As Aragon descends into unrest, a count jealously fights for a noble lady's heart. But she has already given it to a passionate troubadour whose mother holds a terrible secret. This Verdi masterpiece overflows with dramatic tension and musical geniality, resulting in a story that increases in intensity throughout. Maria Agresta plays the unfortunate Leonora alongside Ludovic Tézier and Francesco Meli as her rival admirers in this new production at the Teatro Real.
Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother, who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out, from the inside out.
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A small team of investigators are assembled to track down and capture the most dangerous killers our country has ever seen, all of whom have just escaped from a top-secret prison that's not supposed to exist.
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A unique team, consisting of a federal agent, a police officer and a conspiracy theory novelist, investigate the shocking reappearance of Alcatraz's most notorious prisoners, fifty years after they supposedly vanished.
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A former Army Ranger and struggling father turns to robbing McDonald’s restaurants by cutting holes in their roofs, earning him the nickname "Roofman." After escaping prison, he secretly lives inside a Toys “R” Us for six months, surviving undetected while planning his next move. But when he falls for a divorced mom drawn to his undeniable charm, his double life begins to unravel, setting off a compelling and suspenseful game of cat and mouse as his past closes in.
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Ray Breslin is the world's foremost authority on structural security. After analyzing every high security prison and learning a vast array of survival skills so he can design escape-proof prisons, his skills are put to the test. He's framed and incarcerated in a master prison he designed himself. He needs to escape and find the person who put him behind bars.
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Escaped convict Lin Ford flees to the teeming streets of 1980s Bombay, looking to disappear. Working as a medic for the city's poor and neglected, Lin finds unexpected love, connection, and courage on the long road to redemption.
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Ethan Hunt and his team are racing against time to track down a dangerous terrorist named Hendricks, who has gained access to Russian nuclear launch codes and is planning a strike on the United States. An attempt to stop him ends in an explosion causing severe destruction to the Kremlin and the IMF to be implicated in the bombing, forcing the President to disavow them. No longer being aided by the government, Ethan and his team chase Hendricks around the globe, although they might still be too late to stop a disaster.
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Gellert Grindelwald has escaped imprisonment and has begun gathering followers to his cause—elevating wizards above all non-magical beings. The only one capable of putting a stop to him is the wizard he once called his closest friend, Albus Dumbledore. However, Dumbledore will need to seek help from the wizard who had thwarted Grindelwald once before, his former student Newt Scamander, who agrees to help, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world.
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The stranger-than-fiction account of a prison break in upstate New York in the summer of 2015, which spawned a massive manhunt for two convicted murderers who were aided in their escape by a married female prison employee with whom they both became sexually entangled.
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Imprisoned in the 1940s for the double murder of his wife and her lover, upstanding banker Andy Dufresne begins a new life at the Shawshank prison, where he puts his accounting skills to work for an amoral warden. During his long stretch in prison, Dufresne comes to be admired by the other inmates -- including an older prisoner named Red -- for his integrity and unquenchable sense of hope.
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A fictional group of ex-United States Army Special Forces personnel work as soldiers of fortune while on the run from the Army after being branded as war criminals for a "crime they didn't commit."
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This classic Australian mini series was originally broadcast in 1989 as three 90 minute episodes and tells the story of a young woman who goes in search of the father she has never known. Her search takes her from Australia to England and then on to Bangkok. There she meets up with a charming young man, Arkie Regan, who plants drugs in her luggage and leaves her to her fate when the authorities find them during a routine search at the airport. Following her imprisonment in the notorious Bangkok Hilton prison she awaits the decision of the authorities on whether she should face the death penalty.
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Driven by the fact that there are few things more dangerous than a prisoner who has just escaped, and tired of following protocol and resorting to outdated methods of law enforcement, veteran U.S. Marshals Charlie Duchamp and Ray Zancanelli are taking an unorthodox approach to their work: using former fugitives to catch fugitives.
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A daring prison break from an airliner at 30,000 feet leaves U.S. Marshal Pete Nessip mourning a brother and gunning for revenge. After being ordered to turn in his badge, he seeks out Jessie Crossman, a noted skydiver, and offers to sponsor her crew for the annual Independence Day parachuting show in Washington, D.C., if she trains him. Meanwhile, the mastermind behind the mid-air jailbreak is planning a daring computer theft on Independence Day.
