Habsburg gegen Hohenzollern - Die Schlacht bei Königgrätz

During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.

Gerta grows up in 1930s Brno in a mixed Czech-German family, which brings her into conflict with her father as he embraces Nazi ideology. Despite this, they remain connected through their shared love of music. During the occupation, Gerta joins the student resistance with her beloved Karel, but the war takes everything from her and leaves her with a dark secret that shapes her future. After the war, though innocent, Gerta is violently forced into the wild expulsion and must leave her hometown with her infant daughter. She survives the hardest years on a rural farm, reunites with Karel, and returns to Brno hoping for a normal life—yet the past continues to haunt her. The two-part TV film Gerta Schnirch offers a personal view of 20th-century history through the fate of a woman caught between two worlds.

Stella, grows up in Berlin during the rule of the Nazi regime. She dreams of a career as a jazz singer, despite all the repressive measures she is forced to go into hiding with her parents in 1944, her life turns into a culpable tragedy.

At the end of 1945, the Nuremberg trials against Göring, Hess, von Ribbentrop and other Nazi officials began. The young Jewish reporter Ernst Michel and the witness Seweryna Szmaglewska, both concentration camp survivors, struggle not only with their deep traumas, but also with some uncomfortable insights that the trial brought to light. Carsten Gutschmidt's thoughtful docudrama sensitively interweaves dramatised scenes, flashbacks, colourised original footage and new material in which witnesses and descendants visit the original locations and comment on the action.

1942. The State of Finland has formed an alliance with Nazi Germany. An elderly man single-handedly tries to stop a secret attempt by the Finnish State Police to hand over Jewish refugees directly to the Gestapo.

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up

In this edge-of-your-seat thriller inspired by real events, a British police officer and a Jewish woman fall in love amidst the political turmoil of 1930s Tel Aviv. With British control over Palestine precarious and conflict inevitable, everyone is forced to choose a side.

A young couple in love spontaneously get involved in an underground play in a dark cellar that is billed as "particularly bad". As expected, the play begins "artistically valuable" - the audience is rather bored, some filming along with amusement. However, the mood changes abruptly when Manfred Amour, the play's car, enters the cellar.

When a body is found floating inside a pond deep in the forest, Detective Paul Werner is faced with a mystery.

Peter Weiss’ monumental 1965 stage play, among the greatest artworks on the Holocaust, condenses the testimonies of witnesses and the accused during the Frankfurt Auschwitz Trials of 1963-1965. This ultra-faithful film adaptation builds, across four hours, in its intensity and graphically described detail.

For the handsome Sebastian life goes by easily. During the day he works in a fashion shop, in the evening he flirts through the clubs of the city. Blessed with an extraordinary voice, all signs of a career for the young singer. Ironically, an accident rips him out of his carefree life: Suddenly Sebastian can not see anymore. Instead of the party girls, a young woman enters his life, for whom he had never had eyes: the inconspicuous nurse Mia (Paula Kalenberg). Through her, Sebastian begins to re-experience the world - and for the first time gets to know real feelings. Thanks to Mia he writes a song that really comes from the heart. Overnight, it makes him, the blind romantic, known on the Internet. When he regains his sight, he has to decide: Will he also return to his old life?

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…

Marisa, a recently retired doctor, decides to travel as a volunteer to a Greek refugee camp where, in her opinion, they need people exactly like her. When she gets there, it becomes clear that she is nothing like the other volunteers. When she meets little Ahmed, the boundaries between the need to care and the need to feel useful begin to blur.

A thirtysomething couple invites another couple to dinner in the suburban pad to which they’ve recently moved. Complications ensue. The less you know about this unsettling chamber-piece drama, the better. Suffice it to say, it deftly and deliciously wrongfoots the audience all the way to its enigmatic finale. The pieces of the film’s carefully constructed jigsaw puzzle elegantly slot together; even then, everyone will see a slightly different picture.

In this case, Sascha Bergmann from LKA Graz and his colleague Anni Sulmtaler investigate the death of a young woman who is found by the novice Clemens at the foot of a staircase in the monastery library.

In their small town, everyone believes that meeting chimney sweep Clare Ridley brings good luck—her friend Ashley, in particular, is convinced of this. Clare does indeed bring good luck when she pulls architect Josh Harding—with whom Clare had secretly been in love before he moved to New York—off the street just in the nick of time. He has now returned to help his widowed aunt Jessica. He asks Clare’s father, Daniel, who runs a small chimney and heating company, for his professional expertise regarding his aunt’s historic home. Clare has little desire to see Josh again, but her father needs the job.

Johannes has a comfortable life and stands to inherit the family-run hotel. Unfortunately, however, he is an inveterate people-pleaser and avoids conflict at any cost. His father’s last will and testament sparks a tragi-comic journey to sunny Greece – and the realisation that it is time to take control of his own life.

Anna wants to break away from her past and family background. A new social environment and a second educational path are supposed to help her achieve this. However, her ambitious pursuit of a middle-class ideal is relentlessly torpedoed by the appearance of her brother in distress.

Following a trial and a verdict, a family tries to find their way back to normality. They are forced, however, to deal with the expectations of the Turkish community to which they belong.