Hassan Terro au Maquis

Former petty criminal Ali la Pointe becomes a commander of the Algerian Front de Liberation Nationale, directing a guerilla insurgency against the colonial French occupation. Paratrooper commander Colonel Phillippe Mathieu, a veteran of World War II and the First Indochina War, is sent to Algeria to reinforce efforts to squelch the uprisings.

When a childhood friend from Miami gets killed after he comes to warn of encroaching drug gangs, Baaba moves to Miami and teams up with a local officer to bring down the criminals.

A comedy/drama set in a village and centered on a battle of the sexes, where women threaten to withhold sexual favours as long as the men refuse to install a water pipe.

More than anything, 30-year-old Rose longs to be reunited with Mickaël, her estranged 11-year-old son who has been placed with a foster family and blames his mother for their long separation. When she discovers that Mickaël is crazy about wrestling, Rose thinks she's found a way to melt the ice: she'll put together a tag team with three girlfriends from the store where all four work as checkout girls...

After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.

In 1880, in colonized Algeria, it was decided that the Algerian peasants of the Ouarsenis mountains would see their lands dispossessed in favor of the French colonists. Two methods were used to achieve this, either by sheer force or by a ploy forcing the fellahs to pay fines too high to be paid. The uprooted must then leave for the cities, swelling the mass of proletarians in the slums ...

In 2008, Sami Benboudaoud discovered the hell of Neuilly-sur-Seine. Ten years later, now that everything is for the best for Sami who brilliantly completes his studies of political science, nothing will go for his cousin Charles of Chazelle.

A poor man rescues a rich man from burglars. as a way for thanking him The rich guy invite him and his family to come and live in his luxurious hotel. The poor family's life turns upside down in their new home.

The writer Louis Gardel remembers his youth in Algeria. In 1955, Louis is 15 years old and lives with his grandmother Zoé. Zoé is friend with president Steiger, leader of the French settlers but also with the old Arab Bouarab. One night looking at the Bay of Algiers, Louis is convinced that the world in which he has grown will disappear. The first events of the War of Independence have begun. The young boys and young girls have a good time at the seaside: swimming, dancing, flirting. But, little by little, the war becomes part of their daily life.

A few miles from Paris, on the other side of the northern ring road, stands a ghetto neighborhood with countless rows of dilapidated apartment buildings, their concrete crumbling and iron rusting. A multiracial community has long been rooted here, while most native French families have deserted the area. In tower 216 lives a "model" family of Algerian origin, the Bouamazzas. Our heroine, Aïcha, 25, the eldest daughter, is held up as an example by the whole community. But Aïcha can no longer bear the weight of the community: she wants to spread her wings, gain her independence, and finally cross the Rubicon.

In 1988, Johnny Leclerc, the son of a Norman mother and an Alsatian father, lives in a suburban housing estate with his friends. He behaves like a Muslim, observes Ramadan and wears a djelaba. He's even convinced that his name is Abdelbachir and that he was born in a small village in the bled. When his friend Yacine gets into trouble with a local kaid and decides to return to Algeria for the vacations, he smuggles himself into the Sabri family's luggage to fulfill his dream and finally get to know his "roots". As soon as he arrived on the Algerian coast, Johnny felt right at home. But Yacine is opposed to his father, who wants to arrange his marriage.

Dino Fabrizzi is the number one seller of the Maserati dealership in Nice. At 42, he arrives at a turning point in his life, the position of director is openly proposed and his companion for a year, Helen, has the firm intention to marry her. For Dino, life is great, except that this perfect life was built on a lie. Dino is actually called Mourad Ben Saoud. Neither his boss nor Helen and even less his parents are aware of this false identity. In ten days begins Ramadan and Mourad who passes every year will this time assume the promise made to his sick father. Taking part in Ramadan, For Dino - the Italian - it will not be easy.

In Algiers in 1993, while the civil war is starting, Mrs Osmane's tenants have to endure her bad temper. Her husband left her and the fear to lose her respectability haunt her. The former member of the Resistance during the Independence War persists in controlling the slightest moves of the households rather than struggle against her own frustrations. Learning her daughter is in love, the possibility of finding herself alone will push her to the limit: The symbolical Mrs Osmane "harem" is about to collapse.

