Fighting Yasubei

In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

After the Japanese defeat to the Russians, Kaji leads the last remaining men through Manchuria. Intent on returning to his old life, he faces great odds in a variety of different harrowing circumstances as he and his men sneak behind enemy lines.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

During his summer holiday, Kawasaki Ryuichi (Ryuzaki Ichiro), a handsome engineer in his late twenties, visits his teacher and mentor, Professor Inagaki (Sugai Ichiro), at his seaside home. There he meets the professor's lovely young wife, Sachiko (Hamada Yuriko), and is unsettled by the striking resemblance she bears to his wife, who died three years earlier. Attracted to Sachiko, he does his best to hide his feelings. The couple, however, senses a deep-seated melancholy in him. Attributing it to the loss of his wife, they urge him to marry their niece, Kaoru, but he is not interested. Shortly after, Fumiko , Sachiko's older sister, realizes that Sachiko and Kawasaki have feelings for each other, but she keeps her counsel. One day Kawasaki, Sachiko, and Kaoru go boating when a storm forces them to stay overnight at a hotel. Unable to sleep, Kawasaki takes a walk along the beach where he finds Sachiko, also unable to sleep. He declares his love for her.

A harsh young man seduces a freeloading young woman and eventually takes advantage of her knack for hitchhiking to rob middle-class men.

After their lord is tricked into committing ritual suicide, forty-seven samurai warriors await the chance to avenge their master and reclaim their honor.

In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.

A young woman takes up her new job as the servant of a noblewoman and soon discovers that underneath her facade of luxury lies great unhappiness.

A fugitive lord and his six retainers disguise themselves as monks to bluff their way through a hostile checkpoint.

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

In the wake of the 1956 Prostitution Prevention Law, a young woman recently released from one of Japan's new rehabilitation centers struggles to build a new life.

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

Tashiro coincidentally meets his best friend Sugimoto in a bar very close to the apartment in which Sugimoto’s wayward wife is found dead. Although Tashiro is not a suspect in the police investigation, he is racked with guilt and confesses to his wife, Masako. In an effort to further relieve his tortured sense of guilt, he then confesses to Sugimoto. Neither his wife nor his friend can believe that he could have been involved.

Five years after the end of the Second World War, Reikichi, a repatriated veteran, translates love letters for Japanese women to American GIs, while searching for his lost love, Michiko.

The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.

A group of Okinawan high school girls are drafted as nurses during the American invasion of the island. As the enemy army advances further, the situation for the girls becomes increasingly desperate as food and shelter run out and the number of injured climbs, leading to the film's tragic finale.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

An attempt is made to suppress a journalist's investigation of collusion between a rural police chief and the local gangster bosses.

Director Hiroshi Inagaki's early version of the life and death of famed swordsman Sasaki Kojiro. Otani Tomoemon gives a brilliant performance as Sasaki Kojiro, who rises from humble beginnings to national fame, and a young Toshiro Mifune appears as the legendary master swordsman Miyamoto Musashi for the first time and essentially sets the standard for future portrayals.This masterpiece is based on the original story as written by noted author Murakami Genzo and is far superior to any other versions. Following Kojiro from his earliest days through his fateful meeting with Musashi, this movie is filled with exciting and dramatic moments culminating in the best version of the final duel ever seen on film.

Ren Yoshimura directed this Daiei melodrama that was based on the novel entitled "Pandora's Box" by Dazai Osamu.

Two youths – the serious son of a Buddhist abbot and his rakish pal – quarrel over a restaurant keeper's daughter. When one of the youths dies, the other boy and the girl find they cannot forget him.

The film centers a compassionate teacher (Setsuko Hara) who teaches at a Tokyo grade school where students curse and gamble. The school has a pond on-premises that she's in charge of and cares for. The pond holds a number of carp, but someone is snatching them. The teacher forms a special bond with a child who lives in abject poverty.

