Goose Boy

This ironic comedy is set in the god-forsaken Kiskúnbékás, at the end of the fifties. There are no jobs, the town's "golden team", who once were third class national soccer players have scattered

The celebrated actor considers his wife a nitwits actress of a mediocre talent. But an influential playwright, a friend of theirs, has written a play with the main role designed for her, Kati, particularly. Its title is "The Most Intelligent Woman in the World". On the day of the first night performance Kati recalls their past, the times she had together with her husband.

Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.

The top management of the co-operative in the rural community at Lake Balaton goes on coaches everywhere to irritate Mrs. Peczöli, the snobbish wife of the only individual farmer. Peczöli would readily join the co-operative, should it not oppose his apple improving experiments.

Peter Gothar films give a sharp, uncensored view of the society. This film is no different. The plot is rather simple: a family goes to vacation with the usual stress. Then on the vacation the wife gets a strange kind of sickness and they go back to Budapest for a cure. While the wife is in the hospital, the husband visits his family. This is quite banal. However the scenario was written by Peter Esterhazy, one of the most influential contemporary writers in Hungary. His style uses a lot of surrealism but in a way that profoundly illuminates the reality. In this film, the reality is an atomized society where the so-called communist ideals are nowhere so everyday people are fully disoriented.

The story of Bendegúz, the teenage boy who never succeeds in anything and about whom everybody's first though is "I wish you had been hanged when you were born!" drops out of school and becomes a cowboy. He works for the Stationmaster whose cows he has to graze by the railway. Despite his goodwill and kindheartedness he always manages to spoil everything he touches. No matter his wit, he gets into humiliating situations and regularly fights with the Ugly Witch (the Stationmaster's mother-in-law). However his good spirit and cheerfulness never leave him.

The only jacket owned by Rédey Lajos, a university student majoring in Italian language and literature, is pawned by his room-mate. The bracelet of Kitty, the daughter of general Gohrmann, which in the middle of a kiss during a lesson in Italian got accidentally unfastened, has been left in the pocket of the jacket. As a result of a still further incident, Rédey, - endeavouring to return the bracelet to Kitty - embarks upon getting the jacket back while wearing the Hungarian gala-suit owned by his landlady's elder brother. The station to which he finds his way while looking for the jacket is visited by the King of Italy, and he takes Lajos, dressed as he is in a Hungarian gala-suit, to be a Hungarian aristocrat, and Lajos must but receive His Majesty in Italian.

The story of a young servant girl who comes to work on the construction site of a large-scale industrial settlement. She decides to embark on an independent life, runs away from her foster parents, gets on a train and sets out to earn money. Modest and shy, she joins the factory's group of "Stakhanovites" and soon makes new comrades. Her coworkers accept her into their team.

The story takes place in a small village manor-house off Vásárosladány. Sándor leads a quiet life with his wife, son and the now poor relatives of his wife, one which is characterized by the monotony of rural boredom. The arrival of another poor relative, Kitty, a young girl brought up in America, whose way of thinking reflects modern times, puts an end to this overwhelming monotony.

You can get anywhere in a tailcoat. Viktor Norton, a young man imprisoned by mistake, also knows this. In Viktor’s tailcoat, he can easily get to the Excelsior Hotel, where he will meet the newly wealthy Dupont couple and their daughter Marie.

The tyrannical king is afraid of his people. He can only find peace if everyone wishes him well when he sneezes. Catchpoles raid the country and give orders what the king wants.

Set in the "Golden Era" of the wandering Hungarian theatre troupes. Mariska and Liliomfi fall in love without suspecting that Mariska's foster father, Professor Szilvay, is also Liliomfi's uncle. Soon the couple must contend with the professor's plan to make Liliomfi give up his "unrespectable" profession of acting by exposing the professor's hypocrisy, greed, and tyrannical selfishness.

"Silver lute", the choral society of the Vác Engine Works, led by Réz, the conductor, is preparing for its 25th anniversary. All the important members of the society, among them Seregély, a magician, are, at the same time, all "fathers" of Zsóka, daughter of a former colleague, who has been killed in an accident, and whom they then adopted.

In the vocational school the professionally excellent Dani János works on his own invention in his leisure time, but he does not like learning. However, even his own father learns in the evenings, he will become a teacher.

Miskei, the popular and dynamic president of a co-op falls in love with Mari, the attractive wife of the elderly Pató. The deeply feeling woman is fed up with the service beside the haughty land holder, she is longing for tenderness and a child. The passion of Miskei is growing when he sees how crudely, humiliating Pató treats her. During a powerful summer shower, when chance brings them together in an abandoned press house, he storms on Mari confessing love. The woman refuses him bitterly. Miskei calms down and he keeps on expressing his love and high esteem with the woman by steadfast and tiny compliments. Early one morning Mari leaves her husband and sets off to the city to learn and to begin a new life.

Mocorgó, the well-meaning worker boy, is a tough guy. In his 40s he is still a mechanic's apprentice, but he is disappointed by his family, women and friends, and becomes a criminal. He goes to prison several times and tells the story of his life to the writer, who follows his story until 1956, until Mocorgó's death.

Nagy István, the formerly poor peasant boy returns to his native village as a teacher. His conviction is that the abyss between rich and poor can be diminished by good will. The rich Böröcz Horváth Klári returns his love, and also Böröcz Horváth is willing to help the poorest family, the Bakos. Bakos Jóska, who was sent to serve the tough Böröcz Horváth as a payment, dies of an infected wound and the people in the village hold the teacher liable as well. Nagy István realises, that the abyss cannot be ceased, what is more, it is impassable. He breaks up with his fiancée and stands by the side of the poor.