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A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Also tagged escaped prisoner
U.S. Marshal Sam Gerard is accompanying a plane load of convicts from Chicago to New York. The plane crashes spectacularly, and Mark Sheridan escapes. But when Diplomatic Security Agent John Royce is assigned to help Gerard recapture Sheridan, it becomes clear that Sheridan is more than just another murderer.
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San Francisco Bay, January 18, 1960. Frank Lee Morris is transferred to Alcatraz, a maximum security prison located on a rocky island. Although no one has ever managed to escape from there, Frank and other inmates begin to carefully prepare an escape plan.
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After 20 years abroad, Mark Renton returns to Scotland and reunites with his old friends Sick Boy, Spud and Begbie.
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A down-on-his-luck coach is hired to prepare a team of the best American dancers for an international tournament that attracts all the best crews from around the world, but the Americans haven't won in fifteen years.
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After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.
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A young Oxford academic and his attorney girlfriend holiday in Morocco. They bump into a Russian millionaire who owns a peninsula and a diamond watch. He wants a game of tennis. What else he wants propels the lovers on a tortuous journey to the City of London and its unholy alliance with Britain's intelligence establishment, to Paris and the Alps.
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All-stars from previous installments convene in glittering Las Vegas, battling for a victory that could define their dreams and their careers.
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A chance encounter with a stranger changes the life of a college gymnast.
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A washed-up filmmaker gets a second chance at stardom when he discovers stunning peasant Maria Vargas dancing in a Madrid nightclub. Goaded by his producer, the director convinces Maria to screen test for, and then star in, his next big picture. But as the producer's possessive nature and the realities of stardom weigh on Maria, she seeks a genuine lover with whom she can escape.
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Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
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Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.
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A group of travelers are forced to seek shelter inside an abandoned jail where a notorious nun named Sister Monday had once been assigned and was suspected of murdering prisoners.
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The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.
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Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.
Teatro Regio’s 2013 revival of their highly successful 2006 production of Verdi’s Don Carlo celebrates the 40th anniversary of the theatre’s reopening in 1973. With traditional staging and lavish costume design, the production garnered high acclaim in the national and international press, with GB Opera commending the ‘sumptuous’ setting and French online music magazine ResMusica praising director Hugo de Ana’s decision to revive the show ‘in all its splendour’. Shown here in the four-act version, Don Carlo is the fascinating tale of father-son power struggles, adultery and love that borders on incest. The cast – under the powerful baton of Gianandrea Noseda – is headed by renowned Mexican tenor Ramón Vargas, and also features Ludovic Tézier, who has been hailed as ‘one of the best Verdian singers of our time’
No one better described the half-starved, struggling artists than Murger in his Scènes de la Vie de Bohème: artists ready to burn a manuscript to try to keep warm yet,in an era of triumphant bourgeois materialism, dreaming of another existence. Taking up these scenes of Bohemian life, Puccini offers us a heart-breaking love story and some of the most beautiful music in the history of opera in the story of the poet Rodolfo and fragile Mimi. The staging of this new production has been entrusted to Claus Guth who sets the drama in a future devoid of hope in which love and art become the sole means of transcendence.
Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.
"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.
Puccini’s evergreen paean to young love and the bohemian life has captivated generations of Met-goers through Franco Zeffirelli’s iconic production. Movie theater audiences for the high-definition transmission of this staging got to see it with fresh eyes in a touching performance starring Angela Gheorghiu and Ramón Vargas as the frail seamstress and her poetic lover.
A masterpiece of bel canto at the Teatro Real in Madrid: conductor José Miguel Pérez-Sierra and director David McVicar take on Donizetti’s Maria Stuarda, with Lisette Oropesa in the title role.
The Pearl Fishers from 1863 concerns an opera in three acts. It's a work about friendship, love, faithfulness and betrayal. The story takes place in Sri Lanka. The pearl fishers Nadir and Zurga are both in love with the girl Leïla. In order to maintain their friendship, the swear not to court the girl. They promise never let go of their friendship end over the love for th a girl. Then they lose sight of the girl. Years later, Leïla returns as a priestess back to the fishermen's village. Nadir recognizes her and courts her. The two are caught and the sentence is the pillar. Zurga, now the fisherman's captain, avoids this and lets them escape. The angry villagers grabbed him and threw him on the pile of fire that was intended for the two lovers.
