Ganadevata

Narsingh, a North Indian taxi driver, attempts to reinvent his life by visiting his native place, but instead gets embroiled in a local Marwari businessman's smuggling and human trafficking business.

Allan is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen which includes his wife, Indira and daughter Gayatri. Gayatri and Allan become romantically involved leading to tragedy.

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.

Ashoke Gupta is an idealistic doctor working in a town near Calcutta. He discovers that the water at a popular temple is the source of an outbreak of typhoid and hepatitis. In order to save lives, he risks his career to try and call attention to this polluted water source, while a local group of building contractors attempt to discredit him in various ways.

A powerful industrialist and a celebrated singer seem to have the perfect marriage until an ambitious young actress enters their lives. As past feelings, misunderstandings, and public scrutiny begin to test their bond, the couple must confront the fragile balance between love, trust, and ambition.

A devout upper-class Hindu has a vision in a dream that his daughter-in-law is the human incarnation of the Goddess Kali and begins worshipping her.

Amitabha Roy is a Calcutta-based scriptwriter, driving around in the country to collect material for a film. His vehicle breaks down in a small town. A tea planter, Bimal Gupta, offers hospitality for the night. Amitabha is forced to accept the offer as he has no alternative.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

Sasanka grows depressed as his house and his career as a theater actor both crumble around him. When his cold-hearted, widowed sister-in-law Saraju arrives with her adorable young son Kanu, Sasanka's mood eventually changes. Kanu and Sasanka become fast friends as the youngster benefits from his uncle's wisdom and acting ability.

A young doctor is introduced to a girl by his cousin, but he rejects her as a potential bride and she disappears one day, leaving only a garland of dried flowers behind.

An aged widow from a village moves to Calcutta to stay with relatives, but faces only exploitation. She moves to a slum, and finds her "own people" in a group of educated, unemployed youth, who are caught up inexorably in the prevalent political violence.

Charan is a simple and honest man who is accused of a crime. Rather than accepting his fate, he fights for his innocence and tries to get acquitted of all charges.

Arati takes a job as a door-to-door saleswoman in Calcutta's wealthy neighbourhoods, in defiance of her traditionally-minded husband, Subrata, and his live-in parents. Emulating her Anglo-Indian friend Edith, who speaks equal to the men she encounters on the job, Arati quickly becomes her firm's top salesperson. When Subrata loses his job, the power dynamic begins to shift.

The film takes place in a small town in Bihar (now Jharkhand). All the main characters belong to a Bengali Christian community established there. Bhramar is a teenager who lives with her father and stepmother. She is quiet and lonely, and remains sad because her relationship with her stepmother is not good. She has a good singing voice but cannot tell anyone about her desire to become a singer.

Four friends from Calcutta who have very different personalities make a holiday excursion into the country, to a tiny village in the state of Bihar where they set themselves up in a bungalow. A series of minor events, all connected to their respective reactions to their new environment, reveals their characters more deeply.

A 1982 Indian Bengali Drama Film directed by Bijoy Bose.

Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (as reminded by the planes occasionally heard flying over the countryside), and a major famine is under way. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.

Another call on "I Married a Dead Man" but with a change- the family hated the DIL and didn't want her, but wanted the child, the heir. The woman and the child had been attacked and couldn't live apart. Aditya's grandparents mistake Kanak for being the other woman in his life and blame her for his death. Kanak develops a strong bond with Aditya's son and everyone accepts her in the family.

After an old college friend offers him a job at an iron foundry, the upright and honest Ishwar leaves a shanty town on the outskirts of Calcutta where he lives with a group of refugees from East Bengal. With plans to forge a solid living for himself, sister Sita and Abhiram, an orphaned boy he offers a home to, Ishwar is accused of selling out and deserting his people.

The spirit of a condemned 20-year-old student wanders through time, linking together four stories of people struggling for survival in this gritty meditation on poverty, natural disaster and political strife in India. A middle-class family's home is no match for the monsoons, while another clan's morality is compromised when famine strikes. Young boys smuggle rice, and politicians pity the poor while living in the lap of luxury.

