When a veteran marshal is sent to a small town, he quickly falls for two women: a midwife and an earthy young woman nicknamed "Frisky".
When a veteran marshal is sent to a small town, he quickly falls for two women: a midwife and an earthy young woman nicknamed "Frisky".
In the 18th century, Figaro the Sevillian barber is likely to be arrested because he operates his shop on Sundays, which is forbidden.
Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.
The rich banker Rosen of Livorno fear that the Bonapartist will take all his gold, so he is hiding it inside a cuckoo clock.
Travelling family man Paolo agrees to pose as husband to an unwed pregnant girl he meets on a train. However, once faced with her father, things do not go as planned.
Three men consider selling their souls to Satan in order to possess a beautiful woman.
Two young people fall in love and run away from home. They soon run out of money and he, who has a decent voice, finds work in a low-class variety show, where he is captivated by the charms of a dancer.
The nephew of a wealthy nobleman, convicted for a forged check, is replaced in prison by a poor engineer. From the exchange of people derives a chain of misunderstandings and messes that ends out well.
Stan and Ollie are marooned on an island in the south pacific ocean.
Paris, second half of the 20th century. Countess Diana de Simerose has been evading the legitimate rights of her husband, who married her without love, since their wedding day. Fed up with the protracted abnormal situation, the count leaves on a journey, perhaps never to return.
Paolo Bianchi, an average young man, picks up an underground newspaper on the street: he lives in northern Italy during the Nazi occupation and is mistaken for a communist, searched and beaten by the police. An influential friend manages to get him released, but now Paolo has a positive reputation among the partisans. To save him from further trouble, his friend gives him a document that corroborates his strong loyalty to the current regime: the safe passage he thus obtains helps, albeit inadvertently, the partisans on several occasions. Then the Allies arrive, accuse him of being a collaborator, and arrest him. His friend comes to his rescue.
An old woman's poignant reminiscence of her youth in a convent school, the happy moments and the sad, and her tragic love for a Garibaldian.
Enrico breaks up his marriage to Renata because he discovers that in the registry office she is already married to a certain Giulio, an inhabitant of a country town. The couple leaves in search of the mysterious Giulio who is about to marry Marcella, but her wedding also ends.
Toto (Aldo Fabrizi), a Roman coachman with an old fashioned horse-drawn carriage who objects to the competition from motorised taxis, doesn't want his daughter Nannarella to go out with Roberto, a young taxi driver. But it is Roberto who helps him when he gets into trouble with a former client, Mary Dunchetti (Anna Magnani), an arrogant singer.
A collection of dark-humoured vignettes, including tales of a cardinal with a liberal congregation, a motorist and a hitchhiker, mentally challenged tramps, parents contemplating their daughter's participation in a pornographic film, and a conniving husband.
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Rowan Atkinson and Angus Deayton in Boston doing a live performance of the same styles of humor we've seen in Mr. Bean and Blackadder. Included are lessons on Shakespearean acting, a school headmaster meeting with the father of a boy he's beaten to death, and tips for having a successful date.
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