Hanthane Kathawa

Baddegama or, more correctly, Beddegama is a 1980 award winning Sinhalese language film directed by Lester James Peries that follows the lives of village people in British Colonial Sri Lanka. The film is based on the 1913 book titled as "The Village in the Jungle" by Leonard Woolf. Silindu is a hunter in a small village where he and his family endure a life of hardships. After facing disease and poverty under colonial rule, the final blow comes when Silindu is tried for murder.

Madol Duwa (Mangrove Island) is a 1976 Sri Lankan drama film directed by Lester James Peries and produced by Upasena Marasinghe. The film stars Ajith Jinadasa as Upali, a young rebellious youth who travels to a small island to get away from the restrictive society around him. The film is based on Martin Wickremasinghe's 1947 novel Madol Doova. It was a commercial success

Susila lives in a small village with her mother and two brothers. Growing up facing the bitterest realities of life, her coming of age is delayed. But once it happens, she instantaneously attracts the attention of the young men in the village leading to conflict.

Nommara 17 (Sinhala: නොම්මර 17) is a 1989 Sri Lankan Sinhala action thriller film directed by Hemasiri Sellapperuma and produced by Preethiraj Weeraratne for Weeraratne Enterprises. It stars Vijaya Kumaratunga, Sanath Gunathilake and Jeewan Kumaranatunga in lead roles along with Mervyn Jayathunga, Freddie Silva and Sabeetha Perera. The music was composed by Ernest Soysa. It is the 691st film in the Sinhala cinema. The film was screened after the assassination of lead actor Vijaya Kumaratunga, which influenced the fans to come and watch his famous movie star for the last time on the silver screen. Thus recorded as one of the huge blockbuster hit in Sinhala cinema, which also won Sarasaviya Award as well. It successfully passed 200 days at theatres.

Piyal and Nanda have now aged, and their children have left them. Priya reminisces on her life after her son sends her a letter from London accusing her and her husband of various faults.

In a fishing village, Anton Aiya is an exploiter who outwardly resembles and acts like a regular fisherman, but he exploits and feeds off the other fishermen. In this setting, members of the urban entrepreneurial youth. They have adapted to Western culture, dressing like Westerners and preferring Western music. Conflict arises between Anton Aiya and Baby Mahattaya (Victor), a representative of the urban youth. A middle-class leftist, Weerasena, is also part of this group. The arrival of these youths has clearly caused a social crisis requiring a solution, and all Weerasena can do is stand on a platform and deliver a speech that no one listens to. He finally leaves for the city.

Dharmesena Pathiraja's only Tamil language film, Ponmani (Younger Sister) is about a starkly different socio-economic culture and political climate. Set in the northern city of Jaffna, it traces the fortunes and concerns of an economically depleted upper caste, lower middle class family. An evocative film about land, women, romance and tragedy, narrated in an idiom of understatement.

When his father dies, Jeffrey is sent to live with his aunt Charlotte in Canada. Once there he leads his aunt and his friends in staging, a non-violent hunger strike to try to save his aunt's house from being demolished to make room for a ski resort.

Awaragira is a 1990 Sri Lankan film directed by Lester James Peries and produced by Dilman Jayaratne for Dil Films. It stars Joe Abeywickrama, Iranganie Serasinghe and Tony Ranasinghe in lead roles along with Lucky Dias and Vasanthi Chathurani. Music composed by Premasiri Khemadasa.

​A naive village girl’s romantic dreams are shattered when she is forced into an abusive marriage with a cruel aristocrat. Stripped of her innocence, she must find the strength to defy the patriarchal society that bounds her, transforming into a hardened, fiercely independent woman.

Lalith is a chief Clarke of a Government Department. He falls in love with Nilanthi, a newly recruited typist. But Nilanthi is attracted to another handsome young Clarke in the same department named Sagara. Lalith detests this. He starts to suspect each and every act of Sagara and Nilanthi. ‘Dahasak Sithivili’ is based on Lalith’s efforts to prevent himself from getting carried away by these endless suspicions.

The film is based on the life of Jesus Christ until the crucifixion. It was the first Sinhala film based on Christianity and directed by a Buddhist.

Three young men have to face the realities of adult life as they move on from youthful frolicking to battle issues of unemployment, restlessness and the allure of the city. Two of them, Jaye and Gune, unlike their other friend who finds both a job and a wife, have only each other for company, In search of quick and easy money, they fall into hands of a scheming network of underworld figures.They become hustlers and decide to outwit their contact.

When an alluring young undergrad becomes infatuated with her nearly retired professor, she stirs up the man's humdrum home life in a most unusual way.

