Flor y canela

Doña Bárbara is a Spanish-language telenovela produced by the United States-based television network Telemundo, Sony Pictures Television International and RTI Colombia. Edith González and Christian Meier star in this adaptation of the 1929 novel by Venezuelan author Rómulo Gallegos.

Natalie, a poor but beautiful girl from a humble neighborhood, falls in love with and wins the heart of Victor Afonso—her childhood friend and the son of the city's wealthiest family. Natalie lives with a cruel old woman who forces her to beg to support her, yet also foresees through fortune-telling cards that "The Beast"—as Natalie is known—will one day find happiness and wealth. Believing this fortune is linked to "The Greek," a wealthy man in love with Natalie, the old woman sells her to him—unaware that Natalie and Victor Afonso had secretly married before he left the country for his studies. When the young man's parents discover the truth, they annul the marriage, indifferent to the fact that "The Beast" is pregnant with his child. Supported by her friend—a cabaret performer known as "La Costeña"—and by The Greek himself, Natalie turns her life around and gives birth to twins; however, she has no idea that The Greek intends to exact a price for all his generosity.

Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

Soledade González is the housekeeper for Anselmo, a father of five: Jesus—who is disabled—Ramiro, Sheila, André, and Luíza. Knowing he was near death, Anselmo married Soledade so she would take charge of his children.

When Refugio and her three sons—Patricio, Edmundo, and Ignacio—are forced out of their home, a twist of fate brings them to Mexico City, where they begin a new life. Eighteen years later, they are settled in a small apartment in a working-class neighborhood. Refugio holds a modest job; although she suffers from serious vision problems, she neglects her own health to attend to her sons' needs. Patricio is studying law and dreams of a comfortable, prosperous future; his mother admires him for his charitable nature. Meanwhile, Edmundo begins courting Lucero—unintentionally hurting Ignacio, who secretly loved her—while Refugio tries in vain to make Patricio understand that he will never be happy with Olga.

It's the '90s, and five losers run an illegal business at their high school. They sell homework and assignments to their classmates. The advantage is that no one ever suspects the nerds. Their business brings them money and popularity. But hormones and an unexpected death threaten to ruin everything. If the business collapses, their futures and their friendships are at risk.

The drama tells the story of Rosa, who lives with her godmother in a very poor neighborhood; she is a simple girl who dresses like a boy. She was abandoned by her mother, Paulette. One day, Rosa goes to a mansion to steal apples and meets the owner of the house, Ricardo.

Mujeres Asesinas is a series that shows the dark side of women who have been mistreated or abused and become cruel murderers. The series shows how violence and death can overcome the feminine mind.

Fernanda Quiñones, whose stage name is Salomé, is a dancer who works at the D'Rubí cabaret in Mexico City with her friend Karicia. One day, Salomé meets Julio, son of the millionaire Montesino family, who is married to Ángela, a sickly woman who cannot have children. Lucrecia, Julio's mother, who is obsessed with the idea of ​​having a grandson who will inherit the family fortune, proposes to Salomé that she be the mother of that grandson. But, when she finds out that Julio, even though he loves her, will not only not leave Angela, but that she will be the one to raise the child as if it were her own, she flees far away with her son and two other babies abandoned by a neighbor. Twenty years later, Salomé becomes a wealthy business woman who lives with her three children. When he returns to Mexico, Julio and his mother will try to find out who Salomé and Julio's son is.

The story is set at a prestigious, but rigid and repressive school called Instituto Vidal. Its strict owner, Julia Vidal, was once kind but has now turned into a bitter woman following the death of her husband and her daughter, Lauriel. Her granddaughter, Ana, a very sweet and intelligent 10 year old, also has been affected by the death: She has been rendered virtually speechless by the trauma, though she expresses herself through music and possesses an extraordinary ability to move objects with her mind. Ana's unscrupulous father, Francisco Capistrán, however, has taken advantage of the situation to try to steal Julia's school. The timely arrival of Ana's uncle, Salvador, Amanda and her adopted son changes everything. Ana’s sad and lonely life takes an unexpected turn for the better and she regains her joy in a series of adventures bursting with humor, excitement, music and thrilling surprises.

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

Tino is a single father, full of debt, and faces tough challenges in raising his two children. Aidé is a great businesswoman and mother of two teenagers, she seems to have it all, at least on the surface. One day, Tino discovers that he is the father of Aidé's children, and together, they decide to build a new family, even if, at first, it is for their interests. However, they will realize that things are not as easy as they thought. Since their house has become a battlefield, they must overcome several obstacles to find love and achieve happiness.

Alborada is a telenovela made by the Mexican TV network Televisa. It is an historical drama, set in colonial Panama and Mexico a few years before Mexican Independence from Spain. The series was broadcast from December 2005 to April 2006 on Univision in the United States. Alborada won the TV y Novelas award for best telenovela of the year.

Los Carmona viven en el campo y su vida cambiará radicalmente cuando el gobierno les expropia su terreno y se mudan a la ciudad. En su nueva casa se encontrarán con la adinerada familia Velasco con quienes tendrán muchas aventuras. "The Carmona live in the countryside and their life will change radically when the government expropriates their land and they move to the city. In their new home they will meet the wealthy Velasco family with whom they will have many adventures."

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

Eduardo, a renowned singer, and Lorena, a talented but plain-looking young woman, must overcome every obstacle to unite their lives and reach for a star together.

A Mexican telenovela produced in 1996. It was the last historical telenovela produced by Televisa. The plot tells the Independence of Mexico, with an emphasis on historical accuracy.

Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

Bajo el Alma is a Mexican telenovela produced by Azteca. It stars Matias Novoa & Barbara de Regil as the protagonists.

Imperio de Cristal is a Mexican telenovela that aired on Televisa in 1994 with 124-episode from the plot to the main cast it was officially first launched on Monday, 29 August 1994 & ceased transmission on Friday, 17 February 1995 was aired runtime of 45-minutes with commercial on weekday at 21:00 to 22:00 CST/22:00 to 23:00 MST/23:00 to 00:00 PST.

Like many women, Regina struggles every day for the welfare of her family, having to cope from the worn relationship with her husband to the rebellion of her teenage son ... but in her case everything is in sight, because she is the wife of Head of Government of the city and, as if that were not enough, an honorable senator, who always tries to do what is best for her fellow men. In the world of politics, a world where men build power at any cost, is Regina, who strives to improve the reality of people and impose ideals over power.

Tenías que ser tú is a Mexican telenovela produced by Carlos Téllez for Televisa and originally broadcast on Canal de las Estrellas from November 23, 1992, to March 12, 1993. Created by Jorge Patiño and Gerardo Sánchez Luna, it was the last telenovela produced by Carlos Téllez. The story follows Gabriela Beltrán, whose life changes dramatically after the tragic death of her father leaves her family in poverty. As she and her family struggle to rebuild their lives, Gabriela falls in love with her childhood friend, Gorka Charachaga. Their romance is threatened by Santa, an ambitious young woman determined to separate them, leading to a story of love, sacrifice, and perseverance in the face of adversity.

Different celebrities live in the same house watched by cameras 24 hours a day. They will have to overcome tests, strategize and eliminate each other so that only one can be the winner of the most famous house in Mexico.