The film features the characters from Satyajit Ray's Aranyer Din Ratri, returning to the forest over thirty years later. Ashim, Sanjoy, Harinath and Aparna have grown old in this film; Shekhar has died. They set out on a journey to break off every link with civilisation for a few days. However, the trip turns sour when Ashim and Aparna's daughter, Amrita, goes missing. It transpires that she is being held for ransom by local tribespeople. Police intervene and the kidnapped girl is returned to her parents, albeit against her own wishes.

While shooting a documentary on true love, Pramit learns of a mysterious village named Mohini where anyone who enters will fall in love. He and his camerman decide to seek out this strange place.

A young wife goes against her family to save a young girl from the atrocities of the society.

Pankhiraj is a 1979 Bengali language Indian drama film directed by Pijush Basu, starring Uttam Kumar, Soumitra Chatterjee, Nandita Bose, Samit Bhanja, and Utpal Dutta.

Kabita, a middle-class working woman, looks after and tries to financially support her family. Soon, she sacrifices the love of her life for her widowed sister.

Rajmohan remains in Pakistan at the time of partition and sells Maqbool a giant bed, which upsets the local Muslims.

The story of Dr. Mukherjee, a highly respected civil surgeon in a small tribal district headquarters. He is the beloved of the local people, and often comes in conflict with Laxman Lal, the tyrannical son of a local aristocrat. Laxman Lal lusts after a local widow who, in order to escape his advances seeks shelter with Dr. Mukherjee. As Dr. Mukherjee treats the poor he becomes even more entwined with their lives and their little problems. To the tribals he is a godlike figure, but to Laxman Lal he is an enemy.

Rawmapawdo is a poor farmer in Bengal who reunites with his ravaged wife and starts afresh with the help of Shankar, a social reformer.

Ramakanta is a businessman whose wife Lata dies under mysterious circumstances. Lata had adopted Rita, the daughter of Mamata, as she was childless. Lata writes a letter to Mamata before her death and Mamata comes to probe her death and prove that Ramakanta was behind it. Tapas Roy, an investigative officer joins Ramakanta’s office. Police are suspicious that Ramakanta deals in drugs. Ramakanta owns a deserted fort that is haunted and a mysterious woman figure is seen roaming there and singing. Mamata reaches Ramakanta’s town with her other daughter Sarama, Rita’s twin. Several twists and turns reveal that Ramakanta killed Lata and carried illegal business from the deserted mansion. Sarama gets killed by Ramakanta. But the police finally managed to catch him.

The romanticized story of a peasant who lives in a small village. He learns to read and is befriended by a doctor who helps him improve his status in the community. The film concentrates on the atmosphere and the character of the somewhat irascible peasant anxious that others should accept the knowledge he gained from his readings.

Trouble arises in the lives of a happy couple after she gets sold to Jonardhan, a guy with evil intentions, and he is framed in a case of theft and sent to jail.

The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.

Fuleshwari, a beautiful young woman, falls in love with Brindaban, a simpleton who arrives in her village. She plans to marry him but is hesitant when she learns that he is involved in a crime.

The story reveals how a cruel Zamindar changed by time.

In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.

Kalyani is married into an aristocratic family. Bhuban Mohan Choudhury is unhappy because his daughter-in-law, Kalyani, has dark skin and is illiterate. Despite this, Kalyani becomes the heart of the family. Over time, Bhuban undergoes a transformation as he witnesses how lovingly Kalyani takes care of everyone in the household. However, Bhuban’s son-in-law, Phatik Chand Basu, who lives in the house, conspires and breaks the unity of the family. Can Kalyani bring the family back together?

A Middle-Aged Woman named Sheba comes to an Obscure town named Nijhumgarh to be the Governess of a Renowned Household called "Ray Kuthi". But little did she know about the Bungalow and the dwellers. She is startled to know that two murders took place there nearly seven years earlier. The Mist of the mysterious happenings get only thicker. Now Sheba could only pray for it to Go Away as incidents transcend the rules of our physical world.