Inferno on Mont Blanc

Charles le Temeraire asks in marriage Jeanne de Beauvais, daughter of King Louis XI, wishing to get her valuable lands in dowry. The King is wise to this, and since his daughter does not feel inclined to accept, he refuses. Charles sets up a plan to abduct the prince, in a way that the suspicions will fall upon Robert de Neuville, a noble enamoured of the princess. Robert manages to free her from the castle where she was being kept. Charles keeps setting traps, and managing people to perjure against Jeanne, and the King himself. Finally, Jeanne escapes alive from a pack of wolves, who set watching the lady alone in the snow covered woods, instead of attacking her. Charles does yet accuse her of being a witch - wishing to have her dead rather than being the wife of Robert... Robert will be her champion in a Judgement of God. Will the 'miracle of the wolfs' repeat itself, or fearless Charles defeat Robert in the sword duel?

Les Parois de la Mémoire – Le Pilier Central du Frêney is a 25-minute documentary film directed by Jérôme Equer in 1994 and broadcast on the FR3 weekly program Montagne. The film highlights the tragic story of the July 1961 attempt to climb the Frêney Central Pillar (on the Italian side of Mont Blanc), during which a Franco-Italian team—led notably by Pierre Mazeaud and Walter Bonatti—was trapped by a violent, multi-day storm of exceptional intensity, resulting in a tragic retreat and the deaths of four of the seven climbers. It draws on archival footage, excerpts from Lothar Brandler’s film Inferno am Montblanc, and firsthand accounts from the participants, including mountaineer and politician Pierre Mazeaud.

From Trento to Chamonix, via Zermatt; from the Morgiou cove to the Eiger's north face; from Planica to the Lavaredo peaks, the Alps are depicted, illustrated, and magnified in all their unique and sublime beauty, through the sports practiced there and the most typical customs and traditions of their inhabitants. A helicopter rescue and a parachute jump from the Red Wall by Wolfgang Weizenbocks are experiences not to be missed.

Les Etoiles de Midi is an engaging docudrama about some of the more spectacular exploits of French mountain climbers over the last several decades. In one re-enacted story, there is a wartime escape through the mountains, and in another, a daring rescue of a pair of climbers who had been missing. The actors themselves are adept at the sport of climbing, and they give the scenes an immediacy and real daring that brings the stories alive. A combination of their acrobatics and skill and the outstanding episodes in the history of French climbing creates a winning 78 minutes.

On July 11, 1961, a rope team of seven men—led by the Italian Walter Bonatti and the Frenchman Pierre Mazeaud—set out to scale the Frêney Pillar on the south face of Mont Blanc. After days of grueling effort—and just as they were nearing their goal—they were trapped by a violent storm. Stranded at an altitude of over 4,500 meters in temperatures of minus 20 degrees, the seven climbers were forced to bivouac in hellish conditions. Exhausted, spent, and with one of their number injured, they displayed extraordinary solidarity, exemplary courage, and a determination that commands respect right to the very end. Yet the mountain proved cruel. Lost in fog, blinded by the darkness, and gripped by the cold, four of the seven climbers perished from exhaustion after a perilous five-day, five-night ordeal in hell. Only three made it down alive, including the Italian Walter Bonatti and the Frenchman Pierre Mazeaud.

In 1961 the southern face of the Central Pillar of Mont Blanc was still unclimbed. Two roped parties of climbers decided to come together to attempt to open a new route. Four days of violent storms caught the climbers just 80 metres from the summit. Of the seven climbers, only three returned home. One of the most intense and dramatic events in the history of climbing relives on the big screen, thanks to accounts and images of the feat.

After the successful conquest of Everest in 1953, two Italians reach the summit of K2, the second highest mountain in the world, the next year,after careful preparation and the formation of the team of climbers, scientists, and porters.

