Embryos

Two introverted people find out by pure chance that they share the same dream every night. They are puzzled, incredulous, a bit frightened. As they hesitantly accept this strange coincidence, they try to recreate in broad daylight what happens in their dream.

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

The fate of a Hungarian Jewish family throughout the 20th century.

Peter Gothar films give a sharp, uncensored view of the society. This film is no different. The plot is rather simple: a family goes to vacation with the usual stress. Then on the vacation the wife gets a strange kind of sickness and they go back to Budapest for a cure. While the wife is in the hospital, the husband visits his family. This is quite banal. However the scenario was written by Peter Esterhazy, one of the most influential contemporary writers in Hungary. His style uses a lot of surrealism but in a way that profoundly illuminates the reality. In this film, the reality is an atomized society where the so-called communist ideals are nowhere so everyday people are fully disoriented.

During the ill-fated Hungarian revolution of 1956, Karcsi Szabo, star player on the water polo team, is torn between his love for a revolutionary student and his training for the Melbourne Olympics.

A switchman at a seaside railway witnesses a murder but does not report it after he finds a suitcase full of money at the scene of the crime.

In 1913, an orphaned young woman arrives in Budapest to take up employment as a milliner at the hat store that belonged to her late parents but becomes mired in a search for a brother she had never known of.

The new owner of a brilliant race horse finds love while carrying out his revenge on the man who murdered his father.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

Swedish account of Raoul Wallenberg, the man responsible for the largest rescue of Jews during World War II.

The Christmas of 1944. The Pásztor family (father, mother, four daughters and a grandchild), are spending the holidays at their country farm. Péter, mothers apple of the eye, soon arrives, and has no objections when his soldiers uniform is made to disappear during the night. The Soviet army, arriving in the footsteps of the fleeing Hungarian army, is commandeering. At night, the soldiers turn up at the house where young women are abiding.

Peter falls in love with Lena, a Bulgarian female student in the days of the 1956 revolution. They were both involved in the events of the Revolution, enthusiastically recount their experiences of an American journalist. The boy's parents leave the country, but he did not go with them.

Rudi, a polite and quiet office hand, shares a special bond with his elderly grandpa. When Grandpa falls victim to a uniquely heartless phone scam that breaks his spirit and his health, Rudi decides he’s not going to let the petty criminals get away with it. But in order to get close to them, he needs to step far out of his comfort zone and turn into a different person. With a band of grey-haired allies on his side, he might just get to the scammers before it’s too late…

Based on a true story, a love affair develops between a half brother and half-sister. When pregnancy results and word gets out the public is outraged.

A couple in love, but sadly married to other partners. What is to be done? A diagnosis of a comfortable but profoundly incapable society, a Hungary suffering from an endemic private life disorder, observable both among the urban middle and the rural lower classes. A descent into a relationship’s demise, more from the tired inertia of a country that has lost all direction and sense of purpose than any ill will.

1952, Budapest. Kati is thirteen years old when her mother dies. Her father works as a founder at the Miskolc foundry, deprived of his former position of director-engineer. Kati is left alone in their flat, transformed into a place crowded with tenants. That is, not quite: in her imagination her mother is alive again, for she still needs her.

Ede (Dezso Garas) is in his sixties, and he is full of uncertainty about how he and his wife Kati (Mari Torocsik) will fare in the new post-communist regime in Hungary. At least before, he had some idea what he needed to do to get by, and even if he never made much money with his myriad schemes, they got by. Kati has got a real bug in her ear about their livelihood, and is hounding him to get into the spirit of the new system. This is troubling enough for the old gent, but when he runs into an old mistress (Kati Lazar) and discovers that he has a grown son he has never met or knew about, his life becomes even more confusing. His slimy ex big-shot brother-in-law (Istvan Avar) is a major player in the new entrepeneurial risk-taking, and he beseiges poor Ede with advice as well. In this topical comedy, all these worrisome things, and more, come to a head at a big family celebrtion.

In the tradition of "My Sweet Little Village" and "Waking Ned Devine" FLUKE is a satire about a small village full of colorful characters, whose lives radically change due to a miracle. Or a simple crime.

Academy Award winner Istvan Szabo brings to the screen Offenbach's operettas set against the backdrop of power and intrigue in 19th century Paris. Offenbach's Secret follows the staging of Croquefer and Les deux Aveugles at the Theatre des Bouffes-Parisiens founded by Offenbach in 1855. Limited by French law to one act with no more than three singers, Offenbach's early operettas were filled with biting social commentary and poked fun at the moral ambiguity of France's Second Empire under Napoleon III. In addition to Offenbach's vivacious music, the film features lush costumes, period details, and striking set designs.

For this austere, clear and sharp telefeature, Judit Elek focused on the last months of Martinovics’ life: his interrogation by the Austrians, the examining Magistrate Schilling in particular, shown as a battle of wits as well as delusions on both sides. Elek had wanted to make this film in the early 1970s, but wasn’t allowed to. When she finally got the chance, the reactions were predictable, as the parallels with recent Hungarian history were simply too obvious for officialdom not to feel anxious. History may not repeat itself, but the variations look eerily similar.