Hamraaz

In the early 70s, aspiring actor Om Prakash Makhija, and a famous starlet Shantipriya, are murdered. Thirty years later, his reincarnation Om Kapoor sets out to discover the mystery of their demise.

An engineer's dream of making the perfect train for Indian Railways is given hope when the company commissions his prototype. After years dedicating himself to his dream, his family has suffered, but now he hopes to make it all up to them with the train's triumphant inaugural journey. However, an embittered fellow employee has other ideas.

Ganga Singh lives near Gangotri with her brother, Karam. One day she comes to the assistance of a young man, Narendra Sahay, who has come with a group of Calcutta-based college students to study the source of the holy river Ganga, and to get some holy water for his wheelchair-bound paternal grandma. Both are attracted to each other, and on the next Puran Mashi get married, and spend the night in close intimacy. Narendra leaves, but promises Ganga that he will be back soon. Months go by, but he does not return. She gives birth to a son, and as soon she is able to, she starts her journey to Alipor, Calcutta, to confront Narendra and ensure a better future for their son.

A wealthy widow refuses to leave anything to her selfish son. In order to win her affection, he introduces her to his fiancee, Deepali, who is a girl he hires to play the part.

When Ajay (Sunil Dutt) meets Asha (Asha Parekh), he mistakenly believes she's wealthy. The fact that she's not, however, doesn't prevent him from becoming smitten, and the couple soon marries with the full blessings of Ajay's family. Poverty is one thing, though, and childlessness quite another -- which Asha finds out the hard way. When she fails to produce an heir for the clan posthaste, her mother-in-law begins a search for her replacement.

Three jailed convicts, Himmat, his brother Ajit, and Dilawar Khan break out of prison and take over the household of Editor Ashok Rai. The convicts will continue to hold the family hostage until their associate, Kamini contacts them in person.

The story is about a college girl who is cheated and raped by her lover. She files a case against him but could not punish him for she needs a proof. Her elder sister who is a lawyer tries to collect the evidence but is caught by the villain, and when he tries to rape her the college girl who was seeking vengeance for destroying her future, shoots and punishes him in the climax of the movie

Nawab sees Jameela in a market and instantly falls in love with her. The situation gets complicated when Aslam, his childhood friend, also ends up liking her.

A debauchee Zamindar greatly neglects his wife. The decadence of the Bengali Zamindar milieu in the late 19th century, seen through the eyes of a young upward mobile rustic seeking fortune in Calcutta, fascinated by the lonely lady of the house.

Rakesh lives with his brother, Madan, and his dad in Rangoon. Madan has fallen into bad company and steals the family heirloom, in the shape of a dragon, some cash and runs away to India. Shortly thereafter, his dead body is found under Calcutta's Howrah Bridge. Rakesh travels to Calcutta in order to find out the mystery behind Madan's death, and also try to recover the family heirloom.

Raju informs the police about a group of bandits, even though he is in love with the chief's daughter. The police set out to kill the clan and it is upto him to save the bandits and his love.

Two friends with opposite personalities, the rich but sensitive Pran and the womanizing Gopal both have affairs with two mountain girls while holidaying in the valley of Kashmir. While Pran and Reshma's love is true and reciprocated, Gopal is a womanizing villain, who disregards the faithful Neela and condemns her to wait faithfully for his return with the barsaat (rainy season).

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

A gangster sets out to fulfill his father's dream of becoming a doctor.

This is a biographical on the late Nargis Dutt showing scenes from her many films; from her earlier roles as a child artiste right up to her role in the epic Mother India. During her career as an actress, Nargis won many awards in India and abroad. She was nominated to India's Upper House of Parliament to represent the film industry. This film contains interviews with her family members, friends and colleagues and brings back the fond memories of this great actress and human being.

In the arid region of Rajasthan, India; there are two royal families, Mirtagarth and Surjangarh who believes in a religious ritual which states that a warrior from each of these two families will come together annually to have a fierce battle with the winner having to sacrifice a baby buffalo and it will rain in that person's territory. This tradition must be fated to carry on by the future generation as it is a rule of nature set down by their kin.

