For the Love of Mabel

Jimmie poses as a fighter to impress the boss' daughter and finds himself booked at a charity boxing match for the department store where he works.

Walter MacIntosh and Abe Salisbury are filmmakers in the process of viewing their swashbuckling romance epic, 'The Loves of LaVorees', starring silent screen idol, Romaine Salisbury, hotly contested within Hollywood and part of an expensive silent film production, only for Bovine Productions to switch to sound production and reveal to them for the first time, Romaine's real all-talking, all-singing voice.

In Victorian England, a bored young girl dreams that she has entered a fantasy world called Wonderland, populated by even more fantastic characters.

Mabel tries to sell hot dogs at a car race, but isn't doing a very good job at it. She sets down the box of hot dogs and leaves them for a moment. Charlie finds them and gives them away to the hungry spectators at the track as Mabel frantically tries to find her lost box of hot dogs. Mabel finds out that Charlie has stolen them and sends the police after him. Chaos ensues.

Ben Turpin's rival marries his college sweetheart played by Phyllis Haver.

A series of strange, inexplicable, and increasingly frightening events takes place in Mosby Manor.

The Tramp interferes with the celebration of several kid auto races in Venice, California (Junior Vanderbilt Cup Race, January 10 and 11, 1914), standing himself in the way of the cameraman who is filming the event.

With little luck at keeping a job in the city a New Yorker tries work in the country and eventually finds his way leading a herd of cattle to the West Coast.

Carter DeHaven announces that he will perform a series of "impressions." For each we see him applying makeup and changing the combing of his hair or putting on a wig. When he tilts his head down during each supposed makeover, up pops the actual celebrity (Keaton, Lloyd, Arbuckle, Valentino, Fairbanks, Coogan) he appears to have been making himself up as.

Sue Graham is a small town girl who wants to be a motion picture star. She wins a contract when a picture of a very pretty girl is sent to a studio instead of her picture. When she arrives in Hollywood, the mistake is discovered and she starts working in the props department of the studio instead. Her parents then come out to California and invest some money with a very shifty individual.

A womanizing city man meets Tillie in the country. When he sees that her father has a very large bankroll for his workers, he persuades her to elope with him.

Charlie is a clumsy waiter in a cheap cabaret, suffering the strict orders from his boss. He meets a pretty girl in the park and tries to impress her by pretending to be an ambassador. Unfortunately she has a jealous fiancé.

In a dance hall, two members of the orchestra and a tipsy dancer fight over the hat check girl.

Broadway actress leaves New York to become a star in Hollywood, and succeeds despite sleazy directors and her own ego.

A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.

The Tramp, a film Johnnie (someone who loiters near theaters or studios to meet stars or get a job), attempts to meet his favorite movie actress at the Keystone Studio, but does not win friends there.

Behind enemy lines, Captain Bob White disguises himself as a woman in order to fool members of the German High Command, including the Kaiser himself.

Angela comes to Hollywood with only two things: Her dream to become a movie star, and Grandpa. She leaves an Aunt, a brother, Grandma, and her longtime boyfriend back in Centerville. Despite seeing major movie stars around every corner, and knocking on every casting office door in town, at the end of her first day she is still unemployed. To her horror, when she arrives back at their hotel, she finds that Grandpa has been cast in a movie by William DeMille and quickly becomes a star during the ensuing weeks. Her family, worried that Angela and Grandpa are getting into trouble, come to Hollywood to drag them back home. In short order Aunt, Grandma, brother, boyfriend and even the parrot become superstars, but Angela is still unemployed...

Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent. Mabel’s father, the country constable, is smitten with the mother of the boy Mabel imagines “her ideal”. The young couple’s romance is disrupted first by two rival “cut-ups” and then by misapprehension that a tramp is hiding in a closet at the mother’s home. In reality, the mother herself takes refuge in the closet to escape the constable’s attentions.

A villain, competing with his rival's race car, kidnaps the rival before the race. Mabel decides to take the wheel in his place.

In this one-hour special taped between March 9-17, 1981, Lily Tomlin and Dudley Moore join the Muppets in a tribute to film classics. Kermit the Frog hosts the program, which begins with an all-cast rendition of "Hey a Movie!" from The Great Muppet Caper.

Mr. and Mrs. Gussle get up to some hijinks in this Keystone comedy.

Mrs. Jones leaves her baby with the maid and goes shopping for a new hat. Meanwhile, the maid invites a band of gypsies into the house for a palm reading. After the gypsies leave, no one can find the baby, and everyone assumes it's been kidnapped-- until the baby is found under a hatbox.

A collection of film clips profiling animal actors.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

African filmmaker Idrissa Ouedraogo (YAABA) discusses the influence that Charlie Chaplin has been on his work, along with archival footage of interviews with several of Chaplin's co-stars.

After a baron steals his scientific discoveries, runs away with his wife, and slaps him in public, a man joins a Parisian circus sideshow as a clown whose act consists of being slapped repeatedly and becomes infatuated with a showgirl colleague whose father intends to marry her off to the baron.

An unprecedented anthology of never-before-told true stories by and about some of Hollywood's most interesting stars, legends, and wannabes, and takes readers inside Hollywood's inner sanctum to show how casting decisions are made, who makes them, and who has the final word.

John Curry is a friend of the Navajos who fails in his attempts to keep the white man from exploiting the tribe's secret altars. Realizing that there is oil to be found on the reservation, evil Will Newton gains entry to the area by posing as a trail guide for Elias Manton, an archeologist, and his daughter Mary.

Returning to the family ranch after a spell as a circus performer, Art Hayes finds that a crooked ranch foreman has forced his father into bankruptcy.