I've Become a Cop

A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.

Gráci has been recently released from a reformatory school. His old gang would like to involve him in a new action, but he hesitates. His past record is bad enough already, and he would not like to get into new trouble.

1839. The discontented noblemen assemble at the country estate of count Gábor Falussy, on the pretext of a boar hunt. Also an English engineer arrives for the sake of constructing the railway line leading up to the count’s quarry.

Kalán Imre, the district doctor lives in a small village surrounded by mountains. One day he is visited by two young relatives of his and their friend, a doctor at the beginning of his career. The name of the doctor is Király András, and he happens to be the great love of Kalán's young wife from her unmarried years. The orthodox Stalinist Kalán's entire life is filled with his great passion, hunting. The suffocating, narrow lives of the prominent people in the area are slowly revealed to András.

Mihály, a retired foundryman has brought up his sons in a very disciplined and strict way, and as a result they have become a doctor, an engineer, and a teacher. However, his half orphan grandson, Misi, has been spoilt, and become skilled in nothing else really but riding his motorbike and going to parties. He has been involved in shady businesses a number of times already. Having experienced so many difficulties, privation and hardship in his own life and now seeing Misi's irresponsible lifestyle, the old man's bitterness is growing day by day.

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

The intellectual family Faragó lives a bit busy life, but ensures complete autonomy for its members in a tiny flat in Budapest, while the newly rich Belvizis in the neighbourhood have a luxury apartment and a conventional and purposeful life, sentencing their only daughter for solitude.

The film is an interpretation of everyday life and privacy as well as the first love-triangle story after 1945. Benkő Lajos, the country librarian, is stationed in the capital. In lack of a suitable apartment, his wife and children have to stay in the country.

The film, depicting life in the tenement houses of Angyalföld in the thirties joins the neorealist currents of Hungarian film. Ambrus Pista, the good humoured, attractive tram conductor is loved by women for his excellent job as well. With his lover, the street-walker Terus they spy upon the neighbour as he beats his wife in jealousy.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

The film is a ballad about the dwellers of a block-of-flats in Angyalföld.

The poetic love story depicting everyday life from a micro-psychological aspect takes place in the 1910s. Sándor, editor of the local paper, serves as a foot soldier on Sundays, but spends weekdays playing billiard and courting women. One Sunday afternoon - in soldier's uniform - he meets Vilma, the beautiful maid, whose honesty and chastity turns the adventure to love.

Filmed in commemoration of Hungary's 1100th anniversary and on the sites of the actual events, a cast of thousands authentically recreates the 896 AD arrival of the Magyar chief Arpad (Nero) and his seven tribes into the Carpathian basin from the steppes.

Summer of 1956. In the small town in the Hungarian country-side, during the time the chief of police spends in a course in Budapest, Rigó Dezső is the boss with full powers. He is fighting tooth and nail to help the local football-team stay in the second national selection. During one of the matches, he beats the referee to death.

One day, Máté Galamb loses his faithful dog, Bogáncs, of the Puli breed. The runaway dog is found in the woods by the old, disillusioned acrobat, Dodó.

Éva, the pretty housekeeper is preparing to take an entrance exam at the Faculty of Law. In addition to this, she also has energy to arrange the day-to-day matters of the committee of tenants. Soon, she discovers that her beauty and cocksure behaviour finds its way not only at the exam, but in the mazes of bureaucracy, too. She helps get trade licences, flat allocations, and shop premises for those in need.

The corpulent and ageing Ivicz, once an excellent baker, works as a deliverer now. He lives alone. At the weekends following the toilsome weekdays he is the boss. He regularly travels to the country, to work as the incorruptible referee of third class national soccer games.

In 1918, Fábián Bálint is forced to kill on the Italian front. At home, his sons drown the priest, the lover of their mother, in the river Kraszna, an action that drives her insane. Following his return home, Bálint becomes the liveried coachman of the baron.

Drop dead please! Following the sudden death of a mysterious engine driver in his sixties, the Wife, the Lover, her illegitimate Daughter and an increasing number of shady characters from his spurious past want to know the true identity of the man they loved. They are dying to know which of them was really loved by him, and where he has hidden the fantastic fruit of his double life. In their deadly struggle, our heroes find themselves in the center of a satirical crime comedy, the sinful roots of which stretch back to the eighties, the closing decade of the socialist era.

