Happy Arenas

In 1930, Louis Martinet, a peaceful sexagenarian, no longer has a long life to live according to the words of his doctor, Leon Galipeau, who sees to take advantage of the very interesting situation of the "future deceased". This one indeed has a small house in Saint-Tropez. Galipeau sniffs the windfall. Following his advice, Martinet agrees to give it in life to the brother of the doctor, Emile, and then rushes back to a health of iron. Worse, he even survives the war. Galipeau, exhausted, decide to use the great means to get rid of the importunce who persists in thwarting their project ...

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

Ralf Milan, a hitman, arrives in Montpellier to kill an important witness. He checks in a hotel without knowing that his neighbour has become neurotic after his wife left him.

The guardian is engaged to a girl from a good family, but the intervention of a gypsy will make his heart lean. This one comes in fact to take revenge and will try to kill him.

When a measles epidemic forces the temporary closing of a child care center, the son of a film star and her estranged husband, a concert pianist, is mistakenly delivered to a touring musician.

Auguste is about an eponymous bank clerk who finds fame and fortune. Auguste happens to be in the right place at the right time to save young starlet Francine from killing herself -- or more accurately, pretending to kill herself. His supposed heroism hits the news, and before Auguste knows what is happening, a Machiavellian publicist is using him for his own ends. The bank clerk is no fool and soon thinks of a way to come out on top.

Three stories about pleasure. The first one is about a man hiding his age behind a mask to keep going to balls and fancying women - pleasure and youth. Then comes the long tale of Madame Tellier taking her girls (whores) to the country for attending her niece's communion - pleasure and purity. And lastly, Jean the painter falls in love with his model - pleasure and death.

In 1930s Marseilles two small-time crooks decide to join forces when they meet while brawling over a woman. Starting with fixed horse races and boxing matches, they soon find themselves doing jobs for the local gangster bosses. When they decide to go into the business for themselves, their easy-going approach to crime starts to change.

Fernand, a simple employee at the Prefecture of Police, must serve as a "sheep" to extract confessions from a leader of organized crime, who has recently been in prison. But he managed to escape by taking Fernand hostage.

Four young women embark on a journey of sexual awakening.

"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.

Campana, a commissar at the drugs bureau of Paris police gets an undercover job in Nice to catch an Italian-French mafia boss. As he slips into the identity of a gangster's brother, who was already killed, he has to play the role of a loving husband with child - something that is not so easy for a confirmed single like Campana. Unfortunately American killers chase behind the Nice mafia clan too, in order to get control of French drug trades to USA.

Paris, France. Commissaire Wens follows the lead of a ruthless murderer to an unexpected place.

Inspector Sergil is a detective comedy. Sergil, inspector of the P.J., investigates three crimes, helped by two pretty women, Bijou and Nadège.

As the driver of a garbage truck in Arles, Marc-Antoine leads a quiet life with his wife, Mélanie, and their two children. When Amédée's "Fanny" is stolen from the bouliste club, Marc-Antoine offers to repaint another one. As soon as the work is finished, he becomes a local celebrity and, intoxicated by his new-found fame, leaves his family to go with Hélène, the young waitress, to his friend Septime's house in the Camargue to take up painting. Eventually, Marc-Antoine realizes that he is dissatisfied and that his success seems dishonest. He realizes that happiness awaits him with his wife, children and friends, and resumes his simple life without remorse.

Maddalena finds that her donkey has reappeared after being missing for months. However, on the same day, a donkey disappears in a neighboring village. The unfortunate coincidence leads to "war" between the two villages.

For 25 years now, under the Provence sun, Antonin, a farmhand, has shared his work and everyday life with a horse named Ulysse. What a shock when Pascal, the farmer, tells him he has decided to sell Ulysse to a picador for being too old. Not only will he be separated from his faithful companion, but he is well aware too that the arenas of Arles mean death for Ulysse. Being unable to stand such injustice, Antonin runs away from the farm in the company of Ulysse. Together, they go through the Lubéron, the Baux de Provence, the Alpilles, the Crau and the Vaccarès. Yet, their journey is no pleasure cruise, specially when it comes to crossing National Road 7. After a visit to Marcellin, an old friend of his, Antonin sets off again with Ulysse, this time towards the Rhône River.

Toinet, Girelle and Pénible fish for sardines in Marseille. To dazzle their conquests, they present themselves as rich can manufacturers, while the little flower girls play movie stars. A ridiculous suitor wants to discuss a business deal, a potential sponsor appears and the whole tohu-bohu reclaims the songs of Vincent Scotto.

Emile is a French film producer at the beginning of the century. One of his friends leaves his daughter Lucette in his house, when he is starting a tour through France. Emile falls in love with her. Problems starts when his younger friend Jacques come back from military service and after complaining his misfortune with women, follows Emile's advice in starting affairs with women and he meets Lucette.

Comical adventures of two pairs of friends during their stay in Deauville, Normandy.

Julien Brûlebois, a brave peasant from Auvergne, learns that he has been summoned to Strasbourg to collect an inheritance. Amazed by the operation of the bus that takes him from the station to his notary's home, he decides to buy it. What follows is a bewildering chase between the agents of the Strasbourg transport authority, the capitalists, the naive peasant and his lucid, pretty fiancée.

Fernand has just inherited a saloon in Texas from an uncle in America. Despite his inheritance, he is considered an intruder. Soon he's the victim of a cruel plot: accused of murder, arrested and kidnapped by Indians and gangsters. A young, beautiful, pure-hearted Indian, moved by Fernand's kindness, accompanies him back to the village. She's sure to become the owner of the Texas hotel.

