The 2025 edition of the yearly charity concert for the Yellow Coins foundation.
After being steeped in Chinese traditional culture for 30 years, CHEN went to Paris in 1984. The different cultural environments of China and France enabled him to grow into a unique figure in the field of classical music. CHEN neither seeks approval from the West, not even his advisor Olivier Messiaen, nor caters to China. Instead, he uses his personal musical language to tell Eastern stories.
The 2025 edition of the yearly charity concert for the Yellow Coins foundation.
The 2026 edition of the yearly charity concert for the Yellow Coins foundation.
Conductivity is a film about creative leadership told through the story of three young conductors at the prestigious Sibelius Academy in Helsinki, Finland; I-Han Fu (Taiwan), Emilia Hoving (Finland) and James Kahane (France). When stepping on the podium, they are put under a magnifying glass. Conductor training, in essence, is leadership training. The film gives a unique viewpoint to follow the students, as this is the first film about conductor training at the Sibelius Academy.
The 2023 edition of the yearly charity concert for the Yellow Coins foundation.
In the second part of this magnificent concert celebrating music from across Europe, Lukas Sternath, Martha Argerich, Bruce Liu and Hayato Sumino perform the finest piano concertos by Beethoven, Schumann, Tchaikovsky and Rachmaninoff.
The Berlin Philharmonic with Kirill Petrenko perform their annual concert for Europe, this time from the baroque magnificence of the Esterházy Palace in Austria. On the programme are works by Haydn, Stravinsky, Tchaikovsky and Beethoven.
The 2024 edition of the yearly charity concert for the Yellow Coins foundation.
The Orchestre Philharmonique de Radio France performs Ravel and Mendelssohn with conductor Pablo Heras Casado.
For the 13th edition of the Concert de Paris, at the foot of the Eiffel Tower, the Orchestre national de France, the Choeur and Maîtrise de Radio France, conducted by Cristian Măcelaru, along with leading international soloists, will perform a program with a Brazilian flavor, in celebration of the Brazil-France 2025 season.
On Thursday, June 16, 2022, after two years of the coronavirus pandemic, the Vienna Philharmonic was able to welcome back an audience without restrictions to its traditional Summer Night Concert. This year's atmospheric highlight of the summer music season was dedicated to solidarity with Ukraine and to Europe's musical heritage. In the festively illuminated park of Schönbrunn Palace, they delighted a huge audience with popular classical music by Dvořák, Smetana, Rossini, Beethoven, and others. One of the program's highlights was the waltz "Farewell" by Ukrainian composer Mykola Lysenko. Andris Nelsons conducted this year's Summer Night Concert, with Gautier Capuçon as cello soloist.
The annual New Year’s Eve Concert is one of the highlights in the calendar of every classical music fan in Berlin and beyond. On New Year‘s Eve, the Berliner Philharmoniker invite an exceptional soloist for a festive gala. Together, the musicians bid farewell to the old year and welcome the new. The 1996 concert was conducted by Claudio Abbado and featured Maxim Vengerov (violin) and the Swedish Radio Choir performing: Johannes Brahms: Hungarian Dance No. 1, 5, 7, 17, 10 & 21, Johannes Brahms: Gipsy Songs, Op. 103, Maurice Ravel: Tzigane, Johannes Brahms: "Es tönt ein voller Harfenklang", Johannes Brahms: Liebeslieder-Walzer, Op. 52, Maurice Ravel: La Valse, Hector Berlioz: Hungarian March.
Sibelius's solitary concerto is one of the most passionate tests for the violin virtuoso, one to which Maxim Vengerov is more than equal. He captures the work's passion and its occasional quirky patches of the spookily sublime. His performances of the "Sarabande" from the Bach Second Partita and the "Ballade" from Ysaye's Third Sonata are admirable encores demonstrating his range and his elegant control. Daniel Barenboim's piano performance of the de Falla Nights in the Gardens of Spain is equally virtuosic, bringing out the work's structure as well as its local color. Placido Domingo's conducting is solid and serviceable. Barenboim ends the concert with three de Falla orchestral showstoppers--the "Farruca" from The Three-Cornered Hat and the "Magic Circle" and "Ritual Fire Dance" from Love the Magician. The Chicago Symphony perform throughout with their usual vigor and fine orchestral color, but are particularly remarkable in these three encores
Sibelius 7 Symphonies Lintu
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