Period film about a feudal era judge living in Edo

Living in a house that has lost its man to the war a year earlier are the widow and her child. Four of the dead man's friends gather to have an anniversary wake. Some time following the ceremony one of the attendees marries the widow. Soon another friend of the deceased and his family also make the house their home when they move to town. Everyone's life is changed quite a bit. When the newer husband sustains an injury to his leg and loses his job it leads to the wife having to work. By the time the fifth anniversary of the friend's death occurs and another reunion is held another friend is in love with the former widow.

Soldiers Hayate and Yaheiji secretly escape from their besieged castle. Hayate has left behind his lover, Kano. On his way, Hayate is wounded and cared for by O’Ryo, who falls in love with him. But when Hayate accidentally kills her caretaker, he flees, with O’Ryo in pursuit. Subsequently, Hayate's comrade Yaheiji falls in love with Oryo. Kano, the lover left behind by Hayate, believes him dead, and becomes involved with another soldier, Jurota. When Jurota defects to the opposing army, he takes Kano with him. A double set of love triangles has developed, wherein each man and each woman loves one and is loved by another. Finally only combat and self-sacrifice can untangle the weave.

Written by Kawatake Shinshichi II in 1873, this play is representative of a category of works called katsureki, "Living History" plays, which sought to depict past events as accurately as possible.

Plans to build a touristic hot spring on the island of Izu Oshima run afoul of the Kobe yakuza group, which intends to use the island as a relay base for drug smuggling.

A narrative depicting the appearance of soldiers scattered in Rabaul during the Pacific War. The original work of Yoshinori Matsuura was dramatized by Toyama Tetsu of “Smuggling of the Body”, also directed by Yutaka Abe, and Shigeyoshi Mine of “Densuke's Propaganda” was in charge of the shooting. The main performers are Michitaro Mizushima of “Smuggling of the Body”, Ryoji Hayama of “The Sorrowful Garden”, Shoji Yasui of “The People of Okino”, Shiro Osaka of “Lonely Man”, “Tetsuji Kawakami Story 16” In addition to Hiroshi Nihonyanagi, Shinsuke Maki, Isamu Kosugi of the "Hunger Soul", Ko Mishima, Satoshi Nishimura, Saburo Hiromatsu, Hiroshi Kondo and others.

After an American Navy base is annihilated by a secret weapon, Agent OSS 117 is sent to Japan to investigate the organization that's claiming responsibility, and threatening the US with another attack, if they don't pay.

A thriller of deduction and duels, in which a newspaper reporter bravely takes on a gang in the city’s skyscraper district over a mysterious recording by a diva.

This film depicts women who throw themselves into the world of call girls as an easy way to make a living and seek pleasure, only to ruin their lives through money and sex.

Deep down, a dark shadow always lingered in the heart of Ushio, a young prosecutor who had made a name for himself by cracking down on organized crime. In the bribery case involving his old college friend Ayao, he had sought a two-year prison sentence in accordance with the law. Ayao took his own life, and his family was torn apart by the world’s persecution.

Set in a rubber company in Tokyo, this comedy depicts the sorrows of salarymen in a humorous way, centering on the commotion caused by the passionate salaryman Goro Mutsu, who is transferred from Kyushu.

Soemon, the master of Gidayū-style madcap performances, has gathered the entire tenement block again tonight and is tormenting everyone with his terrible Gidayū singing.

1952 Japanese movie

Jidai-geki by Kiyoshi Saeki

In the eleventh year of the Tenpō era, the Kawarazaki-za theater in Edo buzzed with excitement for a new production of "Kanjinchō" by Naritaya, featuring music by the master Kineya Rokusaburō. However, Naritaya's requests to change some of Rokusaburō's most painstakingly crafted parts of the composition angered his disciple, Shinjirō, leading to a conflict and Shinjirō's abandonment of the shamisen. One day, Shinjirō was captivated by the mysteriously beautiful dance of Oaki, a traveling performer's daughter, who seemed to be channeling her art into a form of revenge.