Get Ready with Me

To end an apocalyptic war and save her daughter, a reluctant soldier embarks on a desperate mission to cross a frozen sea carrying a top-secret cargo.

When a homeless Romani boy is arrested at the Danish border for possession of a missing public servant's passport, police inspector Carl Mørck and Department Q are tasked with finding the connection.

In the near future, oil reserves are nearly depleted and Europe is connected by series of underground tunnels. While navigating these tunnels, Roger hears voices, one in particular. Seeking a way to rid himself of the voice only leads Roger deeper into a bizarre conspiracy of control - mind and body.

Two traffic officers on a quiet morning shift try to stop a car for speeding. When the car finally pulls over, the driver gets out and shoots at them, killing one of the officers in cold blood. A national alert is issued and an extensive search for the ruthless killer begins, with the Beck group at the lead. Neither the officer’s shocked and wounded colleague nor any of the witnesses have seen anything helpful to the police. Finally, they find the car registration number using a surveillance camera. But, when they enter the car owner’s apartment, they find him shot to death. The first day of summer is a long one for the Beck group, as the killer has more victims on his list.

Kate finds herself lost and followed in a foreign city. Despite her attempts to communicate the city reflects her own fear and alienation back at her.

When Manfred Stjarne is stabbed to death outside the Brada cider factory his wife Claire has inherited - suspicion falls on Polish worker Jan Kowalski, with whose wife Manfred was having an affair, but Jan is found hanged - later evidence suggesting foul play. Benjamin Wilkes, an ex-psychologist who helped Manfred select redundancy candidates, is killed in the same way as Manfred, putting disgruntled ex-Brada employees in the frame, but a third slaying implicates a former patient of Wilkes, who has connections to the Stjarne family. A newly loved-up Isabelle and Pontius start to fool around whilst on surveillance, taking their eye off the ball and allowing this suspect to confront Claire.

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

After the war, the authorities seek punishment against Karl Skov, and his family is more divided than ever.

Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”

Helsinki, 1945. The end of the war brings a new sense of artistic and social freedom for painter Tove Jansson. While focusing her artistic dreams on painting, the enchanting tales of the ‘Moomin’ creatures she told to scared children in bomb shelters, rapidly take on a life of their own, bringing international fame.

On her 40th birthday, Amelia makes a fateful wish to be 18 again back in 2002 but soon regrets it when she's stuck reliving the day over and over again.

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

Inspired by real-life Elsa Andersson, this mostly fictional movie tells the story of her upbringing as a farmer's daughter, in the early 1900s, who dreams of getting away from the farm and becoming an aviatrix.

Story of a ten-year-old girl left alone in her house in the summer of 1981.

A humorous, vibrant music documentary introducing us to the faces behind the masks of the eccentric Swedish band Teddybears.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

The story of Karl and his problematic relationship with his controlling mother - and how his attempt to break his free fails and he is forced to be her help.

When the factory in Molkom shuts down, Robin leaves his beloved hometown to try his luck in Stockholm as a wedding photographer. This experience changes not merely his outlook on life but also his hairstyle.

A girl who lives in a home for young people with special needs is taken out for the day by one of the carers. What starts with promises of going to the market develops into something more risky, as the unfolding drama candidly portrays a case of abuse of power.

Petra's seemingly perfect life unravels when her husband has an affair. Meanwhile, young Petra embarks on finding true love. Two women's journeys of self-discovery span different life stages, offering a hopeful yet painful view on love.

David and his gay friends celebrate his 25th birthday with a nightly swim at the park. The good mood quickly changes after two straight couples walk by and laugh. But was the laughter directed at them, or at something else?

A group of very different individuals who in 1975 lived in a commune called "Together". Now it is 1999, and the collective has turned into the world's smallest. The commune consists of only two people - Göran and Klasse. Feeling a bit lonely, the idea occurs of a reunion with their old friends.

It is a familiar fact that moving in together can be complicated. Expect additional trouble if both parties happen to be highly pedantic people with extreme control issues.

A final feedback meeting is being held prior to the release of an art school's new commercial. Everyone is happy, but then a thought arises as to whether the commercial can be perceived as too white. The meeting escalates into a debate about how it happened, if it can be solved and above all - whose fault it is.

A study of conflict due to misunderstandings.

When a son eagerly joins his father on a fishing trip, the catch never comes, and patience wears thin.

A date night at the cinema becomes a surreal journey for a young couple as they float around between unexpected romantic encounters.

Tobias is the new, idealistic priest in a suburb but he soon learns that his flock is quite uninterested in Christianity. However, he befriends Carolina, a chain smoking woman his age, wheelchair-bound since birth. It is opposites attract although their backgrounds are different.

Eva is beautiful, irresponsible, self-absorbed and emotionally disconnected. Her life is all about the right clothes, the right people and the right places. Her life is turned upside down when she loses her job and alienates her friends by cheating on her boyfriend. She soon finds herself among "common" people where she makes a surprising new acquaintance.

During an unforgettable Pride week in a vibrant Stockholm, we get to follow Dilan, who moves in with his cousin Ari. Shortly thereafter, Ari's friend Nina, also needs a place to sleep, and suddenly the duo has become a trio.

A cake changes shape, turns reality on its head, and pushes an exhausted mother over the edge in a hallucinatory short film starring Hedda Stiernstedt.

The critically and critically acclaimed They Will Drown in Their Mothers' Tears is back at Unga Klara - a science fiction thriller about friendship, faith in the future and the mechanisms of terror and fascism. A highly topical story by August Prize winner Johannes Anyuru, directed and dramatized by Farnaz Arbabi.