Ibero-American Troubadour Festival

A documentary film that observes, listens to, and interacts with Fito Páez from a place of profound intimacy. The camera, almost invisible, witnesses his every move, accompanying him for over a year during recordings, rehearsals, tours, and performances in major cities across Latin America, Europe, and the United States. It is also a journey through the life of one of the greatest Spanish-language artists: his loves and heartbreaks, children and friendships, excesses, tragedies, failures, and successes.

These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.

A series of images, music and sounds which transport through Mexico's history, without any narrative sequence. The film spins constantly round the question 'Where are the singers from?'

The first time ever 2 great Spanish artist join together on an international stage

An exploration of the Latin American protest song through performances and interventions by some of its most prominent figures: Pablo Milanés, Lilia Vera, Mercedes Sosa, Joan Manuel Serrat, Daniel Viglietti, Carlos Puebla, Sara González, and Gloria Martín. Filmed on the occasion of a concert organized by the University of the Andes at the Mérida Bullring, the documentary constitutes an essential record of the Nueva Canción movement as a continental cultural force within the broader context of the political struggles of its time.

Documentary collecting some experiences of the first two years of the "Gira interminable" tour were Silvio Rodriguez performs for the marginal neighborhoods of Havana and other provinces.

This is a montage of different images from the JFK, Martin Luther King and Bobby Kennedy triumphs and assassinations, all three events being observed by Lyndon Johnson as the dark figure who is plotting the anti-black rights movement.

With never-before-seen images and interviews, this documentary explores the life of Quino, one of Argentina's most important humorists.

Documentary directed by Liliane Blaser about the social uprising known as the Caracazo, which erupted in Venezuela on 27 February 1989 and ended with the massacre of between 2000 to 3000 people.

Miguel Gila (1919-2001) was a Spanish actor and stand-up comedian, famous for his surreal phone conversations with imaginary people, and a skillful cartoonist; an idolized star, a king of laughter.

1964, in the Escambray mountains: the area is infested with counter- revolutionary bands which are trying to spread terror among the population and re-establish contact with the US, CIA. The murder of a man led to a reprisal to wipe out the bandits.

Evocation of the work and personality of the singer-songwriter Chabuca Granda in 7 chapters: Criolla, Por el Perú, Confidencias, Negra, La Flor de la Canela, Siempre Viva, Proyectos. Through the testimonies of colleagues and family, landscapes of Lima, memories and tributes, Chabuca discovers his intimacy and his way of seeing Peru.

Enrique Morente's three sons tell the story of their father: the most revolutionary flamenco in history. Despite criticism from purists, he opened cante jondo to cultured poetry, brought it closer to young university students, explored its Arab roots and paired it with rock and other contemporary sounds. Much of the Spanish music of the last decades is heir to his findings.

In 1969, a wave of discontent swept through Latin American universities. In Venezuela, students set out to fundamentally renew the concept and criteria of teaching. This is their story.

Twenty years after Che’s death, in 1987, Pierre Richard and his journalist friend Jean Cormier set out to follow in his footsteps in Cuba. Through a series of encounters, their journey brings the revolutionary guerrilla back to life through numerous firsthand accounts.