Adrien Chautard, a major industrialist from Abidjan, has been chosen to replace an expert on the official Ivory Coast delegation sent to Paris to discuss the country's association with the Common Market. Chautard is delighted at the prospect of this trip, where he will be reunited with the woman of his dreams: Elisabeth. Alas, at Abidjan airport, a nasty surprise awaits him: Berthe, his lawful wife, has decided to leave with him to consult a leading cardiologist in the capital.

When French criminal Corey gets released from prison, he resolves to never return. He is quickly pulled back into the underworld, however, after a chance encounter with escaped murderer Vogel. Along with former policeman and current alcoholic Jansen, they plot an intricate jewel heist. All the while, quirky Police Commissioner Mattei, who was the one to lose custody of Vogel, is determined to find him.

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.

This is the story about Joy who falls in love with an older man (she has been looking for her missing father all her life), and then travels around Paris with him and his other female companion, experiencing a broad range of sexual encounters.

Identite Judiciare stars Raymond Souplex as wily French police inspector Basquier. The villain is Berthet (Jean Debucourt), a high-ranking government official. Basquier suspects that Berthet is a vicious murderer, but is unable to prove anything thanks to bureaucratic interference. Thus, the good inspector plays a waiting game a la Columbo, hoping for that one fatal slip on the part of the killer. Certain portions of Identite Judiciare proved a bit too intense for American audiences, and were accordingly snipped by the censors.

An inexperienced, sickly priest shows up in the rural French community of Ambricourt, where he joins the community's clergy. But the locals don't take kindly to the priest, and his ascetic ways and unsociable demeanor make him an outcast. During Bible studies at the nearby girls school, he is continually mocked by his students. Then his attempt to intervene in a family feud backfires into a scandal. His failures, compounded with his declining health, begin to erode his faith.

In May 1974, Valéry Giscard d'Estaing became President of the Republic and wanted to bring about a new era of modernity. One of his first decisions was to break up the ORTF with the creation of three new television channels: TF1, Antenne 2 and FR3. Three new public channels but autonomous and competing. It is a race for the audience which is engaged then, and from now on the channels will make the war! This competition will give birth to a real golden age for television programs, with variety shows in the forefront. The stars of the song are going to invade the living rooms of the French for their biggest pleasure. This unedited documentary tells the story of the metamorphosis of this television of the early 1970s, between freedom of tone, scandals, political intrigues and programs that have become mythical.

Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets.

The title of this French "reality" drama, which translates to Before the Deluge, is a play on Louis XVI's famous prognostication, "Apres moi, le deluge." Set in 1950, the film concentrates on five Parisian adolescents. Certain that the next war will herald the apocalypse, the youngster make plans to run off to a desert island and set up a new society. This, however, will require money, which is why the boys decide to pull off a "necessary" robbery. Idealism collapses in the face of cold reality, as the five youths suffer from the consequences of their actions. Avant le Deluge was one of a group of films cowritten by director Andre Cayatte and Charles Spaak which endeavored to explore the touchy social issues of the day: others in the Cayatte-Spaak canon include the euthanasia-themed Justice est Faite and the capital-punishment tract Nous sommes tous des assassins.

Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.

The murder of a Parisian mobster starts a war within the world of organized crime.

In the most traditional Sicilian, a 18 year old is in full arousal. His relationship with breathtaking mature woman will create a great controversy in the retrograde Sicilian society.

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.

A mad scientist captures young women and drains their blood, in order to keep alive an ancient, evil duchess.

A ruined Baron Philippe de baron, meets one day a troupe of traveling actors led by Herod. Attracted by the one who plays the role of the ingenue: Isabella, and by the dynamism and enthusiasm of his companions, he takes the place of the deceased poet of the troupe. And during performances, Philippe became the captain Sunder. For his part, Isabelle loves Philip, but does not consider marriage, nobility him missing, she refuses to harm the career of Baron. And one day, the Duke of Vallombrosa, seduced by Isabella, finds himself challenged to a duel by Philippe for touching the girl. Defeated, he launched his men against Sunder, then removes Isabelle. The actors throw themselves then to storm the castle where she is being held. This time Vallombrosa was seriously injured, and the duke's own father, rushed to the scene, Isabelle discovers the girl he had once been an actress. Nothing stands now the union of Sunder and Isabella, under the tender gaze of the actors Herod and Scapin.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A doctor invites his relatives to his castle, all the while planning to murder them when they arrive. However, when he himself is murdered, the relatives know they have to find the killer before he gets all of them.

The umpteenth adaptation of Dumas' novel finds d'Artagnan and his friends promoting the love affairs of Anne of Austria and the Duke of Buckingham, incurring the wrath of the Cardinal and exposing themselves to the cold cruelty of Milady de Winter. Also featured are the tender Mme Bonacieux, the hilarious Planchet, the Queen's ferrets and Bethune's executioner, against a backdrop of clanging swords.

In Antwerp, Belgium, in 1959, a succession of Interpol agents are gunned down without obtaining what they're looking for: a list of all the influential crooks. Only one remains, Larry Laine, who is about to show them what he's made of.

On a Marseille film set, a street urchin who has been hired as an actor is suspected when both a star and a baroness are robbed.With the help of the boy's neer do well friend the real crooks are tracked down.

Based on the novel of the same name by writer Edouard Peisson, this Jean Delannoy film display one boy’s unconditional love for his mother, despite her tragic mistreatment of him. After being raised by a shepherd for the past 12 years, Simon (Pierre-Michel Beck) is reunited with his mother Marie (Madeleine Robinson). Marie is a prostitute in Marseilles and is now stable enough to welcome Simon back into her life. Unaware of her profession at first, Simon is happy to have his mom back, but in time he learns how she makes her living. This troubles Simon but he continues to love her, despite not loving her chosen profession. His anger toward this issue gets directed toward Marie’s louse of a boyfriend, Paul (Frank Villard), and the result is a heartfelt tale about love and family.