Seen through the filtered lens of boyhood memories, award-winning director Mohamed Lakhdar-Hamina crafted this half-fictional, half-autobiographical account of a brief period in the history of an Algerian village. It is 1940, and the quiet town is ruled by French colonialists appointed by the Vichy government. Algerians are being called up for service in the Vichy military, and Jews in the village are in danger of deportation. A beautiful young schoolteacher named Claire Boyer (Veronique Jannot) arrives in town and turns every male head within miles, including 14-year-old Mouloud (Merwan Lakhdar-Hamina, the director's son). Simon Attal (Michel Boujenah), a fellow teacher and a Jew, is also attracted to Claire, and so is Mouloud's older brother. Suddenly two murders occur in the village, Simon is in danger of being deported, and the tone shifts from the dreams of boyhood to the realities of manhood.

Inspector Tahar and his apprentice are invited by Mama Traki, a popular Tunisian heroine, to spend their vacation in Tunis. Before leaving Algiers, they stop at a tourist complex where a murder has just been committed. The investigation full of surprises and twists and turns will take them to Tunis where they will find Ommi Traki and his family...

In 1957, the Battle of Algiers intensifies. Hassan, a peaceful resident of the Casbah, is mistakenly identified as a dangerous "terrorist leader," earning him the nickname "Hassan Terro." He is arrested, but the French occupation army secretly organizes his escape in the hope of tracking down the leaders of the resistance. In turn, the Algerian liberation army exploits Hassan's naivety to thwart the French military command and disperse its forces.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

A modern couple seeks to find marital happiness in a context where Algerian society is taking the “first step” towards female emancipation. A woman becomes president of a popular municipal assembly. Will she find happiness ?

The Oath, a TV film produced by Algerian television in 1963 following the end of the war of independence, tells the story of young Algerians who joined the resistance after the bloody repressions of May 1945 in Constantinois by the French colonial army .

The transformations of the daily life of the Algerian people during the destructive French occupation, then during the war of liberation. While military repression is in full swing, a peasant woman finds herself alone in her mountain home when her only son is kidnapped by French soldiers shortly after her husband's death during a raid. One day, seeing a dead chicken, which she considers a bad omen, she decides to leave home and embarks on a painful journey through the mountains. Accompanied by a couple of chickens, she moves from one detention camp to another in a desperate search for her missing son. The film is inspired by the events experienced by the director's family.

Historical film in four scenes which retrace the returns, the progress and the outcome of the war of liberation in Algeria. The first painting, “The land was thirsty” describes aspects of injustice and colonial oppression. The second “The Paths to the Prison” recounts the sufferings of the people engaged in combat. The last two are the stories of two lives.

While he tries by all means to stay out of the bloody upheavals caused by the battle of Algiers, Hassan, an honest and naive father, unknowingly offers hospitality to a mujahid actively sought by the army. French. A series of events and misunderstandings quickly catapult him to the forefront, presenting him under the pseudonym “Hassan Terro”, a great fictitious terrorist who would have sworn the doom of the French army...

The story of Hassan, the handyman in the inn of his sister Aïcha, widowed and childless. A whole series of incidents, misunderstandings, will punctuate his daily routine in which we find him in turn driver, waiter, welder, etc. But, he refuses to submit to anything that does not conform to the idea he has of society and things...

A prominent politician is murdered during a demonstration. The government and army are trying to suppress the truth, but a tenacious magistrate is determined not to let them get away with it.

The story of a young Palestinian who left his refugee camp to become a resistance fighter in the Palestine Liberation Organization.

One morning Noureddine, who always considered himself a little boy, discovers that his mother Fatima lied to him for 11 years and, in fact, he is a girl.

