Hopekillers

In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.

Diogo (17) has a little quirk: he likes to call his mother's female therapy patients and masturbate while listening to them on the phone. One of these patients is Angela (43), a woman who was just left by her husband When Diogo calls Angela, she thinks it's her husband calling. She starts having a relationship with the silence on the other end of the line. But when she finds out it's Diogo, she's disgusted. She's furious. But, most of all, she's attracted to this person who showed so much interest in her. The only person who called her every day. Diogo helps Angela see that she can have a new beginning and she shows him his way to independence. But they have to face a number of obstacles: There's the age difference, Diogo's mother, and, especially, his own path to adulthood.

Nando dreams of being a great Trap singer, but until his dream comes true, he makes deliveries for Lanchudo, a snack bar in Copacabana.

In the 1990s, two brothers were accused of murdering eight women, one man and one child in the Serra dos Órgãos region. In the eyes of the suspects, Sergeant Téo realizes that the trial of the press, police and local society is fundamentally racist, and begins to have doubts about the conviction of one of them. Based on a true story, the film is a work of fiction about the famous case of the "Necrophil Brothers."

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

A free adaptation of the Greek myth of the Moiras, specifically Cloto, which weaves the thread of life. Frightened every day and every night, a cloud hovers over each movement. Innocence was lost in the face of a worthless collection of ancient hopes and desires. In the wake of reason, a voice calls.

In a crime-plagued area of Rio de Janeiro, a team of honest cops, including a determined rookie, fights corruption and mistrust on all sides.

The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.

Isa tries the entrance exam for the second time, the economic crisis hits her family and her body does not respond as it should.

After winning yet another battle, Jorge is decorated as the new captain of the army, and now finds himself faced with his greatest challenge, whether to be faithful to his faith or succumb to the excesses of Emperor Diocletian.

A peaceful accountant, after find again a love of youth, discovers a big embezzlement in the company where he works. Thanks to the fact, he ends up involving in a corruption network that supplies the Brazilian politician system .

Since her historic participation in the International Song Festival in 1972, in a performance that would earn her the Honorable Mention award, Maria Alcina has become one of the most beloved figures in Brazilian music.

Two girls share an intimate moment during the summer.

Two friends determined to become respected police officers face prejudice and ridicule for being openly gay. Given one final chance, they go undercover to infiltrate a dangerous gang terrorizing the city. Posing as inmates, they navigate chaotic events, including a botched prison escape, while maintaining their cover and planning an ambush to take down the gang leader and her operation. Their mission culminates unexpectedly at a major fashion event, where they confront the criminals and finally prove their abilities, earning the respect they’ve long sought. The story blends action, comedy, and satire, highlighting themes of courage, friendship, and queer identity in traditionally macho spaces.

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

A film of the literary hallucinations and existential dreams of the character João, who is also José and Joyce, anthropophagically enchanted by cinema in his two hours of life.

A marginal version of Brecht’s piece, “Baal”.

Abrindo o Armário dives into the process of liberation and conquests of the gay movement in Brazil. Through interviews, archival images and artistic performances, the film shows how homosexuals from different generations faced resistance, conquered spaces and fought for the right to construct a political, social and collective identity.

Tales of Death is a project that has united 12 directors of Independent Cinema from various parts of Brazil, in the challenge of creating short films of the most varied genres and styles, where death is the main theme.

A vampire seeks to intensify the sexual experience of its victims, fostering a deeper connection and enhancing intimacy and pleasure at the moment of orgasm.