Heart Tray

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

After a nervous breakdown, Walter trades the city for the countryside. But his hopes for a calm life are shattered once he meets his loud new neighbors.

Daniel is a newly graduated lawyer who faces family conflicts due to disagreements with his father's business dealings; his father is a federal congressman. Alongside a friend, the young man becomes involved in a case that dates back to past lives, discovering he is connected to a complex spiritual web.

See what Suzane von Richthofen, Daniel Cravinhos and Cristian Cravinhos did in the days following the brutal crime that led to the Richthofen couple's death. This film reveals crucial moments of the police investigation, testimonies and the confession of the crime.

An ambitious law student who hates music needs to make a perfect plan to get hired at the office she interns at – until she meets a charming singer who shakes her life. While she's living her first love, she needs to face her own past and decide what's more important: do what she loves or learn to love what she does.

It was 24 hours with him. I saw him shake his ass with a friend. Scrubbing tile corners. Have egg salad for lunch. Buy cleaning products. Rehearse in the studio. Playing with children on the grass. In a huge theatre, review texts about scenes of decolonization. Smoke one, or two. Problematizing on the bus. Undressing on the couch in my house. Sleeping without fitting into the bed because you are too tall. I saw the sun bursting on your skin in the morning and said goodbye. I thought a standard session wouldn't encompass the complexity of an intimate recording. So I was his voyeur for 24 hours. Uninterrupted.

After leaving prison in 1992, Edir Macedo goes through a series of trials: the inappropriate conduct of other bishops of the Church, the attack of politicians and Catholics, his mother's illness and the tragedy of the collapse of the roof of a Church in São Paulo .

Afro-Brazilian poet and politician, the legendary Carlos Marighella. Driven to fight against the erosion of civil and human rights following the CIA-backed military coup of 1964 and the brutal, racist right-wing dictatorship that followed, the revolutionary leaves behind his wife and son to take up arms, becoming a notorious enemy to the power structure.

Like the perfect ending of a great film - that is the way filmmaker João describes the end of his 10-year relationship with Hugo. Despite breaking up, they remained best friends. However, reentering the dating scene brought a whirlwind of emotions, revealing that reality can’t be controlled like a movie script.

A story of a polyamorous, non-binary relationship struggling to survive an epidemic of genetically modified killer mosquitos.

'The Last Party' is a young romantic comedy that follows a group of four friends at their high school graduation party. Each protagonist with their love dilemma to solve throughout the night, all connected by the issues of this generation. It's their last night as teenagers. The last night with friends before being separated by different colleges. The last night before the rest of their lives.

One of the most important events in Brazilian history, the Búzios Revolt of 1798 was led by dozens of black men who rose up to overthrow the colonial government, proclaim independence and establish a democratic Republic, free from slavery. The boldness of these men called on the people to make the Revolution and the conspiracy spread to the city of Bahia. The seizure of power is near. But the movement is denounced, the government sets up a Devassa against hundreds of people and four of them are hanged and quartered.

The plot is based on the book "Se Não Eu, Quem Vai Fazer Você Feliz? – Minha História de Amor com Chorão" (If Not Me, Who Will Make You Happy? – My Love Story with Chorão). The film explores the rise of Charlie Brown Jr. and Chorão’s journey in Santos—spanning the worlds of skateboarding and the stage—while focusing intimately on the intense, nearly 20-year romance between the musician and Graziela, revealing the man behind the idol and the creative process behind the band's greatest hits.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

Every Shadow Seems Alive

By Those Hands that Lead Me tells the tale of Amora’s (Fernanda Marques) life: An orphan girl, who dreams of being a photographer. At 22, while working in a library with her friend Fran (Bruno Suzano), she goes through the challenges of becoming an independent woman, having to deal with the pain of losing her parents. The feature film debut of Brazilian actor/director João Côrtes, By Those Hands that Lead Me is a nuanced coming-of-age film about love, empowerment and overcoming your fears.

The daily lives of three young students in São Paulo. They symbolize the first generation of black students that, thanks to new education policies, attend the best public universities - places traditionally reserved for the white elite.

During a farewell carnival, a young artist falls for a stranger who hides a supernatural secret.

Todo o Sentimento follows Henrique, a filmmaker marked by past traumas. In Recôncavo Baiano, his path crosses with Gustavo's, a young man who brings renewal and lightness into his life. This unexpected encounter transforms pain into affection, exploring emotional healing through black and peripheral relationships.

Tan needs to cry.

Gabriel, with only 17 years old, lives this particular universe: anxiously awaits an answer. While life stays violent on the outside, days, hours and minutes of the storm seems paused inside the room 516 of a hospital. He's waiting the result of a test that can change his life.