Era la città dei cinema

The Cinema Mexico is one of the last single-screen cinemas left in Milan. Its story is inextricably tied to the figure of Antonio Sancassani who ran it independently for the past thirty years taking care of every single aspect. At the cinema Mexico he presents independent films, debuts, films in original version, documentaries, forgotten films or films that have been "burned" by large-scale distribution offering them a second chance. The thirty-six years of the Rocky Horror Picture Show and two extraordinary years of The Wind Blows Round are only some of the successes that have made of the cinema a reference point for insiders from all over Italy. A passionate portrait that reflects on the fate of small cinemas and on the difficulties for independent cinema that is suffocated by the laws of the market, by online streaming and by the television.

A portrait of Italy in the '60s and '70s, based on films by Marco Bellocchio.

Piero Tortolina has been a point of reference for a whole generation of film lovers. Pioneer of cinema-clubs and great film collector, he has been an invisible protagonist in the history of italian cinema.

We started to make an extra to be included in our first DVD "Democratic Optimism", a collection of short films in black and white we shot between 1990 and 1999.

In Italy, three men fall in love with three women. First a young engaged lawyer has a fling, then the middle-aged married man has a fling, then a retired man falls in love with his friend's daughter.

As Fabrizio contemplates joining the Communist Party, he breaks off his planned marriage to a bourgeois woman and becomes incestuously involved with his alluring aunt.

Longtime Italian cinema star Stefania Sandrelli (The First Beautiful Thing) is Alba, the mother of two very different adult sons. While Giorgio is a playboy who constantly cheats on his wife, Leonardo (Luca Argentero, Eat Pray Love) is always unlucky in love. When Leonardo finally meets the woman of his dreams, Sara, he brings her home to meet the family, but it appears this is not the first time that Sara has met Giorgio. Directed by Luca Lucini and stars Luca Argentero, Alessandro Gassman and Stefania Sandrelli.

When Santa's helper La Befana falls ill and must take off a Christmas Eve, she recruits Scarafoni to help deliver all the toys. No one but the toys knows is that Scarafoni plans to auction off the toys to the highest bidder, which means the toys won't make it to the children who have been good all year and deserve them. The toys decide to deliver themselves, and the story follows them as they struggle to avoid the heartless Scarafoni and to find their true homes.

Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.

Love Among the Ruins is a spoof about the miraculous discovery and restoration of a long lost Italian silent film. The film connects a contemporary filmmaker with the genius of the Lumini brothers, two cinematic icons who have been almost overlooked in the history of cinema.

While world religious leaders gather for a top secret meeting in La Spezia, the Reverend Jones, a famous television preacher and the creator of Reverend Jones's Sauce, is set on replacing them all and imposing his credo on the unsuspecting world.