An erotic and pornographic nonfiction movie shot in five days aboard a camper. Two couples, one in their twenties and one in their forties, travel to perform a porno-aesthetic performance at a post-porn festival in Rome. They take the opportunity to shoot “a sex film” and, in addition to making a lot of it, they become aware of their erotic bond and how much this goes beyond social stereotypes.
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
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A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
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Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
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Internationally released Director's Cut of "Loro 1" and "Loro 2", which were released separately as two movies in Italy. The film talks about the group of businessmen and politicians – the Loro (Them) from the title – who live and act near to media tycoon and politician Silvio Berlusconi in the years between 2006 and 2009.
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The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
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While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.
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Under provincial Italian law at the time, once a roof is erected, the occupants cannot be evicted from a building. This film follows the efforts of a family to erect the roof on a house overnight so that a newlywed couple can have their own home.
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Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.
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A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
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It explores the tragic events leading up to the murder of 21-year-old Willy Monteiro Duarte, highlighting the intertwining of chance encounters, rivalries, and latent tensions.
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