Howard Hawks, San Sebastián 1972

For this documentary, the renowned Spanish filmmaker Carlos Saura created a structure as unconventional as the Gaudí buildings that adorn the host city of Barcelona. Coverage of the men's marathon appears at intervals throughout the narrative, highlighting the Games' most iconic event. While charismatic winners—from 400m champion Michael Johnson to weightlifter Ivan Ivanov—take center stage, Saura observes rigorous training sessions with as much passion as the finals themselves. Composers such as Ryuichi Sakamoto, Mikis Theodorakis, and Angelo Badalamenti contribute to the shifting atmosphere of this excellent film.

A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.

Journalist Paloma Chamorro symbolized openness and modernity in Spain in the early 1980s. Her personality and her shows on TVE (then the only TV channel in the country) made her an influential transgressive icon.

A walk through the work of Luis García Berlanga (1921-2010) that is neither a documentary nor a narrative movie, but a tribute to one of the greatest directors of Spanish cinema. Anything can happen: the performers are not themselves, but their characters; there are no interviews, but greetings; a series of entrances and exits. A joyful reunion, a celebration of life.

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

Javier Espada's documentary about the making of Bunuel's masterpiece "Los Olvidados".

Using found footage, still photographs, animations, and occasional original footage, “The Mist in the Palm Trees” purports to tell the story of Santiago Bergson, writer, physicist, and sometime pornographer who sold arms to the Resistance in France, flirted with the Nazis, collaborated on Orson Welles’ “War of the Worlds” broadcast and helped build the A-Bomb.

Grace is a religious woman who lives in an old house kept dark because her two children, Anne and Nicholas, have a rare sensitivity to light. When the family begins to suspect the house is haunted, Grace fights to protect her children at any cost in the face of strange events and disturbing visions.

Handsome 25-year-old Cesar had it all -- a successful career, expensive cars, a swank bachelor's pad, and an endless string of beautiful and willing women -- until he is thrown into a strange psychological mystery after a car accident scars his face and lands him in prison.

While working on a thesis about audiovisual violence, film student Ángela finds a snuff video where a girl is tortured until death. Soon she discovers that she was a former student in her university, and that the authors of the video are not very far either.

In 1940, in the immediate aftermath of the Spanish Civil War, a young girl living on the Castilian plain is haunted after attending a screening of James Whale's 1931 film Frankenstein and hearing from her sister that the monster is not dead, instead existing as a spirit inhabiting a nearby barn.

A young agent leaves everything behind to pose as a member of ETA, risking her life to uncover the terrorists' hideouts in the south of France.

An erotic horror tale about a vixen vampiress seducing and killing women to appease her insatiable thirst for female blood.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.

The young but traveled Ana arrives in a manor in the countryside of Spain to work as nanny of three girls and finds a dysfunctional family.

A henpecked housewife ekes out a meager existence, surrounded by a host of colorful characters: her ungrateful husband, her delinquent sons, her headstrong mother-in-law, and her sex worker neighbor, among others.

Teodoro, a Spanish engineer working as a professor in the United States, returns to Spain to enjoy a sabbatical year.

During a long summer, the tranquility of a couple and their three children resting in a country house is altered with the arrival of the children's uncle, a character who exerts a curious influence on the boys and a morbid and strange attraction the wife. Twelve years after 'Los viajes escolares' (1973), his first commercial feature film, the Madrid director Jaime Chávarri returns to the same estate in the province of Segovia to shoot a new family story, about his own plot and script. Like its predecessor, 'The Golden River' contains a strong autobiographical charge and is full of personal resonances. But this new history of family ties is narrated from a perspective in which adultery manifests itself openly. Endowed with a slow narrative rhythm, the film presents an international cast headed by Ángela Molina, Bruno Ganz, Francesca Annis and Stefan Gubser. The film also has the presence of a very young Juan Diego Botto, in one of his first appearances on the big screen.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

Orense, Spain, 1940, just after the end of the Civil War. Every time Elena locks the door of her home, she and her children become the faithful guardians of a sacred secret: Ricardo, her husband, their father, hides in the house, trying to avoid the brutal political persecution of the victors, who hunt, as if they were wild animals, and imprison or execute, those who have lost the bloody and tragic struggle…

When his wife cheats on him, his car is stolen, and his company is accused of embezzlement, Rodrigo (Carlos Sobera) decides to stage his death, come back as his long-lost twin brother, Ricardo, and start fresh with his family. But much to his chagrin, he learns that his wife doesn't miss him, his kids speak poorly of him, and his boss may have framed him. Elisa Matilla, Cora Tiedra and Javier Pereira co-star in this comedy.

Hortensia is a mature officer of the INEM office. She has been abandoned by her husband so she doesn't believe in love anymore. One day Eduardo Fernandez goes to the employment office because after overcoming a deep depression, he has decided that his life has to get better.

Spanish drama about anti-immigrant racism and family problems. Berta is a single nurse raising her deceased sister's three teenage children in a Spanish port city. The two boys are neo-Nazis with a flaming hatred for African immigrants, and the girl has a boyfriend who runs an underground business smuggling illegal aliens from Africa. Into this time bomb comes a cop, Eduardo, who is investigating the vicious assault of a black man. He and Berta fall for each other and make tigerish love in scenes that are much hotter than you might expect from middle-aged actors.

María, a young and attractive woman, loses her job, meets Luis, a young man with no stable job neither, his wife supports him. Luis wants to start a relationship with María, but she doesn't. She prefers to be with Luis' friends instead.

Ivan wakes up tied to a table. He works fixing little things in houses. Marta, one of his last clients had kidnapped him. He has to do right the chores he did wrong in her house. For every mistake she will break him a finger and if he confess she will forgive his live. But is there anything to confess?

An open book is the window to enter this protest short film about the wait for a permit to plant a laurel tree in the River Plate. The Viceroy, king and queen must all sign the authorization. Too much time for such a vital wish. Stop-motion animated cutouts take us on the complex path of bureaucracy to accomplish a simple action. The landscapes change to the beat of the music for the story to move forward and grow just like that tree they wish to plant.