005 Bachfest Leipzig. Special features include: Bach and his B minor Mass, an introduction by Herbert Blomstedt (21 min.)

The film On a Warm Day in July (2015) was shot at the Wolfers Hotel in Brussels, with American soprano singer Claron McFadden. The elements that constitute the main motifs of this work are breath, space and the emptiness of the architecture; the performer freely improvises a sung piece inspired by a 17th century chant.