Stage director Jean-Louis Grinda and the Opéra de Monte-Carlo present Verdi’s early smash hit opera Ernani. Ramon Vargas heads up an incredible cast in the heroic title role and maestro Daniele Callegari leads the Monte Carlo Philharmonic Orchestra in the sumptuous melodies of Verdi’s score.
Riccardo Chailly inaugurates the 2024-2025 Opera Season with a new production of La forza del destino, conducting his ninth Verdi title at La Scala. Leo Muscato will direct yet another cast of extraordinary prestige. A complex opera in terms of dramaturgy, first performed in St. Petersburg in 1862 and debuting in its final form at La Scala in 1869 with the creation of the famous overture, La forza del destino offers some of the most memorable Verdi melodies. It has been absent from the programme since the Verdi centennial in 2001, when it was brought to La Scala by the artists of the Mariinsky Theatre of St. Petersburg; the La Scala Orchestra and Choir have not performed it since 1999.
I Lombardi alla prima crociata (The Lombards on the First Crusade) was Verdi’s fourth opera and received its first performance at La Scala, Milan, in February 1843. The grandiloquent subject matter is fleshed-out with broad-brushed musical and dramatic effects and lavish choral scenes created a correspondingly impressive impact. A great success in Milan, it spread to the rest of Europe within a matter of only a few years.
A spectacular concert at the site of Beijing’s Forbidden City. The concert features the renowned Shanghai Symphony Orchestra and Maestro Long Yu, who perform Orff’s Carmina Burana with Aida Garifullina, Toby Spence and Ludovic Tézier, before being joined by Daniil Trifonov for Rachmaninov’s Piano Concerto No.2 and Mari Samuelsen for Max Richter’s Violin piece "November". Length 114′ (complete repertoire) / 71′ (Carmina Burana & Jasmine Flower Song) / 43′ (Piano Concert & November)
As part of the Viva Verdi initiative organized by the Ministry of Culture, the Teatro Comunale di Bologna presents an evening dedicated to the masterpieces of Giuseppe Verdi at the Comunale Nouveau venue. Conducted by Daniel Oren.
A requiem inspired by the death, on May 22, 1873, of the Italian poet and writer Alessandro Manzoni, author of the novel “The Betrothal”. Giuseppe Verdi’s “Messa da Requiem” (more commonly known as the “Verdi Requiem”) is a requiem mass for soloists (soprano, mezzo-soprano, tenor, and bass), double choir, and orchestra, premiered on May 22, 1874, at the Church of San Marco in Milan. The Requiem is Verdi’s only major composition not intended for the opera. From the 27-opera Verdi box set “Tutto Verdi.” Recorded live at the Teatro Farnese in Parma on October 8, 2011.
Verdi's opera Nabucco, recorded live at the Arena di Verona, June 2025. Stage direction: Stefano Poda. The cast include Anna Pirozzi as Abigaille. (Note that the same production was later recorded by Tiziano Mancini with Anna Netrebko).
The first words uttered by Carmen mark one of the greatest entrances in the history of opera and express all that need be said: “Love is a rebellious bird that no one can tame…” With a devilish sway of the hips and a hint of Andalusian flair, the beautiful cigar-maker sets her sights on a soldier: Don José. Fate will do the rest.
Around 1850, in Paris. At a soirée, Alfredo Germont, a young man from a respectable Provençal family, falls in love with Violetta Valéry, a courtesan. Deeply in love, Violetta gives up her profession and devotes herself entirely to Alfredo. However, Mr Germont senior, in the name of bourgeois respectability, persuades her to break up with his son. Violetta then writes a letter of separation to Alfredo without revealing the real reason for her decision. The fatal illness from which she was already suffering then flares up once more. A month later, Alfredo learns from his father that Violetta never stopped loving him... ‘La traviata’ is a 3 act opera by Giuseppe Verdi, with a libretto by Francesco Maria Piave based on the novel ‘The Lady of the Camellias’ by Alexandre Dumas, fils (1848) and its stage adaptation (1852). Premiered on 6 March 1853 at La Fenice in Venice. From the 27-opera Verdi box set “Tutto Verdi”. Recorded live at the Teatro Regio in Parma on 4 April 2012.
