The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi
People of a volcanic island 'Stromboli' share their memory of beautiful actress Ingrid Bergman starred in Stromboli directed by Rossellini. Their testimonies describe relations around Stromboli . Movie scenes and the island's scenary are crossed, enriching life and art.
After its premiere at the Berlinale Forum in February '75, Anna was also presented in Venice, the film was followed by a very well-participated debate, alongside Alberto Grifi there was Adriano Aprà, and among those present was Tatti Sanguineti, the author of a very articulate critical speech. The footage of this meeting is part of the 30 cassettes containing the video footage from which the film was edited, thanks to the work of Anna Maria Licciardello, the Cineteca Nazionale with the Fondazione Grifi and the La camera ottica laboratory in Gorizia.
Mark Shiel is the author of “Italian Neorealism: Rebuilding the Cinematic City.” In this 2009 video essay, he discusses Roberto Rossellini’s depiction of the urban settings in Rome Open City, Paisan and Germany Year Zero.
This portrait of the Italian director & actor, Pietro Germi, explores his work, from Italian neorealism to the birth of the Italian comedy. He constructed his movies in a conventional way but also experimented new path. His favorite actresses such as Clau
Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 1911 to 1961, centering on the conditions leading to Fascism and the post-WWII reaction to the Fascist experience.
Naples, Trajan's district. Initially it was intended for the inhabitants of the shantytowns on the seafront of Naples, who were homeless after the war. But it soon became a kind of ghetto. Alessandro and Pietro are two teenagers who film with an iPhone to tell their difficult neighborhood, their daily life, the friendship that binds them.
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Using the book 'Fragments', which collects Marilyn Monroe's poems, notes and letters, and with participation from the Arthur Miller and Truman Capote estates who have contributed more material, each of the actresses will embody the legend at various stages in her life.
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Musician and performance artist Laurie Anderson reflects on the deaths of her husband Lou Reed, her mother and her beloved dog.
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Life Is But a Dream is a HBO documentary about the life of US singer Beyoncé Knowles during the years 2011 and 2012 and on the recording of her fifth album. The film was directed by Beyoncé herself. The film shows Beyoncé from intimate moments of her pregnancy to behind the scenes and rehearsals of the main concerts of that time.
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SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
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A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
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A visual montage portrait of our contemporary world dominated by globalized technology and violence.
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As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
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From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
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Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
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A debauched nobleman offers himself to a beautiful woman, but she is repelled by his advances. He dons a mask and tries again, and this time is more successful. But the mask cannot conceal the evil in his soul.
A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.
"The Man With The Golden Eye" tells the extraordinary figure of Marco Melani through a live projection of materials collected in over ten years of research. Found footage, unpublished interviews with cinema and television personalities, fragments of films, extracts from television programs, photographs, readings and interventions by the author, intertwine giving voice to a chorus of precious testimonies.
A young filmmaker advocates the creation of a new type of film, devoid of a traditional plot and composed of blocks of sequences that have no specific interdependence. Subsequently, the theoretical statement leads to practical demonstration: abstract images flow across the screen, accompanied, for the most part, by snippets of conversation on a wide variety of topics.
Jean-Marie Straub pushes this musicality of blocks to a paroxysmal extreme, mixing blocks of time (40 years separate the various extracts that are going to be used, and what is to be filmed), blocks of text (Malraux, Fortini, Vittorini, Hölderlin) and blocks of language (French, Italian, German), and from this ruckus emerges the history of the world, yes, History with a capital H, and from the same movement, the political hope of its being overtaken. So this is an adventure film, about the Human adventure, still one that is always, in the end, overtaken by Nature.
