Huguette Oligny, le goût de vivre

In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

Using archival films, popular songs of the time and testimonials, evocation of the economic crisis of the 1930s as experienced by the people of Quebec

Maxime is a young Valdorian who works in a gold mine. As he experiences several difficulties as he goes through life, he will question his definition of masculinity. It's with the help of the tightly knit brotherhood of colleagues in the mine that he will find the necessary support to overcome a feeling of stubborn guilt which prevents him from achieving happiness. Until the day an explosion breaks out underground. As part of the rescue mission, Maxime descends into the mine lair with the firm intention of bringing each of his colleagues back to the surface alive.

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?

While visiting their grandparents in the Québec countryside, two children enter a fantasy kingdom and are confronted by evil forces.

When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.

Marie, a Canadian editor specialized in testimonies of Genocide survivors, starts to receive anonymous large envelopes with the narrative of Ali, a young Palestinian who grew up in a refugee camp in Lebanon. Intrigued, Marie investigates the origin of these envelopes and finds out who is the anonymous writer. This is how she establishes a connection with Joseph, a Lebanese worker hired to paint the offices. A strange relation develops between these two persons who come from very different worlds. But after a while, Joseph abruptly disappears and Marie, overwhelmed by the mission fallen on her, starts a journey into the past, through a small village in Lebanon, in the heart of a bloodthirsty culture were lies the key of all the enigmas.

Two bored Montreal housewives (Monique Mercure & Louise Turcot), with inattentive husbands (Marcel Sabourin & Donald Pilon), and lots of time on their hands, amuse themselves by paying the local tradesmen something extra to give them amorous attention. Their entertainment leads to frantic confusion, however, when one of the visiting gentlemen - shall we say - 'expires'. The housewives deal with their unpleasant situation quite energetically.

Michel is a Belgian inventor. He cares for his father, a paralysed writer, is married to a Congolese woman and is the father of an interracial child whom he reassures as to his parentage. He discovers at the age of 41 that he was adopted, actually having been born in Sainte-Cécile, Quebec. In the summer of 2000, he travels to Quebec, supposedly to sell some of his inventions. While on a near-impossible quest to find his birth family in the town where he was born, he crosses paths with Louis Legros, son of another inventor, in a meeting which will change their lives.

While on his honeymoon, a man who suddenly becomes impotent, tries to recover his virility.

In the early 1940's, Canada is a country at war and Florentine is a young woman, from a very poor family, looking for love. She meets two suitable men, a nice soldier from a good and wealthy family, and an ambitious self-centered engineer. She must decide whether she wants to follow her head or her heart...

When schoolteacher Kieran Johnson discovers that his father was not a French sailor (as he had been led to believe) but rather an Irish farmer, he looks to his mother for answers. When she refuses to provide any, Kieran travels to Ireland.

A white room. The aging bodies of actors Gilles Pelletier and Françoise Graton testify to a love that has triumphed over time and a captivating lover's dialogue emerges between two octogenarian bodies defying inertia, old age and death. With music by the group Forêt, this sensuous short film depicts the tremblings of desire and the most elemental components of love.

Three ski instructors are busier in accumulating love than in giving lessons so they spend more time in bed than on the slopes.

A beautiful country girl and a seductive nightclub singer vie for the same good-looking man.

A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn't seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who's about 10 or 12, tries to break through his father's silence and sorrow by taking matters into his own hands.

A widower is struggling to raise his five children, when he finds a rich brother who imagines he will make them happy by unwittingly destroying their modest projects. After many disasters, the uncle will be more understanding and repair his wrongs. A duel to finish: moral values ​​and love against money and selfishness, in the Quebec of the 1940s.

A young Montreal woman has an affair with a famous French author, and the experience helps to teach her a number of things about life and love.

A Romanian immigrant uses good food, good humor and good conversation to break down the walls around a reclusive woman's heart.

A writer, Kamouraska is based on a real nineteenth-century love-triangle in rural Québec. It paints a poetic and terrifying tableau of the life of Elisabeth d'Aulnières: her marriage to Antoine Tassy, squire of Kamouraska; his violent murder; and her passion for George Nelson, an American doctor. Passionate and evocative, Kamouraska is the timeless story of one woman's destructive commitment to an ideal love.

The mayor of a suburban town must try to deal with cultural clashes with the local hassidic jewish community, while trying to mend his relation to his emotionally-distant son.

Conrad is a notorious clumsy person who is struggling to keep his jobs. Luckily, blonde Gisèle, who is madly in love with him, manages to find him a job as a nurse at the very place where his father, Dr. Gagnon, works.

Eleven-year-old Guillaume suffers from a serious and potentially fatal heart condition. Gradually, the young boy's family fractures under the weight of his illness.

30-year-old Quebec City native Gisèle lives a quiet life as a secretary without happiness with her parents and siblings. One day, tired of being teased by her office mates, she decides to consult a marriage agency to find her soul mate.

On the keyboard, the young hands fly rapidly and the melody rises. For the child, nothing is easier; he hears the sounds in his head. These hands belong to 6 years old André Mathieu. He won his audiences and fired up concerts halls in London, New York, Paris and around the world. Adulated, hailed, praised, the child prodigy seemed to have everything to succeed. From the top of his vertiginous successes, to depths of torment, the life of the "Little Canadian Mozart" blends into his music. A romantic and passionate composer wishing for happiness, his story is nevertheless played on tragic notes.

Forty-year-old Joanne Guiberry runs a modest hairdressing salon in Saint-Pierre-et-Miquelon. Twice a year, at each solstice, she brightens up her rather dull life by meeting up with her lover. Twice a year, on the other side of the sea, on the banks of the immense St. Lawrence River, three hundred thousand snow geese land with a thunderous roar for a few weeks of feasting during their migration. Like a bridge between the time of the solstices and the time of the birds, there is Manon, a twenty-year-old student, and Louise, a large, wounded goose. Louise and Manon, each in their own way, will experience love and give Joanne a new lease on freedom.

A cook in his heyday, Camilo is now a worn-out fifty-year-old who works for a cleaning company. We can guess a personal failure in the past of this solitary Mexican living in Montreal. However, Camilo wants to get back on track and an opportunity to recover his culinary passion finally presents itself. Everything is in place for this new beginning when Camilo receives a visit from his daughter Tania, with whom he had cut ties because of her drug addiction. She tells him that he is a grandfather and asks him to take care of the child while she undergoes her umpteenth rehab. The arrival of this grandson will upset Camilo’s plans. There will be a new beginning for him, certainly, but not as he imagined it.

A young man, Jean Liber (Paul Guèvremont), who, at the end of his cours classique, decides to leave his rich, happy family and his finance, Pauline (Denise Pelletier), in order to become a missionary in China. This story of his struggle, 'at the crossroads' between love and God's calling, is clearly a pretext for a film designed to encourage young men to enter missionary work.

Between her four children, her husband, her job at the hardware store, and the creditors on her back, Hélène leads a life that dangerously resembles a makeshift camp in a constant state of emergency. She muddles through as best she can.

The melodramatic story of a widow, Marie Paradis, as she becomes an elderly dependant. Taking charge is her daughter-in-law, the cruel and stingy Céleste. Marie answers to all the stereotypes of the traditional mother: she's generous, loving.

Lotte Reiniger's last film, following the adventures of two kingdoms through the overseeing eye of a destiny-knitting witch.

A group of youths open an organic restaurant.