Fools and a Girl

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.

After losing his parents, a young Jewish boy wanders Eastern Europe, seeking refuge during World War II.

Prague, Czechoslovakia, during the inter-war period. Jan Dítě, a young and clever waiter who wants to become a millionaire, comes to the conclusion that to achieve his ambitious goal he must be diligent, listen and observe as much as he can, be always discreet and use what he learns to his own advantage; but the turbulent tides of history will continually stand in his way.

At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.

Jealous of her vapidly "good" sister's popularity, poisonous Viktoria doses pretty Klara's tea with a slow-acting fatal substance. As the latter grows hysterically weak, the former finds success increasingly compromised by guilt, blackmail, and the pesky need to kill others lest she be exposed.

When a childless couple learn that they cannot have children, it causes great distress. To ease his wife's pain, the man finds a piece of root in the backyard and chops it and varnishes it into the shape of a child. However the woman takes the root as her baby and starts to pretend that it is real.

The heroes of this absurd comedy, full of confusion and humor are Dzharda Zemanek and Frantisek Liska.

The film is a metaphor for the Cold War. It depicts two neighbouring nations: peace loving Fortuna and the not so peaceful land of the Steel City.

The film, 'The Spring Of Life', brings to light a little-known operation of the Nazi SS, started just before the outbreak of World War II. Through the careful selection and re-education of young women, it was the Nazi's mad dream to create an Aryan 'master race'.

As the name suggests, the movie is about football. It is not about big league soccer, making huge money. It is about football, which lives just from village fans enthusiasm, from the enthusiasm of fathers and their sons and club officials. And yet on this battlefield, where the pub and silent household alternates, it is often about everything: friends, family, the meaning of life. It is about playing fair, but also about fighting below the belt. It is about winning, but also about falling into the abyss of the league wilderness.

An experimental retelling of the story of Adam and Eve which then progresses into an allegorical depiction of the loss of innocence.

A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.

An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.

Milan and Týna Svoboda’s marriage has, in recent months, turned into a series of minor and major misunderstandings, with the couple now arguing about almost anything. A holiday therefore seems like the right choice to save their relationship. But what if they each have a different idea of what that should be? Milan has a soft spot for the Czech countryside and is thrilled at the prospect of sleeping under the stars, whilst Týna would much rather be by the sea. She sees the campsite in the Bohemian Paradise more as a compromise. From the moment they arrive, even seemingly ordinary things turn into comical disasters that gradually escalate. Instead of relaxation, the tension between them only intensifies. After an unexpected incident at Trosky Castle, they decide to try something completely different – spending some time apart. Perhaps this way they’ll finally discover what’s really important in life…

The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.

A crazy comedy, turning into a grotesque with a number of absurd elements, tells the tangled story of the over-the-top siblings Zuzana and Petr, recessionists who like to prepare harsh surprises for those around them, especially Zuzana's timid suitor Karlík. In addition to the hilarious Mr. Horák and the mannequin, the amateur ensemble Dalimil also plays an important role, tirelessly rehearsing an "avant-garde" performance of Jirásek's Lucerna...

Czechoslovak comedy film directed by Ladislav Smoljak, about the fictional national hero Jára Cimrman (universal genius, inventor, sportsman, criminalist, poet, writer and philosopher).

While on vacation with their bickering parents, young Eva and her little brother Johnny find in a polluted lake two strange friendly sentient octopuses made of strange material that attracts electricity. They take them as pets.

A satiric tragi-comedy about two women and their lover Robert who is an emigrant that keeps coming back. This film shows chaotic post-communist Europe after the fall of totalitarianism. Two opposite characters, women, meet during the Velvet Revolution in November 1989. Intellectual dissident Nona and a Communist secret police boss’ mistress Ester. They meet at an anti-regime demonstration and become friends. They don’t want anything to do with politics, both want to get married and have kids, but also get rich. Crazy plans and risky attempts to realize their shared dreams land them in many sticky situations in the post-revolution chaos. Too much money gets in the way of the power of friendship.

The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

One night and a wad of cash he suddenly has to come up with quick. So he and his friend Láďa have to set out on a wild Friday odyssey full of cocaine and rap. The pursuit of fame and respect in the music scene slowly transforms into a desperate and dangerous attempt not to miss out on the chance of a lifetime. In their adrenaline-fueled ride through the nighttime streets of Prague the pair of friends are caught in a time crunch, teetering between a rap career and a moral choice which threatens the lives of dozens of young people.

A communist journalist from Prague is sent to Ravensbruck concentration camp.

A comedy concerning a down on his luck bookshop owner with a penchant for women who decides to make some money by pretending to be a waiter and collecting cash from unsuspecting diners.

Bohouš Burda, a forty-year-old idealist disillusioned with city life and his failing marriage, abandons it all to run a mobile dental clinic in the mountains. He meets Terezka, who shares his yearning for a simpler existence, but even in remote nature they must confront unforeseen challenges.

