I Saw a Phantom Fish

The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.

A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.

In postwar Tokyo, a blunt, alcohol-soaked doctor diagnoses a swaggering young yakuza with tuberculosis, forging an uneasy bond that’s tested when the gangster’s ruthless former boss returns and drags him back toward the swampy underworld he can’t escape.

A gentle, war-shattered ex-soldier, Kinji Kameda, arrives in wintry Hokkaidō and is pulled into a volatile tangle of love and pity between the disgraced Taeko Nasu, the proud Ayako, and his possessive friend Akama. Kameda’s saintly compassion exposes everyone’s wounds, steering the quartet toward jealousy, violence, and inexorable tragedy. Adapted from Dostoevsky’s novel.

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

A fugitive lord and his six retainers disguise themselves as monks to bluff their way through a hostile checkpoint.

A recently released gangster has to cope with the recent shifts of power between gangs, while taking care of a thrill-seeking young woman, who got in bad company while gambling.

A few years after his breakthrough, Sanshiro resumes his path to judo mastery—testing his discipline against an American prizefighter and later facing vengeful karate brothers. As rival schools and public spectacle push him toward violence, he must reconcile strength with restraint and the true spirit of his art.

A teenaged girl witnesses her widowed mother's attempt to sustain her family.

The eldest daughter of a rural family Mon returns home from Tokyo pregnant after an affair with a college student Kobata, which causes a scandal that will threaten the marriage prospects of the younger sister San, in her cash-strapped family. The ill-tempered eldest brother Inokichi decides to take on the role of disciplinarian, with harrowing results.

Yuko is sent to the coastal regions to be raised away from the rest of her sophisticated family where she finds out from her ill grandmother that she is not who she thought she was.

Shoichi Kokubun is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.

Utsugi, a seventy-seven-year-old man of refined tastes who is recovering from a stroke, discovers that, while his body is decaying, his libido still rages on -- unwittingly sparked by the gentle, kindly attentions of his daughter-in-law Satsuko, a chic, flashy dancer with a shady past. Pitiful and ridiculous as he is, Utsugi is without a trace of self-pity, and his diary shines with self-effacing good humor.

Judo movie.

Young Lord Taihei goes to Edo to find the lost family treasure, a plover incense burner, under the disguise of a ronin.

The film consists of three short stories. Tomiko, the heroine of the first story, "The Flower Girl" (dir. Kozaburo Yoshimura), is a little girl who bears the unbearable burden of caring for her family. Tomiko's father has been unable to find work for a long time, and her older sister is terminally ill—it is unlikely that she will ever recover. To feed her family, Tomiko runs around the city from morning until late at night selling flowers... The second novella (dir. Tadashi Imai) also depicts the lives of the poor. An unfamiliar girl brings young Kavano a letter from his mother. It turns out that the girl's name is Kuniko, she is very hardworking, but her family is dying of hunger. Therefore, her mother decided to send Kuniko to her son so that he would marry her. The short story is called "The Unexpected Bride." The third short story, which gave the film its title, is particularly interesting: "When You Love" (dir. Satsuo Yamamoto). It shows the family of a young peace activist.

A hotheaded youth in 1880s Meiji Japan apprentices to judo master Shōgorō Yano, trading brute jujutsu bravado for discipline and humility. As Sanshirō matures, he proves judo’s spirit against old-guard challengers—including a deadly duel—while falling for his vanquished opponent’s daughter. Based on the novel by Tsuneo Tomita, son of Tomita Tsunejirō, the earliest disciple of judo.

In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

After her anti-fascist professor father is dismissed, Yukie navigates love, political repression, and wartime upheaval—ultimately forging her own path in pre- and post-WWII Japan.

After settling the matter of shogunal succession, the retired Old Lord of Mito finds himself in a sea of trouble when he gets involved in the succession of the Takamatsu clan. The usurpers try by every means to effect their takeover, even if it leads to blood being spilled. Along with Kaku and Suke, the elder must face the most dangerous time of his life, in a battle against those corrupt individuals who would use any means to further their dastardly conspiracy, regardless of how many lives might be destroyed. The great Misora Hibari gives a bravura performance, as does the rest of this all-star cast. This is another outstanding effort on the part of the Toei Films, blending fact and fiction to bright back Japan’s golden era of the Genroku period.

A man gets rid of a cheap pot without knowing it contains a map to a treasure. As word spreads, many join in hunting it.

With flashing swordwork and a terrific story, wandering gambler Kusama Hanjiro inspires the wrath of Boss Jirotaro who has been terrorizing travelers along the route through his territory. When Hanjiro steps in to gamble with him one-on-one it leads to a deadly vendetta that will show no mercy. Along the way Hanjiro is called upon to help sisters with no one else to depend on. Will the feud end in tragedy, or can the honest wanderer prevail against the bloodlust of an angry yakuza boss whom he had scarred for life?

Jiro Sone sacrifices all comfort to devote himself to research. Young housewife Yachiyo is disappointed with her husband Kappei, who is more attracted to mountain climbing and another girl. When Yachiyo’s father is introduced to Jiro, all of their lives become intertwined...

A melodramatic love story, a would-be apprenticeship between the titular bad girl and the optimistic scholar returning from the big city. It is considered to be a lost film.

Shows the devastation caused by the atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath.

In post-war Japan, Michiko, a disillusioned young woman trapped in a loveless marriage, confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.

The Chakkari and Ukkarai families live in a modest residential neighborhood on the outskirts of Tokyo. Both husbands are ordinary office workers at the same company. Mrs. Chakkari, Satoko, is incredibly shrewd, while Mrs. Ukkarai, Sachiko, is incredibly absent-minded. As a result, a series of hilarious and tragicomic situations unfolds.

In the thriving Tokyo neighborhood of Ginza, a woman in the process of selling her estranged husband’s art collection attempts to identify the man who painted her own portrait fifteen years prior.

After Torajiro's latest attempt to find a bride goes awry, he starts traveling again and runs into Utako (last seen in Tora-san's Dear Old Home), now a widow.

Jidai-geki by Kiyoshi Saeki

Just after WW2, a romance between an innkeeper and a man with tuberculosis unravels near a thermal spring.

Sachiko's beloved sister Nobuko was supposed to go to Tohoku when she suddenly dies in a car accident in Hamamatsu. Sachiko begins to trace her sister's friendships to unravel the mystery of her mysterious death...

The biopic of Shigenobu Ōkuma, one of the main Japanese leaders at the turn of the 20th century, a supporter of rapprochement with the United Kingdom, and who brought his country into the Triple Entente against the German Empire.

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

One of Uchida’s early sound films, Unending Advance is based on a curious story by Yasujiro Ozu, in which an examination of the quotidian problems of a middle-aged salaryman and his family segues into an idyllic dream of an implausible future. The surviving print, although incomplete, offers an essential glimpse into Uchida’s prewar period, when he was associated more with realist dramas than with the period films that dominated his work after the war.

A social drama about the first female police officer.

The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter. However, her past filled with debts and pimps catches up to her.