I'm Not Your Heartthrob

The film unfolds through a series of encounters: Taísa revisiting her personal archives and engaging in conversations with family members, friends, and mentors.

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.

The documentary is a tribute to Theater based on the trajectory of Clarice Niskier who made her job her own lifestyle. As a central axis, interviews with the three directors with whom Clarice developed long partnerships: Domingos Oliveira, Eduardo Wotzik and Amir Haddad. Through an intimate and sensitive look, the film reveals her passion for the craft, her life experience, her poetic worldview, her spiritual and intellectual search, pains, joys, losses and gains. Clarice makes the black box the more than perfect symbol of her own Universe: the Theater.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

Even with all the brutality in the Brazilian dictatorial period, many artists presented themselves as a resistance, using their talent and creativity as a way to trick the censorship.

Chacrinha's legacy on TV and excerpts from his personal life are revealed through testimonials and archive images, which tell the story behind the cameras, the behind the scenes that consolidated a new way of communicating Brazil and the facets of a man who is one of the most interesting contemporary characters on the national cultural scene.

The life of writer, journalist, and TV presenter Edna Savaget, who began her career as a police reporter at Rádio Nacional in the late 1940s and hosted television programs between the 1950s and 1980s.

In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.

The lively João Grilo and the sly Chicó are poor guys living in the hinterland who cheat a bunch of people in a small town in Northeastern Brazil. When they die, they have to be judged by Christ, the Devil and the Virgin Mary before they are admitted to paradise.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

Two decades after their last body swap, Cláudio and Helena are living a new phase of their lives alongside their daughter Bia, now an adult and married with Aquiles. Everything seems balanced until an unexpected situation shakes up the family dynamic and puts their relationships to the test. When lightning seems to strike the same place again, the whole family is forced to learn to put themselves in each other's shoes, in a very literal way.

Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.

After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.

After taking a very nasty fall on Christmas Eve, grinchy Jorge blacks out and wakes up one year later, with no memory of the year that has passed. He soon realizes that he’s doomed to keep waking up on Christmas Eve after Christmas Eve, having to deal with the aftermath of what his other self has done the other 364 days of the year.

The young warrior indian Tainá must now battle against biopirates, and is joined by a new boy from the big city and an indian little girl who wants to follow her steps as a protector of the jungle.

Marina is in her late thirties and has recently become a widow. After finding an old photo album from her fifteenth birthday, she becomes curious about the men she danced with that night and decides to track them down, one by one.

The destiny of four women - a beautiful model, an alcoholic, a middle-aged spinster and a famous model - is traced inside an advertising agency. They all look for true love and professional recognition, but get involved in turbulent relationships instead.

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

Reunited for their mother’s funeral, four sisters – Selma, Regina, Laura and Lúcia – find themselves forced to divide much more than an apartment in Copacabana. While dividing the articles, the sisters compare options, destinies, lifestyles, and expectations. The turbulent sale of the apartment represents a turning point in their lives: they know they have never been so deeply involved as accomplices, or as sisters.

Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.

Cabral is a 60 year old playwright who's married to Glorinha, an actress who's 20 years younger than him. They've been together for half of her live, and now they're getting bored...

In 2017, in Portugal, devastating wildfires destroyed forests and killed children and adults; some died in their villages, others were trapped on a road. Communication failed, and the villages had no shelters. The film’s action does not take place in 2017, but at a later time. It follows a small group of people who lost their dearest ones and are now in the process of learning how to live after everything they have lost.

The story of the first steps of a very young couple. Their love is great, as are the financial obstacles and an unexpected pregnancy.

During the Carnival, in Niterói, the son of a Lira do Delírio nightclub dancer is kidnapped. With the help of a journalist friend, she dives into Rio de Janeiro's underworld and meet all kind of criminals. She also goes back in time, to a past carnival, where she thinks she might pin-point the culprit among a group of people.

Bebeto is a playboy who commits a passional crime killing a friend because of his fiancee. Feeling cornered he kills other four people to survive and scapes to the countryside where meets Quinzinho, a professional hitman who protect him. Then Bebeto starts a romance with a local woman causing the wrath of the population and forcing him to leave.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

Four friends who only think about enjoying life, with big parties, women and drinks, are surprised by an eviction. In need of money, the group is forced to think about what they hate most: working! Confusion arises when everyone looks for an easy way to get money, with minimum effort. The days pass and the hilarious confusion only increases!

Five friends decide to enjoy Mardi Gras without their wives, leaving them home. But one of the wives doesn't accept this arrangement and tries to get even.

A failed artist searching strength to move ahead. By a young lady, who might be his daughter, he develops a project that changes his destiny.

Nando dreams of being a great Trap singer, but until his dream comes true, he makes deliveries for Lanchudo, a snack bar in Copacabana.

Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.

35mm, Color, 95min42seg, 2.624m, 24q, Eastmancolor

Enterprising youths live many adventures when they decide to start a business specializing in making video clips for rock groups.