Pushpanjali (An Offering of Flowers) is a 1970 Hindi, romantic drama film, produced and directed by Kishore Sahu. The film was made under the "Kishore Sahu Productions" banner. Dinesh Khanna, his wife, Lata, and their son, Pappu, lead a harmonious and happy upper-middle class life in Bombay, India. Despite of their happiness, they know that Lata's heart is weak, and unable to withstand shock or over-excitement. While on a outing, Pappu starts having health problems, and must be admitted in hospital, so that various tests can be carried out to isolate and treat the problem. A few days later, Dinesh is at work, and the phone rings in the Khanna household. Lata answers the phone, and what she is told the shocking truth - a truth so devastating that it may take her life, and change the lives of her husband and child forever.

A very spellbinding story about the reel and real life of great old thespian Kanhaiyalal and his bygone era when Indian Cinema was at a nascent stage. The story tells about his inspiring journey from a confused, gullible youth to a mesmerizingly spontaneous actor. It also unfurls the turbulent phases of Kanhaiyalal's life where there is excessive alcoholism and the mysterious death of his son.

In a remote region in India there has been a tradition of settling differences by fighting a duel with pistols with only one bullet in each of them. Such was the duel fought by Shankar and Thakur Bhavani Singh, with the latter emerging as the victor. Years later, Bhavani's son, Prithvi, returns from London, meets Shankar's son, Gora and daughter, Tara, befriends them, and eventually both Tara and Prithvi fall in love with each other. When Bhavani finds this out, he wants Prithvi to marry Rajeshwari, who comes from a rich family, and will destroy Gora Shankar and his tribe of gypsies. Unable to make up his mind, Prithvi ends up marrying both women, leading to Tara giving birth to a son, Pratap. Bhavani is enraged when he this out, he has Tara and a lot of their people slain, and their homes torched. Gora himself is arrested by the police, and sentenced to several years in prison...

Mere Lal (transl. My Son) is a 1966 Indian Hindi-language drama film directed by Satyen Bose and produced by Jyotsna Sen. It is a remake of the 1963 Bengali film Badshah, based on the story of Nihar Ranjan Gupta. The film stars Dev Kumar, Indrani Mukherjee and Mala Sinha. It focuses on a stone-hearted dacoit who, when thrust with the responsibility of bringing up a lost child he finds on a riverbank, mends his ways and becomes an honest wage-earner.

Muqaddar ka Faisla, is the story of Pandit Krishna Kant. A poor, but extremely honest, upright, God-fearing man, who refuses to compromise on his principles.

Vijay and Chandni are in love. Her father does not approve.

A group goes to the forest on a picnic and find a house where three of the male students sexually assault a girl and kill her. The dead girls spirit then takes revenge on the killers.

Amar and Prem, college friends, and Asha and Shobana form friendships. Marriages are arranged, but dowry demands a US ticket. Prem returns, becomes office predator, and Asha endures harassment to pay off debts.

The Kapoor family consists of Kishorilal, his wife Lajjo, son, Prakash, and daughter, Geeta. Kishorilal and Geeta toil hard to ensure that Prakash gets a good education so that he can study in America, return home, and repay the loans that the family has taken. Prakash does get to complete his studies, he also travels to America, upgrades, and returns home to be employed as Kishorilal's boss. Then Prakash gets married to Reena, who comes from a wealthy family, and moves in with them. Geeta confides in Reena that she has met a young man by the name of Ranjit, both are in love and want to get married. The entire family is overjoyed, but their joys are short-lived when Ranjit's dad, Mayadas, asks him to get married to the daughter of a wealthy man, when he refuses, he is asked to leave.

The lives of friends Namdev, Raghu, Damu and Jaggi take a turn for the worse when they win a lottery. Raghu and Damu murder Jaggi and frame Namdev who later returns to seek revenge.

Nirmala Gupta rules her household with an iron fist. While most of her family resents it, they do comply and try to appease to her. When her daughter-in-law's free-spirited sister comes over to stay for a few days, things in the Gupta family start to change, agitating Nirmala.

