Hills Without Names

Musa, a law student seeks out Davud, a man imprisoned for kidnapping four women. He soon discovers that all of his victims have no wish to press charges. On the contrary, they have the feeling of a new truth in themselves. Musa's encounter with the purported criminal becomes a journey into someone else's inner world. Are the questions he asks the correct ones? Is the law a genuine form of justice? What is the meaning of humans imposing punishment on others? Is Musa being enlightened by a superior man, or is he being lured into a world of illusion?

The love story of Davud, a young man in search of his ‘true’ family, who completes his life cycle in a single day. When he does find Love, it's in the place he has always lived. But perhaps it is too late.

The villagers, who think that Hasan is dead, believe that he has mystical powers when he opens his eyes. The subsequent course of events begins to unfold around Hasan, and is based on this mystical atmosphere.

Geography teacher Mustafa and his wife visit Istanbul to meet his long-lost cousin, and maybe sell some goods while they're at it.

Davud returns from war to find everyone in his village has succumbed to a strange illness and has decomposed. His sister, the only survivor, is slowly rotting away herself. Davud is troubled by his memories as a soldier, as he confronts the only true question: is surviving the same as living?

An ex-soldier suffering from PTSD decides to visit his mother in his remote home village in an attempt to find some peace of mind. He participates in a mystical Spring cleansing ritual set around a temple inside a 13th-century cemetery in the middle of the forest, where he encounters a mysterious little girl. His innocent alter-ego brings him face-to-face with his inner demons and sets him on a difficult path to acceptance and redemption.

Davud and Sura are under siege. They wait for the Hunter. Hunter is omnipresent.

The film tells the story of the national tragedy that occurred on January 20, 1990, the heroism of the captains of the Caspian Sea Oil Fleet, as well as the journalists and cameramen who filmed the events.

As the world comes to an end, Shah Ismail embarks on a quest for the water of Life.

A poetical quotation puts a damper on high expectations of earthly life. Because human beings were not sent to earth but cast out to it. Disappointments are to be expected. In “I Still Talk to You,” Turkan Huseyn illustrates a conversation with her friend. It is about love and the longing to return to the past, about childhood and its no longer existing coordinates in time and space. A melancholy dialogue broken up by brief encounters: stranded looking people who also explain their views of and experiences with love. Meanwhile, the fish in the Caspian Sea are coated in a thin layer of oil that merely needs to be wiped off. It used to be less dirty here, Turkan Huseyn says. When you are a child, everything seems less dirty, her friend replies. A laconic zooming back and forth between inside and outside, in the centre of which a few buckets of blood-red flowers bloom anyway.