When their father dies, three nomadic sons choose different voices. The first part for the city, the second tries to live as its ancestors develop and the third integrates one of the new agricultural cooperations. "A pastoral society (1,500,000 inhabitants) on the threshold of decisive choices, destructured by the evolution of economic relations which lead to the concentration of herds in the hands of a few, to the support of rangelands and to the movement of impoverishment and proletarianization of the greatest number. The attitudes of the protagonists occur in relation to the economic and political involved in the process of agrarian revolution. The alternative lies only in the free adherence of small breeders to the forms of economic and social reorganization of the Agrarian Revolution and their insertion in the profound movements of social and political change that affect Algerian society." Sid Ali Mazif

Α tragi-comedy about 9 women of different ages and various backgrounds that gather in an Algerian hammam to talk about their lives.

The Algerian War is seen through the eyes of a group of Algerian freedom-fighters who have been captured and incarcerated in French-run military prisons both in France and Algeria. In addition to attempts at escape, this prison drama also includes propaganda and brainwashing attempts by the French and scenes of torture. In what is possibly the most horrible torture of all, the inmates are forced to listen to broadcast speeches by General Charles de Gaulle -- speeches which illustrate the changing relations between the French and the Algerians.

In an Algerian village, just before the war of independence, the inhabitants are under the thumb of a local strongman and a wealthy merchant. Among them is El Faïza, an old woman searching for her son who has escaped from prison. The gendarmes arrest El Faïza and seize the property of the villagers who haven't paid their taxes. The situation is ripe for a revolt…

Terrorists blow up the consulate of an Arab country, before a journalist uncovers a larger conspiracy. The film is based on "Scorpion, autopsie d'un complot" by Etienne Bolo and Alain Jaubert (Balland, 1978), which tells the story of a plot targeting Algeria after the nationalization of hydrocarbons during Valéry Giscard d'Estaing's seven-year term.

Néfissa, a student in Algiers, returns to her village in the south in the summer. Her father wants her to marry the mayor but she wants to continue her studies. Confronting her father and the opinion of the villagers who do not understand her, she decides to flee to Algiers. The shepherd Rabah discovering her wounded and lost in the mountains, has her treated by her mother. In contact with Nefissa, Rabat becomes aware of his exploited condition and discovers the possibilities offered to him by the cooperatives of the agrarian revolution. The two young people will go through the decisive stage together which will allow them to escape obscurantism and exploitation. Based on the novel "Le vent du sud" by Abdelhamid Benahouga

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

Sira, a former refugee, works as a translator for OFPRA (the French Office for the Protection of Stateless Persons and Migrants). She unscrupulously fleeces her clients, selling them fictions she creates to convince the authorities.

The story of a family in the instability and violence that shook Algeria during the riots of October 1988 in the midst of the rise of fundamentalism and intolerance, disappointments and prohibitions, corruption, nepotism and abuse of power. On October 5, 1988, young Algerians occupied the streets... Afterwards, Algeria would plunge into the chaos of the Black Decade which would last more than ten years and leave more than 150,000 dead.

In prison in colonial Algeria, shortly after the end of the Second World War, three indigenous cellmates make out. Once free, they attack the authority represented by the triad of the boss, the gendarme and the administrator. “Living the colonial condition,” confided Tewfik Farès, “is something! It’s not sociologically or historically speaking. It’s life. And I think that’s all there in it. [...] For a hundred and thirty years, we wait. We hold back. We push back. We hope. At the same time, on different occasions, there are skirmishes, unrest.

This is not how the young Swiss couple imagined their desert trip: on their way to Timbuktu, they break down and are stranded in the Algerian desert of Tar. Oliver is more concerned with the broken truck than with Elena, so she explores the oasis alone. There she meets two women: a mysterious fortune teller and the young Aya. And then there is Saïd's small public telephone exchange, which connects Tar with the outside world. While Elena discovers a new world, Oliver wants to end the trip as soon as possible.

A sunny seaside town... Jean and Catherine are in love. They are young, beautiful, and poor. One of Jean's friends suggests he rob the cash box of a traveling circus. But the plan goes wrong: a circus employee is seriously injured, and Jean is arrested. He chooses to proclaim his innocence. To force him to confess and denounce his accomplice, the two detectives in charge of the investigation devise a Machiavellian plan...

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.