After being thrown out of his house by his father, the smuggler Sunder is forced to live a simple life and in doing so manages to reform himself and become the good son that his father always dreamed of. -SR

Ram and Balram are 2 young boys who live with their loving parents. Their scheming uncle, Jagatpal, however kills the boy's father and mother. Jagatpal lies to the boys that their parents have been killed in an accident and promises to raise them himself. He enrolls the younger brother Balram, in school and eventually sends him off to join the police force. The older becomes a mechanic. Jagatpal has a tight hold on the boys, even when Ram is an adult, he still gives all his wages to his uncle and is only allowed to keep a few rupees for pocket money.

Phir Bhi is a 1971 Bollywood drama film directed by Shivendra Sinha. The film stars Partap Sharma and Urmila Bhatt. Partap Sharma won the 1971 National Award for the lead role in this feature film which also won the National Film Award for Best Feature Film in Hindi.[1

Hero is the story of a criminal transforming and evolving as a good person under the influence of love. Jackie is a baddie with a heart of gold though, who has to settle scores with the area's 'Thakur' and his police officer son Sanjeev Kumar. So he opts for kidnapping their soft spot, Radha, Thakur khandaan's only daughter. Radha is given to understand that Jackie and his gang are police people who have taken her away to the safety of jungles because their house has been invaded by dacoits. The rest of the story is about the gang's camaraderie with Radha in sylvan spots and the discovery of truth by Radha.

Amar is a multi-millionaires son and painting is his passion, he works for his dad too. One day, he meets this charming girl called Maya and they share a good vibe and fall in love.

The entire plot is woven around Indian family values, enterprise and meteoric rise in business.

Dhun comes from a wealthy and talented family and desires to see the world on his own. He sets upon this travel and on his journey comes upon an inn called Five Daughters, run by Pahar. Deciding to stay there for a while, he meets Pahar's daughters and falls in love with Pooja. Pooja reciprocates his love and both hope to get married. Just when their marriage is being planned, Pooja's family comes to learn that Dhun and Pooja are related.

Baijnath alias Baiju is a slacker, trouble-maker, unemployed, and a flirt. The villagers rally together and force his father to ask him to leave the village, which Baiju does. Baiju's travels take him to the castle of a king, who has a beautiful daughter named Ratnavali. When he sees Ratnavali, he is smitten by her beauty and falls head over heels in love with her.

In colonial India, newlyweds Amal and Rajni face separation when she returns to her family. Their peaceful village life shatters after Amal's beloved teacher is arrested as a freedom fighter.

A powerful and princely Sheikh lives in 18th Century Persia, makes a living renting out properties, and recovering taxes and dues on them. He lives in a palatial house with his wife, Zubeda, and son, Ahmad. When Ahmad grows up, Zubeda notices that he is spending too much time with women in their harem, and wants his father to get him involved in their business. Sheikh accordingly instructs Ahmad to collect all revenue, which he does so. A few days later, Sheikh is informed that Ahmad has been spending time with a friend named Farid, and is romantically involved with a dancing girl named Yasmin. A visibly upset Sheikh accordingly warns Ahmad to mend his ways, give up on Yasmin and return home, where he has planned his marriage with Nadira, the daughter of Amir Qasim.

Sanjay and Priya are in love and are planning to marry. When Priya learns that her father has been arrested, they decide to postpone their wedding. However, destiny has other plans as Sanjay dies in a car crash. In heaven, he learns that his death was a mistake, and he is sent back to Earth in the body of his lookalike, the wealthy but morally corrupt Tarun Kumar Saxena, the man who ruined Priya's family.

Two boys meet two girls and try to forge relationships... then things get complicated when the father of one of them dies, and his son is left with certain family obligations to attend to.

When a police officer is framed for bribery by a criminal, his younger brother creates a secret identity for himself and poses as underworld figure Mr Natwarlal, determined to slowly but surely get revenge on his brother's behalf.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.