Global Groove

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.

An exploration of the seminal and transformative 18 months that one of music’s most famous couples — John Lennon and Yoko Ono — spent living in Greenwich Village, New York City, in the early 1970s.

The fascinating story of the cultural, social, spiritual, and musical revolution ignited by the coming of the Beatles. Tracing the impact that these four band members had, first in their native Britain and soon after worldwide, it reappraises the band and follows their path from young subversives to countercultural heroes. Featuring fresh, revealing interviews with key collaborators as well as a wealth of rarely-seen archival footage, this is a bold new take on the most significant band in the history of music and their enduring impact on popular culture.

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

John Cage’s original concept of Ocean, in 1991, was for a dance to be performed in a circular space, with the audience surrounding the dancers, and the musicians (112 of them) surrounding the audience. The last performance was in the Rainbow Quarry in Minnesota, September 2008, at which time the piece was filmed by Charles Atlas.

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

Will Hunting is a headstrong, working-class genius who is failing the lessons of life. After one too many run-ins with the law, Will's last chance is a psychology professor, who might be the only man who can reach him.

Jonas Mekas’s intimate diary film spans 1963 to 1990, capturing Andy Warhol alongside friends and collaborators from the New York avant-garde. Featuring figures such as Allen Ginsberg, John Lennon, Yoko Ono, and George Maciunas—as well as rare footage of the Velvet Underground’s first performance—it offers a personal portrait of Warhol’s world and his intersections with art, music, and counterculture.

The history of cinematic sound, told by legendary sound designers and visionary filmmakers.

It's San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society's reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today's world.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

East Village, New York, 1978. William Burroughs, Patti Smith, Frank Zappa, Allen Ginsberg, and other brilliant minds come together in an explosion of ideas, art, and rebellion.

This film shows the images of a dancing woman who is wearing Kimono overlapping another image which a naked man is dancing. This is one of the original psychological concepts of C.G. Jung. For women, Animus is an image of a man by projection of her mental energy.

Godard blends elements of literature, cinema and other artistic medias from different historical periods in order to make a stance on how words can be subverted and manipulated to many different contexts, sometimes bearing a similar significance to the original material or even creating an alternate context.

Sistine Chapel is an audio-visual collage of new footage and samples from Paik’s past videos, which featured many of his friends, collaborators, and public figures. It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.

More than 20 contemporary North American poets recite, sing, and perform their work. Early in the film, Charles Bukowski talks about the energy of poets and of a poem. These poets are the children of Walt Whitman and of Charles Olson, incantatory and oratorical, radical, sometimes incorporating contemporary political imagery. Black Mountain poets, the Beats, minimalists like John Cage, the wordless Four Horsemen, Tom Waits, and others capture aspects of poets as troubadours.

"Symphony of the Invisible" is a reflection on creation and how through art, poetry and images you can break the limits that have been imposed on language and life itself.

This is a documentary about video artists Bill & Louise Etra, Woody & Steina Vasulka, and Kit Fitzgerald & John Sanborn.

Nam June Paik's first single-channel videotape since 1989 is a heartfelt tribute to his long-time collaborator Charlotte Moorman. This portrait traces Moorman's career as an avant-garde performer, from her classical training to her notorious arrest as the "Topless Cellist" and subsequent talk-show celebrity. Rare documentations of Moorman's performances include Otto Piene's Sky Kiss and Jim McWilliams' Chocolate Cello. Interviews with Moorman's friends, family and collaborators, such as Yoko Ono, Christo and Jeanne Claude, Otto Piene, and Barbara Moore, among others, provide intimate recollections of the inimitable Moorman.

This tape is Jud Yalkut's video realization of Charlotte Moorman and Nam June Paik's concert performance of John Cage's composition 26'1.1499" For String Player. In this extraordinary performance, which is manipulated and synthesized by Yalkut, Paik and Moorman play Cage's score on a collection of "instruments" that include a pistol, a dish of mushrooms, balloons, a practice aerial bomb, and a telephone call to President Nixon.

Report from the second free expression festival organized at the American Cultural Center, Boulevard Raspail, in May 1965. The shows, all happenings inspired by ""théâtre panique/ the panic theater", includes Fernando Arrabal, Roland Topor and Alejandro Jodorowsky.

“It seems funny to say it, but long before there was an ‘art world,’ there was art in the world.” So begins the artist and writer Russell Connor’s meditative tour of public art in New York City.

"The whole film are non-art portraits of people in which they do what they want with this hat – and therefore, act or stand in front of my camera. It’s only love: therefore it can’t harm you". Joyce Wieland.

Produced for public television station WNET/Thirteen in New York, Nam June Paik: Edited for Television is a provocative portrait of the artist, his work and philosophies. This fascinating document features an interview of Paik by art critic Calvin Tompkins (who wrote a New Yorker profile of the artist in 1975) and ironic commentary by host Russell Connor. Taped in his Soho loft, with the multi-monitor piece Fish Flies on Sky suspended from the ceiling, Paik elliptically addresses his art and philosophies in the context of Dada, Fluxus, the Zen Koan, John Cage, Minimal art, information overload and technology.

Suite 212 is Paik's "personal New York sketchbook," an electronic collage that presents multiple perspectives of New York's media landscape as a fragmented tour of the city. Paik critiques the selling of New York by multinational corporations and the city's role as the master of the media and information industries; Collaborators Yalkut, Davis and Kubota contribute their own vibrant and punchy segments.