It all begins at Prague Airport, where American agents have brought Major Maisner, who has been expelled from the United States, in handcuffs. He returns to his place of work, the Central Police Academy, despite having been demoted to lieutenant for his "performance" and his position as academy commander having been taken over by the newly promoted Captain Hrubec. Maisner meets his former students, who now teach at the school. They all welcome him enthusiastically and receive gifts from him. While psychologist Kudláková, who is attracted to commanding types, has lost interest in the demoted Maisner and is now passionately in love with Hrubec, Boženka Vinklářová, who has broken up with the gypsy Štefan and now teaches dactyloscopy at the school, focuses her attention on him. Maisner recounts how he jumped off a skyscraper in America to defend himself against Simona Ptáčková's advances.

Flexible, powerful, and naive. The fates of three men intersect at the launch of Czechoslovak television broadcasting. Ambitious actor František Filipovský has no idea that his casual improvisation on the theme of "the miser" will go down in history. For Minister of Information Václav Kopecký, it is a moment of great nervousness: will he convince his comrades that television broadcasting is the golden goose of communist propaganda? A young television technician is fascinated by the "remote transmission of images and sound" – he has a job he never dreamed of. But can a person fulfill their dreams in communist Czechoslovakia in the 1950s without getting involved with the regime?

Eva and her younger brother Johnny own two sentient octopuses made out of strange matter. Will their parents divorce and ruin Christmas? Will a scientist find a way to use their pets as fuel? Live action film with stop-motion octopuses.

A coming of age story about love, loss and revenge centers around two teenage friends, Adam and Marek, whose aimless lives in a small town are suddenly disrupted by the appearance of Anna, the troubled daughter of a rich and influential local businessman. Initially her free spirit energizes Adam but soon he finds himself thrown into a spiraling chain of events. His innocence is about to be abruptly replaced with the adult emotions of guilt, fear and revenge.

Philosophical movie, staged at the least philosophical environment imaginable: A closed scenery of a nudist spot, where some hired Czech stuff is making a plain erotic movie for a rich Russian producer. Nothing in this movie is what it seems to be at the first superficial glance.

In the Czech film comedy from 1988, you can see for yourself that the war was not easy, but otherwise it was great fun. Sergeant Kouba serving with the paratroopers has a soft spot for women. His superior does not like him. However, during a military exercise on the way to the barracks, Kouba shows his true character when he saves the life of a little boy, convicts a thief and finds a lifelong partner in the commander's sister.

Fifty-year-old Ondřej Bozděch delivers coal around Prague's Žižkov district and he loves it more than anything. He has spent his whole life here and knows all the cellars. He lives his ordinary life among the Žižkov tenement houses, enjoying the joys and sorrows of his teenage daughter Markéta and his restless son Ondra. His best friend is his driver Karel, a former mathematician who once had to leave his job at a research institute for political reasons. Although Karel is an engineer and a completely different person than the straightforward Ondrej, he has become almost a member of the Bozděch family over time. But times are changing. The old houses of Žižkov disappear one by one, Markéta has to get married and Karel is offered to return to his original profession. Ondřej has to stop and think about what kind of life he is living...

Tony has been glowing since the day he was born and it causes him a lot of trouble. Just before the Christmas, a new odd girl with thick glasses moves into Tony’s house. Shelly has a strange way of expressing herself. Tony is fascinated by her but he is also being cautious at first. Together with Shelly’s flashlight, they explore their house and they are slowly getting to know each other. The kids have to join all their efforts to figure out who’s behind the circuit of dark cracks that sucks out all the light bulbs, even the daylight. It must be because of the ​“Spirit of the house”. A film about being different, about friendship, and first loves… But above all about light and darkness.

Oddsockeaters are small invisible creatures, responsible for socks that go missing when we only have one left from a pair. But unlike them, Seed’s gang wants to have a pair. In the end, they began their fight between two sets of values.

Prince Victor looks in vain for a swan which was wounded by one of his servants. Instead he discovers a beautiful girl with golden hair who has an arrow in her shoulder. She is dumb and can't explain her origin. He falls immediately for her. The girl quickly recovers, but disappears mysteriously.

A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.

Film makes the creative process visible by letting its narrative flow in the mind of a foreign director who is researching a film about Franz Kafka in Prague. Based on the principle of dreams and free association, segments unfold that deal with the various points of view that Kafka's work, personality and fate offer. In the labyrinth of his mind, the fictional director projects himself into situations from the author's life, with Kafka himself as his guide. At the same time, he delves into the history of the persecution of the Jews and glimpses the monstrosity of the bureaucratic apparatus that Kafka anticipated but could not have foreseen the monstrous size and function it would grow to a few years after his death in the institutionalized genocide and overall machinery of Nazism.