This mocking criticism of public life and the media focuses on a TV series. The protagonist of the film, depicting the battles fought for Hungarian castles during the Ottoman occupation, is chosen to be the amateur Prohászka Feri, a worker in the beer-factory.

Based on the stories of Hungarian writer Gyula Krúdy, this film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád. As the protagonist looks back on his life, past and present, imagination and reality flow inseparably into one another.

Widely known in the village how miser Berta is. Gossip says, even when her husband passed away a year ago she tried to buy a second-hand coffin to get him buried in. She's in good physical condition compare to her age, but one day she just can't get out of her bed. The village council hire a mom of 3 in order to help her in and around the house, and she paid by the council as Berta act like she has no money. Once, when the young mom doing her bed she finds her secret savings there, and turns out she is a wealthy woman. Now the council, as she can not be on social, decides to use her savings to pay her help, of course without letting her know that.

The story of Bendegúz, the teenage boy who never succeeds in anything and about whom everybody's first though is "I wish you had been hanged when you were born!" drops out of school and becomes a cowboy. He works for the Stationmaster whose cows he has to graze by the railway. Despite his goodwill and kindheartedness he always manages to spoil everything he touches. No matter his wit, he gets into humiliating situations and regularly fights with the Ugly Witch (the Stationmaster's mother-in-law). However his good spirit and cheerfulness never leave him.

This film is set in a barren environment, in a pump-house fabricated from plank. It's the history of the relationship of a veteran of 1919 and a disabled, limping boy.

The movie tells about the relationship between young people who love each other. Young Mishka's family works on a construction site in Budapest, and on weekends they come home to their village on the Great Plain to relax and have fun. It is here that the young man meets Klari. He learns that Klari is his fellow villager, although she also works in Budapest. They arrange to meet the following weekend. Mishka is truly in love. Clarie is too, but she doesn't dare to admit to him that she has been unfaithful.

The dramatically dense film takes place in workers' surrounding in the sixties. It raises the newspaper article serving as the basis for the short story to be a model: in a plastic factory fire breaks out causing enormous damages.

Three colleagues and their driver decide to bathe naked in a river and find respite on a hot summer day. However, a mongrel makes their experience an unpleasant one.

The main characters of this satiric story poking fun at domestic labour ethic are two cleaners of the mains. Jeromos and his son drop in to doctor Katona's in order to clean the shit pit decorating the end of the garden. During the day work is being done in a very time consuming way, materials are missing, and the boss devotes more attention to his love affairs than to supervision.

This film, set at the end of the 18th century, in a provincial and noble environment raises the question of humans forced to lead a meaningless life. The rich Transylvanian noble youth, Kálmán, absorbed the spirit of freedom and enlightened culture in Paris. Returning to his father's estate, he encounters a superstitious backwardness and an orgiastic storming of violence and instincts.

Few writers today tackle sweeping, multigenerational family sagas, work that demands vast life experience and insight. József Attila Prize–winner Árpád Thiery has done just that: his two published volumes of the Freytág Siblings’ story (1943 through the late 1960s) have been adapted by Hungarian Television into a five-part series slated for January 1989, and he’s already completed the trilogy’s final installment. Thiery describes it as a historical family novel, tracing postwar Hungary, from the Stalinist 1950s and the 1956 uprising’s aftermath to the upheavals of 1968, while celebrating freedom, truth, hope, boundless faith and innocent responsibility.

Matthias shoulder the burden of not only the government, but also the duty of the qualification overwhelming. That is released from the care, disguise hunt megy.Így Gyevibe reach the center of the world where the law of the judge himself, who is of course no law judge brig Zarate vonatkozik.A haughty king in disguise, while the royal court only gather the bride candidates causing no small diplomatic complications.

A young man offers his services through a newspaper advertisement: Mr Psimth takes care of everything. A man approaches him and asks him to steal his aunt's precious brilliant necklace. Mr.Psmith arrives at the castle and realises that all the guests there want the jewels. The young man exposes the company and takes a wife instead of the necklace.

This poetic film presents the ballad of the boys who turned into stags, by the associative means of music, painting and folk art. At the same time it is a memorial to the martyrs of the 1944 Sátoraljaújhely prison revolt and shows its butchery reflected through the fate of three brothers.

This film is a documentaristic dispute about the possibilities of young people to assert themselves, to make a career. Zsuzsa is a third-year university student studying pedagogy. She has been dating Zoltán for three years, and her thinking has been fundamentally shaped by this relationship. Yet now she would like to break up with him.