In Boston, at the governor’s palace. The courtiers, divided into friends and foes—including Tom and Samuel—await the arrival of the governor, Count Riccardo di Warwick. He makes his entrance, and his page, Oscar, hands him the guest list for the masked ball scheduled for the following day. Among the guests is Amelia, whom he secretly loves, but who is the wife of his adviser and friend Renato. Renato arrives and believes he has guessed the cause of his master’s visible distress: a plot being hatched against his life. But Riccardo wishes to ignore this plot and its instigators; in vain does Renato implore him not to take the matter lightly... ‘Un ballo in maschera’ is an opera by Giuseppe Verdi, with a libretto by Antonio Somma based on a story by Eugène Scribe. It premiered on 17 February 1859 at the Teatro Apollo in Rome. From the ‘Tutto Verdi’ box set of 27 Verdi operas. Recorded live at the Teatro Regio di Parma on 1, 5, 9, 13, 20 and 23 October 2011.
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
Verdi's sweepingly ambitious opera on war, religion, love and fate is given a cinematic staging by Christof Loy. The Marquis of Calatrava forbids his daughter Leonora to marry the South American nobleman Don Alvaro. The lovers attempt to elope, but the Marquis catches them. In the ensuing altercation, Alvaro accidentally kills the Marquis, who curses his daughter as he dies. Leonora and Alvaro become separated during their escape. Leonora's brother Don Carlo di Vargas decides to find them and avenge his father.
The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "Printemps qui commence" and "Mon cœur s'ouvre à ta voix", the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Staged by greek director Yannis Kokkos and conducted by Valery Gergiev on May 25th, 2016 at the Mariinsky Theatre.
For the centenary of the Verona Opera Festival, Jonas Kaufmann gave a gala concert in the Arena on 20 August 2023. With colleagues Sonya Yoncheva and Ludovic Tézier, and accompanied by the Orchestra della Fondazione Arena di Verona conducted by Jochen Rieder, he performed arias and duets from Tosca, Otello and Andrea Chenier, and evergreens by Franz Lehár and Leonard Bernstein as well as famous film songs such as 'Nella fantasia' (The Mission) and 'Nelle tue mani' (Gladiator).
On a June night in 2017, opera lovers thronged to the Royal Opera House in London to hear tenor Jonas Kaufmann, recently acclaimed by The Daily Telegraph as the world s greatest tenor, make his eagerly anticipated debut in the title role of Otello Verdi s greatest and most demanding role for tenor voice. As the New York Times wrote Mr. Kaufmann made his debut in the part, and he calmly, confidently sang it for the ages.
Azucena’s eternal vengeance comes back to set the stage ablaze in the timeless drama of Verdi’s Il trovatore, staged specially for the 2022 Maggio Musicale Fiorentino Autumn Festival and conducted by the great Zubin Mehta!
As per tradition, the 2021/22 season opened in December at La Scala in Milan, this time with a new production of Giuseppe Verdi's 'Macbeth' directed by Davide Livermore and conducted by Riccardo Chailly. Verdi's Shakespeare drama features a star-studded cast: Anna Netrebko and Luca Salsi embody the regicide Macbeth and his lady.
In 15th-century Venice, Jacopo Foscari, son of the Doge of Venice Francesco Foscari, is to be tried by the Council of Ten for a crime of which he claims to be innocent. The Foscari family’s sworn enemy, the vindictive Jacopo Loredano, treacherously secures his sentence of exile. Despite the pleas of Lucrezia, Jacopo’s wife, the unfortunate father is forced to sign his son’s banishment order, even though he is convinced of his innocence. The young man dies of despair just before the real murderer comes forward. Loredano secures the removal of Francesco Foscari, who collapses, lifeless. "I due Foscari" is an opera in three acts by Giuseppe Verdi, with a libretto by Francesco Maria Piave, which premiered at the Teatro Argentina in Rome on 3 November 1844.
In Giuseppe Verdi's little-known early tragedy, a despairing father is torn between love for his family and his duty to a corrupt city. Jacopo Foscari, son of a 15th-century Doge of Venice, is convicted of murder and treason on a trumped-up charge. His wife Lucrezia is sure of his innocence. But the Doge, trapped by the machinations of the city, is forced to make a terrible decision.
