Gharana

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

The film follows Lord Vishnu's fifth incarnation as the dwarf-like Vamana. He descends to earth to curb the ego and pride of the demon King Bali (Mahabali) and restore cosmic balance.

The narrative follows the classic golden-age trope of a complicated love story. The romance between the characters played by Motilal and Suraiya is tested by rigid family hierarchies, societal expectations, and the pressures of arranged marriages

Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."

Vijay is in love with Suman but she gets married to another man and eventually, he too marries another woman. Years later, their children happen to fall in love with each other.

A rich girl marries a doctor. Differences crop up between the two and starts to snowball wherein she returns to her father's house. Months later she returns only to find he is in love with a nurse.

An air force pilot, upon returning home from war after being assumed dead, weds the woman he had long loved, unaware that she had been planning to marry his best friend.

Raja Bahadur indulges in various unlawful activities and is always saved by his brother, Suraj. When Bahadur decides to marry Rekha, Suraj, who is in love with her, is in a dilemma.

Amidst the fall of princely states in post-independence India, the friendship between Vikram, who comes from an aristocratic family, and a peasant is tested. Vikram turns vengeful after his brother is killed in a peasant colony.

The Samrat of Suryadesh, Suryadev, travels to Pushpapuri in order to wed Rajkumari Nandini, but instead ends up getting married to her maid, Meenakshi, much to the chagrin of Nandini.

A joint family consisting of four brothers, their wives, and their respective children, living under one roof. Some of the brothers are professionls, one a lawyer, a doctor, and others businessmen. They are a happy family, living and sharing each other's joys and sorrows. Then one day, an arguement breaks out over a glass of milk, and the entire family is thrown into chaos, and the only resolution seems to be nothing but dividing the entire property amongst the brothers and their respective families.

Four young men re-locate from a village in India, to a big city. While attempting to access accomodation, they are repeatedly told that rooms will only be rented to married couples, not to bachelors. Frustrated at this, two of them disguise themselves as women, and pose as wives for the other two males. They are able to secure accomodation with the Mishra family. Complications arise when the two "women" fall in love with Mishra's two lovely daughters - with results that can only be described as hilarious.

A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.

A couple of gangsters mistake CID Inspector Mohan for a civilian and propose a business plan to him. When he refuses their offer, they plan to make his life miserable.

Sagar Sangam is a 1988 Hindi film. A family drama, it had a very long delayed release. The film was announced in 1985, had its records released in 1986. The film stars Mithun Chakraborty, Shatrughan Sinha, Raakhee, Padmini Kolhapure, Anita Raj and Asha Parekh.

A story of two best friends who love to help the needy, and when a group comes under threat of losing their homes, it's up to Balbir & Anwar to stop the injustice.

Jaya lives in a village called Chandangaon in India along with her widower dad, Gokul, who works for a living as a compounder, but calls himself a Homeopathic doctor and dispenses Arnica for all kinds of ailments, especially since there is no qualified doctor in the village. Since Jaya is or marriageable age, he has arranged her marriage with hard-of-hearing Shiv, the son of Dayashankar, who is the President of the Gram Panchayat. Dayashankar is anxious to get Shiv married so that he can get some dowry from Gokul. The other suitor for Jaya is Ratan, whose mother would like her to re-marry her son as his wife, Maya, is unable to conceive. Then a new doctor arrives in this village to look after the charitable dispensary. Things heat up when Dayashankar and Ratan's mom find out that he may be Jaya's new suitor. Hilarious chaos reigns when Maya assaults her cruel mother-in-law, and Ratan abducts Jaya from her marriage with Shiv.

Akbar deputes Raja Mansingh to conquer Orissa, where Pathan King Katlu Khan reigns. Mansingh, despite enmity, asks for cooperation. He sends Jagat Singh to Burdwan to spy on Pathan military activities, meeting Durgesh Nandini.

A woman raises the illegitimate son of her husband along with her own, treating them both equally. But her decision to hand over the property matters to the illegitimate son is met with hostility by her own revenge-minded son.

A pregnant Ratna loses her husband, eventually gives birth to a son, Raju, in a hospital where she is treated by renowned Dr. Anand.

A vain, self-righteous nobleman falls in love with a village girl and tries to transform her into his version of the ideal woman.

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.

1953 bollywood film

In a small industrial town near Bombay lives Bholanath, who works at the local mill, and is the proud husband of Gauri, a daughter, Champa, and above all his son, Ramaiya, who is a graduate in the arts faculty, - the only one in this town who has attained this degree. But times are hard, and jobs are difficult to come by. When Bholanath loses his job, Ramaiya decides to find employment, and does so as a menial worker in the same mill his dad used to work. Ramaiya is very popular with his co-workers and they soon elect him as their new union leader. This puts Ramaiya in conflict with the Management of the Mill, headed by the owner, Kapoor, who has ordered that Ramaiya be eliminated post haste. But Ramaiya is determined to address the workers' grievances, and he gets himself framed for theft; has the police on the lookout for him, and so Ramaiya goes into hiding.

