A man who is in charge of seeding clouds to bring rain to a parched district becomes obsessed with a traditional singer.
Elegi for Nana tells about Nana (Ria Irawan) who suffered from end stage leukemia but still trying to do the best in the rest of his life. Reo (Ryan Hidayat) a friend who eventually became his girlfriend trying to offer a song over it all.
A man who is in charge of seeding clouds to bring rain to a parched district becomes obsessed with a traditional singer.
Because of his wife’s encouragement, Prabowo enters a dangerous business and is eventually imprisoned. While waiting for his trial, his business partner, Wahyuni the divorcee, whom he also loves, bails him out. Their children Ani and Reni, who have to downgrade from their mansion to a flat, suffer from the shock of change. They resort to drugs and prostitution to escape reality. While the mother is sick, Wahyuni becomes intimate with Prabowo. Once found out, they slowly try to solve each problem. Wahyuni is willing to reconcile the entire family. So Rini attempts to become a photographer, by following her boyfriend, a tour guide in Bali. There is another character, a journalist, who comes in and out of the film, and functions as a commentator and witness of their lives. The dialogue veers on philosophical messages as director, Slamet Rahardjo, tries to represent both the lower and upper classes, mixing his narrative style with realism.
When his son falls into a coma after a brutal assault by the son of a powerful official, a father fights a corrupt legal system alongside loyal allies and a united nation praying for a miracle to secure justice for the boy.
In a hotel overlooking the Sea of Japan, six disparate stories inter-connect giving time a shape, like a series of liquid transparencies, one laid on top of another. Murder, sacrifice, betrayal, longing and regret weave into a tapestry of souls remembering and forgetting.
In Jakarta, a young journalist struggling to escape from the confines of familiar obligations, receives a telegram informing him that his mother is dying.
A Javanese mother has to struggle to lead their children against a complex confusion of their age. Unfortunately, the mother realized that actually, her children are trying to lead her too.
Kartini, a solo organ singer in the village, is willing to live in the capital with her husband, an intercity bus driver. Kartini has a million hopes in Jakarta.
Four friends work on film production in the method that has never been done before. But when they all have different goals, how could the film be made? Gila Jiwa crosses diverse genres of horror, action, drama, comedy, and musical.
Bagus, a screenwriter, reunites with his high school friend and crush, Hana, who is still grieving from the loss of her husband. He wants to convince her to fall in love once again, just like in the movies.
Four stories unfold in Jakarta, a big city that feels cold and dehumanizing. Life there strips away meaning, turning people into soulless zombies. In their search for purpose, youths turn to the only things that seem worthwhile—television and movies. This obsession pushes them down a dark path, transforming them into twisted versions of anti-heroes who make anti-social choices that spiral out of control.
Discover the life of renowned Muslim scholar Buya Hamka, from his humble West Sumatra origins to his political achievements.
Fourteen years after the woman he loved left him, a married man ventures to Amsterdam to find her but must decide where his heart lies.
This time Lupus is played by the author Hilman himself. Still depicting the world of teenagers at school, home and also his relationship with Poppy (Ita Purnamasari). Everything is cheerful, a little wild but still under control. Lupus himself is not clear what he is doing, except busy taking care of his chickens. Suddenly near the end of the film, Lupus is good at giving speeches about many things including democracy and social justice.
With the theme song, Indonesia Tanah Pusaka, the film’s melodrama takes on a nationalistic undertone. Hendrik Maulana, a staff officer in the Netherlands’ Indonesian Embassy, and his half-Dutch wife Nona, return to Indonesia. Hendrik is aware that he has to work hard in his country to support his family. So he trains as an air traffic controller before he returns home. However, there is still the cultural clash and his children have to adjust to school and their hometown. Then Eka, their second child, who is always the scapegoat of the family, runs away. Eka is attracted to an orphan ice seller who can support himself. He joins him selling the ice until he is stricken with typhus. His friend then breaks the news to Hendrik and Nona. Both parents rally with their three children, to complete the family again.
Lila is an idealistic, serious lawyer who defends tortured women. In contrast to her, Andre with his flirtatious attitude, is a corporate lawyer with big clients. Then Lila represents her client, Dr. Gatot, who wants to divorce his wife, Angel, a dangdut singer. Both parents want to custody of their only child. This case brings Lila and Andre together as the latter is Angel’s lawyer. Their relationship develops into romance. Love makes Andre neglect the interest of his client, Angel, while Lila doubts the sincerity of his love.
Betrothed as a child and adored by her in-laws, a newlywed's marriage is missing only one thing — the love of her husband, who still longs for his ex.
Kabayan undergoes a long journey to get his soul mate, Nyi Iteung, since Abah, the latter’s father, does not agree to have a son-in-law from the village. Kabayan has to go to the city to find his luck, assisted by his friend, Joni Kemod and his master, Nora Nori. Now, Kabayan, as a city person, is coming home to propose to Nyi Iteung. The film ends with Abah's acceptance of Kabayan for what he is.