This romantic and grandiose historical film depicts the era of the constant incursions and heroic battles fought by the defenders of the castle of Eger, led by captain István Dobó, against the heavy odds of superior numbers through the lives and love of Bornemissza Gergely and Cecey Éva. Gergely is inaugurated as a fighter already at the age of 7, when he escapes the captivity of the half-eyed Turk, Jumurdzsak, with Vica and the war-booty. In thirty years' time he becomes the first assistant of captain Dobó and the brain of the castle in the defence of Eger.

Based on the stories of Hungarian writer Gyula Krúdy, this film is a lush and sensuous depiction of the life, loves and memories of serial seducer Szindbád. As the protagonist looks back on his life, past and present, imagination and reality flow inseparably into one another.

A traditional Hungarian poetic fairytale that describes the epic adventures of a young shepherd through love, war, magic and death.

A 40-year-old sculptor returns home to witness the baptism of his young nephew. His return prompts a series of flashbacks to his youth and the political upheaval experienced by his family and friends.

Count János Buttler rushes home to his parents and his beloved for the school holidays. On the way, they stop at Baron Dőry's house, where János is deviously trapped. In the presence of false witnesses, he is forcibly married to Baron Dőry's pregnant daughter. The swearing priest is the father of the unborn child. Although Buttler, his family and friends do their utmost to have the marriage annulled, the Church and the court, fearing for his authority, will not allow it. John Buttler and his lover therefore choose another way to divorce.

On receiving a letter from her mother, a quiet working-class girl leaves the state orphanage in Budapest where she grew up and takes a trip to the rural countryside to visit her.

In 1956, a crusading newspaper reporter covers the Soviet invasion of Hungary. Initially critical of the communists, the feature later espouses the virtues of social changes implemented since the invasion.

The film is put at the beginning of the century in Sárszeg, following the humiliation and collapse of a high-school teacher.

It tells the story of Marie, an austerely beautiful young peasant girl played by the French star, Annabella. She is seduced beneath a flowering tree by the admirer of one of the daughters of the prosperous family for whom she works, becomes pregnant and is cast out.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

In 1944, Feri Margittai escapes from the front, but his mother sends him away from home.

Mihály, a retired foundryman has brought up his sons in a very disciplined and strict way, and as a result they have become a doctor, an engineer, and a teacher. However, his half orphan grandson, Misi, has been spoilt, and become skilled in nothing else really but riding his motorbike and going to parties. He has been involved in shady businesses a number of times already. Having experienced so many difficulties, privation and hardship in his own life and now seeing Misi's irresponsible lifestyle, the old man's bitterness is growing day by day.

Pista Dankó falls in love with Ilonka Jáky, the beautiful blonde lady, so his old love, Rózsi, the wild gypsy girl, puts a curse on him. Ilonka elopes with Pista and they marry. They live in difficult circumstances, but Lajos Pósa takes up the talented young man. Pista wants to recover his legendary violin, which has fallen into the possession of a Russian prince, so he goes on a tour of Russia. Here he meets Rózsi, who has become a famous dancer and now has a hold on him too. Meanwhile, Pista falls ill and returns home to die. In his last hours, a package arrives from Rosie. He plays his last song with the returned violin.

In a rural scenery in the throes of difficult changes lives humble but promising young farmer girl Mari Pataki. Her father forbids her from seeing the man she loves. The father, above all preoccupied by work on the fields and prospective wealth, decides to give his daughter in marriage to his older business partner. 'Land marries land', he says, a phrase which seems to be the unyielding rule of the Hungarian peasantry. But the younger lover is ready to confront any challenge to keep Mari's love.

In May 1919 in a small rural town beside Salgótarján the local high society wants to get the power back with the leadership of dr. Máriáss, exploiting the outside attack launched against the Republic of Councils.

After a heart attack, landowner Ferdinand Kerekházy summons his son Ferko Kerekházy from abroad, who, to his conservative father's dismay, sends a wagonload of machines ahead to set up an irrigation system and turn the saline, barely productive fields into fertile ones. The old count doesn't want to hear about his son's plans, and wants Ferko to marry Baroness Zólyomi. Since his son refuses, he disowns him. With persistent work, and the support of the mayor and a young engineer from Pest, the irrigation plan is realized. When the old count, who is always dreaming of grandchildren, realises that his son and the mayor's daughter have fallen in love, he reconciles with Ferko and asks her to marry him.

Nothing new under the sun. The famous 'Love Story' is only a faint reminder of the most successful pre-war Hungarian film. The relationship between the painter and the busy girl, as well as the third one, still holds surprises for us today.

March 15, 1848; the revolution breaks out in the town of Pest. Yet at café Pilvax, in among he revolutionary youth, there is the informer of the imperial court as well. Hearing the news of the attack led by Jellasics, the inhabitants of the villages pour into the national army, and Hajdú Gyurka also escapes from his landlord. Petőfi is there at the camp of the revolutionaries, raising them to enthusiasm with his poetry.

The first Hungarian spy film ripped the mask off those ministerial officials who, having sold out to foreign agents, sabotaged the rebuilding of Hungarian factories and plants destroyed by the war. In the film, spies and saboteurs with wallets full of dollars and pistols in their hands set fire to Hungarian factories. The former ruling class was reluctant to give up its place in life and had to be fought to the death.