Chanderbabu (Nazir Hussain), a retired postmaster, lives in the village with his wife and two sons, Rajan (Paul Mahendra) and Bhanu (Bharat Bhushan). He continues to live there and work for the Zamindar, while his children are getting their education. Rajan is studying for his law exam. He is married to a girl (Padma) from a wealthy family whose haughty ways alarm and frightens him. Bhanu, the younger brother is fun-loving but studious. He gets influenced by the Nationalist Movement in the campus and stops his education in the last year of college. His father is disappointed and feels that Rajan is the one they can depend upon in their old age. Bhanu meets Meena (Shyama), and the two fall in love. Meera's father, Ramnarayan, is the school Principal and is impressed by Bhanu. He decides to get Meera married to Bhanu.

Sunita is a young woman who ends up married to the wrong man, Rajan. Thinking that he has conspired with his girlfriend, Monica to murder her, she runs away to find an old friend of her father's in Bangalore who may be able to help. Having no money, the only way she can get there is to join a traveling caravan. The crew of the caravan is Mohan, Mohan's sidekick Johnny, and Mohan's younger brother Monto. Along the way, the caravan crosses paths with a group of gypsies that includes some causal young men. Sunita soon falls in love with Mohan but Nisha is attracted to Mohan and this puts Sunita in danger again to make matters worse Rajan has conducted a manhunt to find Sunita either by hook or by crook.

The story is of a family consisting of a mother and her five sons. A relative causes discord. The mother argues they need to stay united like the walls of a room to avoid collapse.

A newly-wed woman is met with abuse in her new house

a drama exploring themes of fate, destiny, good fortune, and the challenges and changes in a person's luck

"Living Legend - Raj Kapoor" is a revealing portrait of Raj Kapoor, a charismatic personality who held centre-stage in the Indian film industry for more than four decades! In a highly personalized interview, Raj Kapoor talks to the film's director, Simi Garewal, about his emotional evolution.. his regrets.. his love.. his music.. his films and his philosophies. The viewers are also treated to glimpses of haunting scenes and songs from his films.

Bollywood drama in which a woman stranded falls in love with the man who assists her. However, when they meet again, she notices something completely different about him.

Radha is a kind, compassionate, and a simple minded village belle whose life has been shattered due to the sudden death of her groom on her wedding night. She is in denial and awaits his return. One day a look-alike enters the village and her life. The look-alike is already married with a young daughter.

Rich man's son Rajesh loves Savita, daughter of a teacher he got fired. She helps him excel in college. They marry against his father's wishes. Their friend Jivan creates problems between them, leading to separation.

Two look-alike sisters, one good and one evil, are at odds. The evil sister, a criminal, frames her innocent twin for her misdeeds. The good sister must then expose her criminal sibling to clear her name.

Ever since his birth, Deepak has been led to believe that he has brought nothing but bad luck to everyone around him. His dad passes away on the day of his birth, shortly thereafter his mom...

Muqaddar ka Faisla, is the story of Pandit Krishna Kant. A poor, but extremely honest, upright, God-fearing man, who refuses to compromise on his principles.

At the very moment of her birth, ill-fated Chhaya's mother passes away, her dad loses his job, and their house burns down. She is shunned since then by children her age as well as their parents. Her dad brings her up with a lot of love, and even arranges her marriage with a young man, whose mother, uncle and nephew approve of Chhaya. But when the uncle finds out about Chhaya's past, they reject her. This news kills her dad, and Chhaya re-locates to live with her friend, Leela Lal, who lives a middle-class lifestyle with her husband, Murari, and her mother-in-law, who is very superstitious and never lets Leela out of her sight. Murari and Leela introduce her to Prakash, an airline pilot, and both eventually fall in love with each other. When Prakash takes her with him to meet his mom, Chhaya finds out that she is the same woman who rejected her and abruptly leaves without meeting anyone.

Film about the investigation of the death of a young woman.

Gopal is constantly haunted by the tragedy that took place in his childhood. His youthful elder sister Sita and his younger brother Jagan were abducted by villainous Gulshan and his men. Gopal's mother dies with this shock, before innocent Gopal's eyes. This tragedy leaves a deep and an unerasable scar on Gopal's heart and mind. Revenge becomes his motto.

School-teacher Indu lives a middle-class lifestyle along with her widower and unemployed dad, Moolchand Chabbe. They rent the upper floor of the building and her dad makes it his duty to prevent anyone from occupying the lower floor so as not to tamper with the flow of the municipal water pipe-line. Ravi Shankar Chaube, a Poet and an Engineer by profession succeeds in renting the lower floor, impresses Indu so much so that she falls in love with him, and with Moolchand's conditional blessing that he live with them as a Ghar Jamai, both get married. Indu quits her job, and after sometime they become parents of a boy and name him Ashoo. Four years later differences surface as Moolchand spends a lot of Ravi's hard-earned money gambling.

Raj Kumar is a wealthy businessman and dislikes everything ugly. When his wife, Kamla, becomes pregnant and gives birth to an ugly son, he asks the attending Dr. Mathur to inform his wife that their child was still-born. Dr. Mathur places the child in the hands of Rahmat and his wife, Naseeban, who welcome him with open arms. But misfortune follows them, as the child, who is named Pyare, accidentally burns their dwelling down, killing Naseeban. Rahmat then re-locates to his village when he teaches Pyare the skills required to play musical instruments and sing. Years later, Rahmat passes away, and informs Pyare that he is really a Hindu. Dr. Mathur fills the rest of the blanks for Pyare, and arranges a song and dance play and hopes that Raj will overcome his dislike for his now-grown son.