Set during the British colonial reign in Sri Lanka (1905), this powerful drama follows Peduru who descends from a line of traditional drummers, crossing over to three generations. Peduru's struggle for survival in this harsh rural hamlet exposes the repressive Buddhist institutionalization of the locals, and the hierarchical structure backed by the British colonials.

The film follows Dr. Manorani Saravanamuttu's relentless pursuit of justice after the tragic abduction and murder of her son, Richard de Zoysa, a journalist, writer, and human rights activist, in 1990.

The son of a newly rich industrialist becomes embroiled in a murder cover-up.

Dr. Sarath (Tony Ranasinghe) domineers over his timid wife Vineetha (Sriyani Amarasena). When she is to have a Caesarean delivery of their baby, Sarath refuses to be present even though he himself is a doctor. She dies during surgery and Sarath is forced to live with the spectre of his wife hanging over him.

This European thriller, set in Sri Lanka, attempts to expound upon the philosophical implications of life, death, and memory. JB, an academic famed for his studies of oriental culture and alcoholic who has never recovered from his wife's suicide, returns to Sri Lanka to translate a book written on glass. It is supposed to contain Buddha's discourse upon memory. While he is there, an attractive nurse, Julia asks him to assist a young boy who wants to locate his father who is now living in a Tamil-occupied area. The Tamil terrorists will kill any trespassers. Compounding JB's conflict in deciding to go is that his former home where he lived with his wife is in that area. Unbeknownst to him, the boy is really a Tamil spy.

Sath Samudura is a landmark Sri Lankan film directed by professor Siri Gunasinghe and released in 1967. This film was critically acclaimed and is considered a major work in Sri Lankan cinema. It depicts the plight of fishermen living in the Southern Province of Sri Lanka.

The cost of living sky rocketed. The government introduced an income ceiling. Private practice for doctors was abolished. It was the fate of Dr. Moladanda to live with a struggle he did not create.

A woman plots her revenge after being duped by a slick, ruthless man who impregnates her and tries to bail her out of marriage.

Lasanda is the name of the girl played by the famous actress Nita Fernando. Her acting amplifies the moral qualities of her heroine – a proud woman, irreconcilable to everything that degrades human dignity. The world is divided into two clearly delineated camps. In one of them are the rich mine owners and their accomplices, in the other - the working class, the poor, forced to make ends meet with odd jobs. The first reign supreme, believing that they can buy off any crime with money, although they fear an organized uprising by workers. The second are almost powerless in the face of tyranny and violence; their existence, their future depend on the whim of their masters.

Cyril (Tony Ranasinghe) is dissatisfied with his introverted fiancée Sujatha (Punya Heendeniya). He starts a relationship with the outgoing Sarojini (Anula Karunatilleke) and gets her pregnant. Sujatha meanwhile is fascinated by a wandering Buddhist nun. Due to the pregnancy, Cyril breaks off the engagement having no intention to marry Sarojini. Till the birth of the child he supports her and then leaves her for an older rich woman. Sarojini is distraught and contemplates suicide. Sujatha by this time is planning to become a nun.

A romantic story of a youth of lower class and a girl who raised in a wealthy family back ground.

This film indicated the formation of a cinematic language consisting of hyper-realistic images. The film won the award for Most Promising Director at the Critics' awards in 1994. It was also awarded Best Film, Best Director, and Best Screenplay at the 1998 OCIC awards.

After arriving in India, Indiana Jones is asked by a desperate village to find a mystical stone. He agrees – and stumbles upon a secret cult plotting a terrible plan in the catacombs of an ancient palace.

Jaya Sikurui is the 597th movie in Sri Lankan cinema history.

Abirahasa is the 231st movie in Sinhala cinema.

A continuation of “Bawa Duka”; via Peduru’s family, the narrative exposes the social stasis/class discrimination encouraged by the local Sinhalese Buddhist clergy, while the arrival of the Christian missionaries signals a more progressive mindset, though at the cost of conversion to a monotheistic faith. Tyranny is not only practiced by the British colonials but equally facilitated by local traditional institutions--thus, the resultant suffering (Duka) of Peduru is a combination of the two.

The story follows Bonny Mahaththaya (Gamini Fonseka), a wealthy and hedonistic landowner who lives a life of wine and pleasure. His world is challenged by his unrequited love for Kamala (Punya Heendeniya), who instead loves a humble worker named Sirisena (Joe Abeywickrama).

Kolomba Sanniya (Colombo Mania) is a 1976 Sinhalese language comedy film directed by Manik Sandrasagara that follows the lives of middle and upper-class people in rural and urban Sri Lanka. The film stars Geetha Kumarasinghe, Joe Abeywickrema and Denewake Hamine are notable for containing the first depiction of best comedy in a Sinhala film.