Walter Bonatti is THE mountaineering legend, capable of meeting the great challenges of mountaineering: K2, Drus, G4, Matterhorn, to name a few. But the summits reached are not points of arrival, they are intermediate stages which then push him on a journey around the world, in search of himself. His exploration, starting from the vertical walls, then moved towards horizontal paths and was always expressed towards the interior space where our fears and our desires reside. Where the man, sitting alone in front of himself, must decide to surpass himself or to adapt. And Walter never complied with them, he wrote his own rules and followed them all his life, allowing himself no loopholes or shortcuts. He built himself as a mountaineer, as an explorer, as a photojournalist and as a writer, but always and only with the intention of being an uncompromising man with his hands, his muscles, his heart and his head.

In February 1966, Pierre Mazeaud and Lucien Berardini traveled to the Atakor massif, in the Hoggar mountain range of the Sahara in southern Algeria. There, they attempted a challenging first ascent: the Takouba spur, one of the peaks adjacent to Garet El Djenoun, a legendary mountain in the Hoggar massif, first climbed by Roger Frison-Roche and Raymond Coche in 1935. The documentary, superbly filmed by Jacques Ertaud, won the Grand Prize at the Trento International Mountain Film Festival in 1966.

In 1983, three climbers became the first French people to reach the summit of Everest. Among them were expedition leader Pierre Mazeaud and a promising 25-year-old climber, Jean Afanassieff. Twenty years later, the two legends, accompanied by mountain guide Michel Pellé, retrace the steps of their exploit and make the trek from Kathmandu to the foot of the roof of the world. This is an opportunity to retrace the history of the successive assaults on Everest and to assess the current situation of a mountain that has become a victim of its own success: while Sherpas have been able to take advantage of Western enthusiasm and thus enrich themselves and equip the summit to make it more accessible, the site's attendance poses numerous problems, both human and ecological.

K2 Chasing Shadows chronicles Benjamin Védrines' record-breaking 2024 ascent of K2 (8,611m) in 10 hours, 59 minutes, and 59 seconds, without supplemental oxygen: a story that unfolds as much in the mind as on the mountain. In human exploration, each boundary pushed awakens a new thirst. Each feat paves the way for a deeper quest. It is this tension between extreme performance and inner aspiration that drives K2 Chasing Shadows. For Benjamin Védrines, it is a journey of humility, resilience, and a search for meaning amidst the raw beauty of the Pakistani Karakoram. The film exposes the physical demands of a formidable summit, while also exploring fear, loss, and the perilous nature of dreams that demand total commitment. Between unforeseen obstacles, forced retreats and new attempts, Védrines faces the most trying and exhilarating aspects of mountaineering, constantly questioning where true accomplishment lies.

Guido Magnone's incredible adventure begins strangely on the banks of the Ourcq canal among a group of kids who dream of swimming. Guido, the solitary son of "rital", dives to get noticed, succeeds, takes a liking to it, breaks his first record, collects medals. At the same time, he draws, attends the Beaux-Arts, is accepted with open arms and befriends the sculptors César and Féraud. At the end of the war, during a health stay in Chamonix, it is love at first sight for the mountains, climbing. Guido's ascent is now dizzying. He stormed the west face of the Drus, then the Fitzroy and the Tour de Mustagh, summits reputed to be impossible. He rubs shoulders with the greatest, Lionel Terray, Maurice Herzog, and participates in the Makalu expedition, camera in hand, or those of Jannu and Chacraraju. Later, in his fifties, Guido hangs up the carabiners and participates in the foundation of the UCPA

Pierre Mazeau has managed to unite three of his passions which seem to have nothing in common, at a very high level: mountaineering, jurisprudence and policy. The Everest mountaineer, rescued from the Freney Pillar, the passionate jurist, the former sports minister, privy counsellor, and president of the French Constitutional Court is a charismatic personality. This sensitive film portrait follows a line, which Pierre Mazeaud himself has quoted: “Alpinism belongs to those who provide themselves with means to reach their goals, to those who are fully committed to a goal, to those, who know the value of solidarity of men, and to those who are aware that true human existence can only be fulfilled by proceeding with a team of roped-partners.”