For One Night..!

A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.

An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.

A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Amin returns to Sète after studying in Paris, still dreaming of cinema. By chance, an American producer on vacation takes an interest in his project and wants his wife, Jess, to play the lead role. But fate, whimsical as ever, has its own rules.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Two unlikely companions must smuggle four suitcases filled with contraband pork across Nazi-occupied Paris.

The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.

During World War II, an innkeeper vows to abstain from alcohol for the sake of his family. Years later, as they thrive in Normandy, his resolve is tested by a charming advertising professional who loves to drink.

Count Moffat becomes infatuated with Nana, a presumptuous stage actress, vulgar, hypocritical and promiscuous, willing to do anything to succeed.

The film recounts the life of a young member of parliament who joins the Freemasons in order to relaunch his career. He thus learns of how the Freemasons are conspiring with the Jews and the Anglo-American nations to encourage France into a war against Germany.

An impoverished girl tries to sell matches on New Year's Eve. Shivering with cold and unable to sell her wares, she sits in a sheltered nook. Striking a match to keep warm, the flame shows her what's beyond.

Wine Cellars itself is a Spanish-French co-production. He shot the film in the Paris studios and also in Spain, Andalusia and Seville. According to the critics, his story of love, honour, revenge, bulls and vineyards masterfully captures the spirit of this region, the sun beating down on the parched earth, life on the farms and vineyards and the celebrations coloured by the famous flamenco dance. Wine Cellars was originally a silent film and its soundtrack was only added later.

A young, unnamed Ivorian intellectual returns home after a lengthy spell in France. Failing to reconcile his new-found modernist views with his African traditions, and obsessed with his sexual inhibition, the man becomes haunted by the specter of a knife-brandishing woman threatening to shatter any potential relationships with other women.

On his way out of a wedding, a young boy named Peachskin finds a jewel by chance. Bringing it back to its owner, she becomes his benefactress in the years that pass.

La P’tite Lili is a silent short drama depicting the fate of a young orphaned girl in the working-class districts of Paris. The film follows Lili, a teenage girl marked by innocence and vulnerability, as she is drawn into the city’s underworld after encountering a man who exploits her circumstances. Told through impressionistic visual style rather than dialogue, the film presents a tragic portrait of social marginalization and moral collapse within an urban environment.

The plot focuses on Gaillac (Albert Prejean), an electrician employed by the Paris Opera. In love with gorgeous ballerina Suzanne (Gaby Morlay), Gaillac must play second fiddle to Suzanne's wealthy "protector," powerful politician Count Montoire (Henry Roussell). When the Opera personnel go on strike, Gaillac is appointed leader of the strikers, doing his job so well that he is ultimately elected Secretary of Labor in the French cabinet. Now on equal footing with Montoire, Gaillac is at last a "worthy" suitor for Suzanne -- who can't make up her mind between her two well-connected admirers, leading to a political rivalry the likes of which Paris has never seen. This harmless political satire ended up being banned by the French government for undermining "the dignity of Parliament and its ministers". (moviefone.com)

An art dealer wants to buy a Modigliani, which is tattooed on the back of an old soldier.

"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.

The plot concerns a comet hurling toward Earth on a collision course and the different reactions to people on the impending disaster.

Léon, André, Christiane and Monique, who all study drama, decide to go camping together. Unfortunately - although unsurprisingly - their old jalopy breaks down on the road. Chance has it that in the village where they are stranded a historical movie is being shot by famed director Médéric, starring sexpot Barbara Glamour and Latin heartthrob Edouardo Tocato. Two of the young people start flirting with the two film stars until their friends make them see reason : they love each other. The four of them end up being hired as extras and all is well that ends well.

An untiring lady social worker, Émilienne, has as one of her charges a stableman who was wounded by his mistress. Unfortunately, Émilienne's young sister who was helping her at work decides to go away with the stableman.

Duparquet is the controller of Les Halles, and plays matchmaker between the young farm-girl Ciboulette and Antonin, a young spoiled aristocrat.

When the husband of a rich lady is unfaithful, she plays the role of a chambermaid to a less prominent man.