Lupus (Ryan Hidayat) falls in love with Kunti (Conny Nurlita), the daughter of Mr. Galiman (Tile). Mr. Galiman himself is a widower who is looking for a replacement wife because he considers Kunti to be grown up. To make Mr. Galiman's intentions a success, Uncle Agus (Anwar Fuady) helps find a new mother for Kunti. He approaches Lupus' mother (Tatiek Wardiono) who is a widow, making Lupus' sister, Lulu (Firdha Razak) hate the man. When Lupus calls Kunti's house, it is discovered that Mr. Galiman is looking for a wife with the help of Uncle Agus. It turns out that what Uncle Agus offers to Mr. Galiman is not Lupus' mother, but Lulu. So, Lupus and Kunti try to make everyone aware so that Mr. Galiman's proposal to Lulu does not happen.
How often are you so busy chasing your dreams that you don’t realize there’s another call waiting? Living in a fast-paced rhythm, Asa and Mita are focused on chasing ambitions, working, and meeting endless expectations. Until one day, they start to question— is this really what they’re looking for?
Based on the original Hindi film 'Badhaai Ho'.
This film is an expression of the way of life of adolescents as told from the point of view of the teenagers themselves as they rebel against the world of adults. Susan (Nunu Datau), Dody (Adjie Massaid) dan Rini (Cornelia Agatha) are students at SMA 2000. They have unconsciously formed a kind of gang. The film follows the activities of these young people while they are in school, on holiday, and just hanging around. The film focuses on Rini, nicknamed “tomboy”, an expert in karate who dreams of being a martial arts master and hero.
Regi suffers from depression since childhood, being raised by wealthy parents who have little time for her, but plenty to fight with and cheat on each other. While in college she meets and becomes close to Rajib, a drug dealer. Developing an intense hatred for men, inspired by her violent and insensitive father, she identifies as a lesbian. Her introduction to the drug-scene engulfs her and she develops a cocaine habit which rapidly accelerates into a preference for White China heroin. She meets and falls in love with Rajibs ex drug-dealing partner, Vela, who has already become a hardcore junkie. Her and Vela's downward spiral into chronic addiction is portrayed powerfully throughout the film as is their intense attachment to each other. The plot (based on a true story) is exceptional in its depiction of the drug problems in Indonesia, the often terrible 'solutions' to these problems, and the reasons behind why they occur.
After a school transfer forces them apart, Nathan and Salma try to adjust but their attempts to move ahead get tested by hard emotions and new faces.
After graduating from high school, Lupus was not accepted at a public university and forbade his mother to sell inherited jewelery so that Lupus could enter a private school and cover his debts. Lupus asks for a down payment from the magazine where he often writes with the promise of writing about teenage girls who like to come home early. He then interviewed and approached Pia {Paramitha Rusady} who went to the disco every night because the house was crowded. His widowed father only scolded him but was rarely at home. Disco is a place of entertainment. She's not like other disco girls, who are also sex-free etc. Writing about Pia had invited misunderstandings, so Lupus preached. And it is said that his father then wanted to change his attitude. Pia's story is intertwined with: catching frogs, applying for jobs that turn out to be unsuccessful.
Lupus is a student journalist of the Merah-Putih High School. He is cool and playful and disturbs everyone including his friends, his mother, his sister, his principal and even those whom he has just met. Occasionally, there are good intentions hidden in his jokes. These traits are representative of the attitude of youths in the 80's. In this film, his relationship with Poppy, is the only narrative thread in a plot that otherwise goes nowhere.
As Sarah and her child look to settle in Jakarta, Zaenab searches for answers and gets caught between defending her marriage to Doel or letting it go.
The most popular three reasons to enter the Faculty of Medicine are: income security, the prestigious diploma, or facilitating to get mate. Riva’s enter to the Faculty of Medicine is not for the three reasons above, but just goes along his friend named Evi, the girl he called best friend since high school. When co-ass or pre-med program begins, the proximity of the Riva and Vena, pretty co-ass and the girlo of the shareholder of the hospital, making the relationship between Riva and Evi cracked, because each reluctant to admit that they are more than just friends. As a result of a series of silly mistakes due to his own negligence, Riva blacklisted by the Professor. He began to doubt and question his choice to become a doctor. After the death of a patient, Riva aware of the real meaning of the vocation and the responsibility for his choice to become a doctor. Ahead of Evi’s departure, Riva realizes that what all this time they have is love.
Torn between reuniting with one family and leaving another behind, Doel must choose between the two women he loves.
Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al. Lupus and his girlfriend's parents have "cute creatures on the bus" who it is not clear who the director is, participates in film production but fails, etc.
Lupus is a student journalist of the Merah-Putih High School. He is cool and playful and disturbs everyone including his friends, his mother, his sister, his principal and even those whom he has just met. Occasionally, there are good intentions hidden in his jokes. These traits are representative of the attitude of youths in the 80's. In this film, his relationship with Poppy, is the only narrative thread in a plot that otherwise goes nowhere.
Shares 3 cast members · Same director
Compared to the film "Lupus" Catch me, I'll tell you" Lupus' entourage is more depicted. But just like the previous film, this film is still a combination of humor that stems from the mischief of Lupus et al. Lupus and his girlfriend's parents have "cute creatures on the bus" who it is not clear who the director is, participates in film production but fails, etc.
Shares 3 cast members · Same director
Shares a lead actor · Same director
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