I due Figaro, o sia Il soggetto di una commedia is an opera (melodramma buffo) in two acts by Michele Carafa to a libretto by Felice Romani based on Les deux Figaro by Honoré-Antoine Richaud Martelly. The opera is a homage to Mozart, and tells of the further adventures of Cherubino, returned after 12 years in the army. Aimé Le Borne (1797-1866) arranged his friend Carafa's work as Les deux Figaro at the Théâtre Odéon, Paris 22 August 1827.
A bohemian artist travels from London to Italy with his estranged son to sell the house they inherited from his late wife.
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Fleeing 1930s New York and leaving behind a chequered past, the giltzy divorcee Mrs Stella Erlynne travels to Italy's sun-dappled Amalfi coast. Mrs Erlynne's appearance causes a stir amongst the visiting aristocracy. Based on the Oscar Wilde play "Lady Windemere's Fan."
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Based upon the novel by Vladimir Nabokov, a chess grandmaster travels to Italy in the 1920s to play in a tournament and falls in love.
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The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.
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A 10-year-old boy spends a summer in the country with a childless couple and a precocious girl.
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Two sets of identical twins are accidentally switched at birth. One pair, Phillipe and Pierre DeSisi, are aristocratic and haughty, while the other, Charles and Claude Coupé, are poor and dim-witted. On the eve of the French Revolution, both sets find themselves entangled in palace intrigue.
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Benson is a Casanova who tricks women into having sex with him before leaving them. He is content with this game until he meets Jamison, a real operator who poses as an exiled prince and not only gets women to share his bed but also to give him money to help him fund his supposed counter-revolution.
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Stan and Ollie are mousetrap salesmen hoping for better business in Switzerland, with Stan's theory that because there is more cheese in Switzerland, there should be more mice.
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The legendary Roberto Duran and his equally legendary trainer Ray Arcel change each other's lives.
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A retelling of the life of the celebrated 17th-century Baroque painter Michelangelo Merisi da Caravaggio through his brilliant, nearly blasphemous paintings and his flirtations with the underworld.
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Triumphantly premiered in 1724 at the King's Theatre in London, George Frideric Handel's Giulio Cesare in Egitto masterfully combines human emotions: Triumph with sorrow, despair with happiness and love with profound melancholy in the face of the transience of all earthly life. Star director Keith Warner creates a production that imaginatively blends silent film and baroque opera, delightfully echoing Mankiewicz's legendary Cleopatra with Elizabeth Taylor, Rex Harrison and Richard Burton. An excellent cast of singers is led by two of the world's leading countertenors: Bejun Mehta and Christophe Dumaux. Louise Alder shines as the seductive Cleopatra. Patricia Bardon, Simon Bailey and Jake Arditti are further highlights in this extraordinary group of singers, while Ivor Bolton provides the appropriate soundtrack on the podium of the Concentus Musicus Wien.
During Marian Anderson's historic concert in front of the Lincoln Memorial in 1939, a white man and a black woman fall in love. During the turbulent half-century that follows, they try to protect their three musically gifted children from prejudices they themselves have suffered. Belgian avant-garde jazz pianist and composer Kris Defoort’s new opera is a fascinating symbiosis between jazz and classical music deeply rooted in the now. Inspired by Richard Powers' great American novel, The Time of Our Singing tells the story of a mixed-race family against the backdrop of racial segregation in the USA. In the world premiere at La Monnaie, Ted Hoffman's production lets official history and intimate stories collide to explore issues of identity, race and art.
Every night, Johann puts on bat's wings and flies off to enjoy himself. Bella, troubled by her husband's hedonistic activities, consults with her friend Ulrich and plots to disguise herself as a mysterious beauty to seduce her husband. A ballet in two acts after Johann Strauss' "Die Fledermaus" choreographed by Roland Petit, staged by Teatro alla Scala and filmed for television.