As comparably short operas, Cavalleria Rusticana and Pagliacci are often billed together, but seldom is the lead tenor making his double role debut as Turiddu and Canio on the same evening. At the 2015 Salzburg Easter Festival, Jonas Kaufmann did just that to rapturous praise. Universally hailed as a coup for Kaufmann, the plaudits were also showered on Philipp Stölzl for his innovative staging which includes live video projections while referencing the era of black-and-white movies.
The Deutsche Kammerphilharmonie Bremen, conducted by Omer Meir Wellber, takes over Neuschwanstein Castle in southern Germany for a lyrical concert featuring soprano Golda Schultz, tenor Rolando Villazón, and baritone Ludovic Tézier. In this grandiose building constructed by Ludwig II of Bavaria, the prestigious trio performs works by Mozart, Verdi, and Lehár.
John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).
Lucia’s brother Enrico is horrified to learn she has fallen in love with his sworn enemy Edgardo. He hastily arranges her marriage to his associate Arturo. Edgardo and Lucia privately exchange rings before he leaves to fight in France. Enrico tricks Lucia into believing that Edgardo has been unfaithful. Longing for death, she signs the contract with Arturo – moments before Edgardo returns. Lucia murders Arturo in their wedding bed. His death is followed first by Lucia’s, and then by Edgardo’s.
Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.
Sacred composition (1984) dedicated to Alessandro Manzoni - with Maria Agresta, Daniela Barcellona, Piotr Beczala, Ildar Abdrazakov - Verbier Festival Orchestra, choir Teatro Regio di Torino - dir. Gianandrea Noseda (2013).
Simon Stone's take on Arrigo Boito's Mefistofele, opening the 2023/2024 season at the Opera di Roma.
Donizetti's 'Gemma di Vergy' recorded live at the Teatro Donizetti, Bergamo in September 2011.
Passionate and unconditionally dedicated, Anna Netrebko makes her Salzburg Festival debut as Aida, alongside Francesco Meli as Radamès and Ekaterina Semenchuk as her rival Amneris. Conducted by none other than Verdi expert Riccardo Muti. This performance of Aida is the first operatic staging by award-winning Iranian filmmaker, photographer and video artist Shirin Neshat, known for her critical explorations of gender roles and religious fundamentalism.
Princess Aida has been kidnapped: a valuable prize in a war between Egypt and Ethiopia. The ambitious soldier Radames wrestles with his feelings for her. As they draw closer together, each must make a painful choice between their loyalty to home, and their love for each other. his new production of Rome combines the colossal and the intimate. For Michele Mariotti, conductor and music director of Teatro dell’Opera di Roma, Verdi’s genius lies in his managing to combine spectacular, triumphal elements with a love story that unfolds far from public space in delicate pianissimi and sotto voce singing.
Verdi wrote this five act opera with a French Libretto for the Paris opera. Premiere 1867. Then there are three versions of this opera, the French 1867 version, the revised Italian four Act Don Carlo 1884, plus the Modena version 1886. This version is the 1884 version with Act One reinstated, as well as the original beginning of Act 2. To complicate matters the French opera was simply translated into Italian, and then the changes were made. There is an even newer edition completed in 1980 by Ricordi, and others floating around as well.
Valery Gergiev (Gala Mariinsky II)
Cio-Cio-San, the young Japanese bride of American naval officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her son, Dolore, see Pinkerton’s ship in the harbour. She excitedly awaits his visit – but when Pinkerton and his American wife Kate arrive and learn about Dolore's existence, they ask to take the boy away, and raise him in America. Cio-Cio-San bids her son farewell and takes her own life.
Plácido Domingo, who just celebrated his 50th stage anniversary in Vienna - incredibly - continues to conquer the central baritone roles of Giuseppe Verdi. In this performance from LA Opera, it is the abysmal title part of the Macbeth, one of the most fascinating opera characters ever. Flanked by Ekaterina Semenschuks as Lady and by Ildebrando D'Arcangelo as Banquo. Veteran James Conlon conducts the choir and orchestra of the Los Angeles Opera. The highly acclaimed staging comes from Darko Tresnjak.
