Second silver screen adaption of the Finnish war book by Väinö Linna. The story is based on Linna's experiences as an infantry man in the Finnish army during the so called "Continuation War" (1941-1944).
Young hockey player Illu spends his summer in local restaurants, just like the stunning blonde Salme, with whom he and every man in town is in love.
Second silver screen adaption of the Finnish war book by Väinö Linna. The story is based on Linna's experiences as an infantry man in the Finnish army during the so called "Continuation War" (1941-1944).
18-year-old Ursula wants to be an adult, but Mårten and Harri, both in their thirties, do not. Ursula ends up becoming a drug courier for the men.
Director Timo Koivusalo point of view about life of classical music composer Jean Sibelius, who is a national composer of Finland.
The Tough Ones tells a story of two friends who have a hard time finding their place in the society. Antti and Jussi are released from jail. While they were doing time for bank robbery, the third man involved in the robbery, the one who was not convicted, has become a policeman. He tries to help his friends to settle into the small town in Pohjanmaa, but the boys start a black market liquor business instead. The road seems to lead back to the jail.
14-year-old Petri dreams about becoming an ice hockey professional. A triangle drama at home makes Dad move away and replaces him with Mutanen, the worst player in the local hockey team. Petri finds out a way to get the best out of Mutanen on ice: before a game, he has to be made really angry so his adrenaline gets flowing.
The life of Irwin Goodman, a Finnish singer.
Based on a true story about the so called 1932 Horse Rebellion in Nivala, Finland. The decision to put down a sick horse owned by a poor farmer rises the farmers in open rebellion against the authorities.
April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.
Young Alex Sammakko has seen his brothers defy the law in a series of deeds that first land them in jail, and then, after they escape and return to their rural home, land them back in the lap of their locally notorious family. Alex wants nothing to do with them. He is in love with Mirja, whose family is not that different from the Sammakko's, but who shares Alex's viewpoints and feelings. Not helping matters is a police department convinced that all Sammakkos are bad, and the family itself, pressuring Alex to follow in their murky footsteps.
A small Finnish town bank manager gets caught in the midst of local politics, with dire effects on his family and himself.
Eccentric small town librarian Helinä struggles between everyday life and her love for the theatre, directing amateurs for a play by the famous Finnish writer Aleksis Kivi. She still carries the torch for her teenage sweetheart Leo, now a married chimney sweeper but still an aspiring playwright, despite his wife's opinions. Helinä thinks Leo is Aleksis Kivi, and so does Leo himself. Discouraged by the society, they end up in a mental institution but finally manage to stage an outdoor premiere of the play.
A man with a low IQ has accomplished great things in his life and been present during significant historic events—in each case, far exceeding what anyone imagined he could do. But despite all he has achieved, his one true love eludes him.
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