Estrada

Cabral is a 60 year old playwright who's married to Glorinha, an actress who's 20 years younger than him. They've been together for half of her live, and now they're getting bored...

Public functionary and family man Lineu and his beloved wife Nenê celebrate the 40th anniversary of their first date. In the present day, Lineu feels uncomfortable when colleague Pacheco dies and goes to the doctor for an examination. When the result of his tomography arrives, Lineu steals the document, afraid of having a tumor, but he believes he will die sooner. Meanwhile, Nenê meets Lineu's old rival Carlinhos, who manages the local market, and invites him to dinner.

The friendship between four men is at stake when one of them is invited to work in another city. But the other three decide to go along.

A young photocopier operator becomes infatuated with his neighbor and, unable to afford anything from her shop, turns to shady schemes to make money.

After a chance encounter on the elevator, the lives of Mary Ann, a widowed English teacher, and Pedro, a recently divorced man, intersect against the hot backdrop of Rio de Janeiro.

Diogo Álvares, a Portuguese map illustrator, reaches the Brazilian coast, after his caravel sinks. He is saved by the Indian chief Itaparica and his two daughters, Paraguaçu and Moema. They call him Caramuru and together they engage in a happy love triangle. But the chance to return to Portugal arises, and it is clear this amoral arrangement cannot last.

One room, one man, common everyday actions. But what is happening here? Can someone explain it to me?… Continuity.

Four directors tell stories related to the concept of happiness.

Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.

Pedro earns a living in chat rooms. He transforms himself into NeonBoy in front of the webcam. Slowly, this young man dips his fingers into pots of coloured paint and glides them across his naked body. But things change when Pedro notices that somebody is imitating his performances. He agrees to go on a date with his mysterious rival. This rendezvous will have far-reaching consequences.

In 1960s Rio de Janeiro, aspiring writer Felipe leads a life of wild parties held in an apartment in famous street Barata Ribeiro in Copacabana. There he and his friends enjoy freedom even in the midst of a complicated political moment.

Paula and Marcos have just split up after 20 years together. He is editor-in-chief of a news program and she is a television presenter. They have differing opinions, but remain friends and work partners. But despite this, the relationship of respect between them does not prevent them from having different views on how they should conduct the edition of the best moments of the debate that the TV will show - and that can interfere in the choice of hundreds of thousands of undecided voters.

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

In 2005, the first national manifestation against homophobia, called STOP Homophobia, was held in Viseu. The sad events that preceded and impelled the organization of the manifestation are kept in memory. Those were times of reaction to extreme homophobic violence. In 2018, people with different life histories, sexual orientations, sexual characteristics, identities and gender expressions were united by freedom in love and self-determination of gender. On October 7, 2018, the 1st March for LGBTI + Rights was held in Viseu, and more than 20 organizations from Viseu, Vila Real, Bragança, Coimbra, Porto and Lisbon participated. We marched for the present and the future, joining the will of those who are proactive in defending basic human rights in an attempt to eliminate violence and exclusion. More than a thousand people marched in Viseu. The Municipal Council of Viseu ignored the March as they have not participated in it and refused to participate in this film.

The film shows the drama of the young and fragile Lalinha. After being abandoned by her husband, who ran away with another, the girl seeks comfort on the farm where the two in-laws live and the widowed father-in-law. There, the girl discovers a new world.

In a morgue, the corpse of a young man that suddenly died on the streets probably due to a heart attack will be examined by the coroner Elizabeth (Letícia Spiller). She questions with her colleague the death of a person so young and handsome, but the brain of the dead man somehow is working and he falls in love for her. Meanwhile, a deranged man invades the morgue and threatens Elizabeth with a gun, with the witness of the dead man, who is immobilized (since he is dead) and unable to help her.

Three stories of infidelity unfold: a man falls for a married woman, a young girl draws the gaze of her sister’s fiancé, and a husband takes his unfaithful wife hostage after discovering her affair with his best friend.

Canudos was a small village in northeastern Brazil, founded by the messianic leader Antônio Conselheiro and massacred by a powerful army until the death of the last of its 30,000 inhabitants, on October 5, 1897. The film tells the story of the Canudos massacre from an English cannon, nicknamed by the backlands people "A Matadeira", which was transported by twenty teams of oxen through the backlands to fire a single shot.

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."

Thirty-eight years after the 1950 World Cup, a man went back in time to prevent the goal that defeated Brazil, destroyed his childhood dreams and ended goalkeeper Barbosa's career.

Zizo, a radical and anarchist poet living in a marginal quarter of Recife in the north eastern state of Pernambuco, distributes his social angst-filled thoughts through a publication named Febre do Rato, and spews poetry to anyone who’d listen. Our character always revolves within the universe that he has created around himself. A very particular world, in which satisfying the unfortunate is a mixture of a kind of benefit with high dose of malice.

A typical criminal. A typical taxi driver. A typical route through the night of Porto Alegre, from the bus station to a deserted street. But at the time of the crime, the driver doesn’t react as he should. Meanwhile, on TV, Brazilian Minister of Justice make a speech against violence.

Joao is a 50 year old actor who lives with his 72 year old mother, Celina. He spends his time between his work at night as a crossdresser in small gay bars and his parts in small plays, movies and TV shows. Tormented and haunted by ghosts from his past, day after day Joao starts to merge the reality in which he lived with the fiction he is interpreting.

A 1980s-set drama about a teenage girl undergoing her sexual awakening when she learns about her father's infidelities.

A young girl named Marcela lives with her dad, Jose, a lighthouse keeper, and old Daniel on an island. The only contact the girl has with the world outside her home is by a boat with four sailors that pays a visit to the island in order to take them supplies. Daniel, who not only protects her from her dad's strictness but also teaches her how to be literate, is her source of tenderness. Her dad thinks she should be away from the world - though she wishes she could spend a few days in town. Then one day, as she has her first period and becomes a woman, she starts feeling sexuality through the blowing wind, which she talks to.

During the Rio Grande do Sul revolution of 1923, two brothers fight on opposite sides.

Porto Alegre anxiously awaits the passage of the German airship towards Montevideo. Júlio, an accountant, finds a way not to take his wife Mariana, a seamstress, who stays at home, sad. But while Júlio and his lover Leda see very little of Zeppelin, Mariana, at home, indulges in an overwhelming passion.