Ele Era Assim: Ary Barroso

A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.

Follows Ney Matogrosso as he prepares for the parade of Imperatriz Leopoldinense, transforming Carnival into a space for exploring identity, freedom, and mortality. Amid rehearsals and significant encounters, the film reveals an intimate side of Ney as he revisits the choices that have shaped his journey, prompting reflection on the masks we wear throughout our lives and the courage it takes to remain true to who we are.

The lives of Luhli and Lucina, two especially important artists in the alternative cultural scene during the 1970s. In a time when transgression, love and peace guided behavior, we discover the love of two women for art, their spiritual universe, their lives in community and their three-way relationship with photographer Luiz Fernando Borges da Fonseca.

Half a century ago, Brazilian composer and musician Antonio Carlos "Tom" Jobim (1927-1994) introduced bossa nova to a worldwide audience with "The Girl from Ipanema." This relaxed, cool, sensuous music blended jazz and samba. After recording an album of songs by his friend Jobim, Frank Sinatra is reported to have said, "I haven't sung so quietly since I had laryngitis." Naturally, "The Girl from Ipanema" and Frank Sinatra are featured in this musical collage of countless seamlessly edited excerpts of concert footage that cover decades of events all over the world: from Rio de Janeiro to Lisbon, Paris, Copenhagen, Jerusalem, Tokyo, Montreal, New York and back to Rio.

A portrait of transgender musician and artist Linn da Quebrada, who uses her body and performances as weapons to fight sexism, homophobia, and racism.

Look at Life is a short student film by George Lucas, produced for a course in animation while Lucas was a film student at USC Film School. The film's running time of exactly one minute was required by the course. This was the first film made by George Lucas and was heavily influenced by Canadian filmmaker Arthur Lipsett.

Since her historic participation in the International Song Festival in 1972, in a performance that would earn her the Honorable Mention award, Maria Alcina has become one of the most beloved figures in Brazilian music.

Documentary about the birth of bossa-nova, in Brazil, and the major stars of this musical style.

A documentary on the career of Beth Carvalho, the Brazilian singer who became a well known samba legend from the 1970s onwards, edited together from hundreds of hours of footage and audio files kept (and partially recorded) by Carvalho herself during her lifetime.

A whimsical blend of live action and animation, "Saludos Amigos" is a colorful kaleidoscope of art, adventure and music set to a toe-tapping samba beat. From high Andes peaks and Argentina's pampas to the sights and sounds of Rio de Janeiro, your international traveling companions are none other than those famous funny friends, Donald Duck and Goofy. They keep things lively as Donald encounters a stubborn llama and "El Gaucho" Goofy tries on the cowboy way of life....South American-style.

Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.

For Donald's birthday he receives a box with three gifts inside. The gifts, a movie projector, a pop-up book, and a pinata, each take Donald on wild adventures through Mexico and South America.

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo – Carandiru, he meets the future victims of one of the darkest days in Brazilian history.

Young lovers Orfeu and Eurydice run through the favelas of Rio during Carnaval, on the lam from a hitman dressed like Death and Orfeu's vengeful fiancée Mira and passing between moments of fantasy and stark reality. This impressionistic retelling of the Greek legend of Orpheus and Eurydice introduced bossa nova to the world with its soundtrack by young Brazilian composers Luiz Bonfá and Antonio Carlos Jobim.

From a repressive childhood to artistic revolution, Ney Matogrosso transforms Brazil's stages — and himself — through music, creativity and inner fire.

The third episode of the Cities of Love franchise, Rio, I Love You is an anthology, created by 10 visionary directors from across the globe. The story line of each segment focuses on an encounter of love in a different neighborhood of the city, demonstrating the distinctive qualities and character of that location. The film serves to bridge gaps between cultures, educating and entertaining the audience, while celebrating unique and universal expressions of love.

In 1925, Gabriela, a poor, uneducated, yet charming woman becomes cook, mistress, and then wife of Nacib, a bar owner in Ilhéus, a small Brazilian coastal town run by the local colonels.

The wealthy playboy son of an assassinated South American diplomat discovers that his father was murdered on orders of the corrupt president of the country- a man who was his father's friend and who, in fact, his father had helped put into power. He returns from living a jet-set life in Europe to lead a revolution against the government, only to find out that things aren't quite as black and white as he'd assumed.

ABYSSAL FISH is a creative film in the border between fiction, real and performance through the artistic work of Luís Capucho. A singular artist who survived the time when the HIV represented the death stigma. Building an amazing work of poetic power post­disease, Capucho surpasses the physical sequels that have left him mute and without part of his body movements for a while, until the current partial recovery.

Brazil is perhaps the best of the handful of US films made by singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson, who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares. Upon learning about Nicky's book, Miguel decides to teach her a few lessons in the affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office.

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

The sexual fantasies of women are explored by four female directors.

Middle-aged married journalist goes to the beach resort of Búzios, in Brazil, to write a book. Gradually, he falls in love with his neighbor's daughter, a beautiful teenager much younger than he, ignoring the social implications.

João Ninguém is a humble composer who made the waltz "Sonhos Azuis" as a gift to his girlfriend on her birthday. To give it to her, he asked for help from a friend, but on the way, an accident happens and puts at risk not only the relationship, but also João's life and career.

For three days at the Copacabana Palace in Rio de Janeiro, amorous cross-fertilizations are intertwined with petty tricks against the backdrop of the famous carnival festivities. Three (sympathetic) accomplices are beaten to a punch in the hotel vault; three charming stewardesses are looking for entertainment, but their three Carioca host, musicians Tom Jobim, Luiz Bonfá, and João Gilberto, are married; a man, separated from his wife, wants to catch her in the act of adultery.

The border between Brazil and Paraguay: living on opposite sides of a big river, Brazilian boy Joca falls in love with indigenous-Paraguayan girl Basano. A magical tale of impossible love and adventure in this land full of memories of colonial wars and indigenous genocide.

A precious necklace is stolen during a convention at Quitandinha Palace, a hotel in which a wives conference is deciding whether or not unfaithful husbands should receive the death penalty.

Meus Amores no Rio is a thin romantic comedy about a young woman (Suzana Freyre) who wins a trip to Rio de Janeiro on a television quiz show. Being both young and attractive and excited about the city, she manages to enchant three different men. The first man to fall for her is a pilot, and then there is the journalist, and then a womanizer.... Each encounter reveals more of the city and its impressive vistas, a fourth important protagonist in this film.

The film tells the story of Luciano who hides his identity as a rich boy to work in the stables of Patrícia, a woman he is in love with.

Tourist gets bonked on the head, suffers an amnesiac fugue, wanders away from her husband and children, becomes an evil prostitute-y thief-y saloon gal.

While his uncle is traveling, an irresponsible young man spends a fortune on sprees with friends and lady sweethearts, but when the creditors start pressuring for cash, he pretends to lose his memory, although not fooling his fiancée.

As a baby, Carlos was abandoned in the church at the feet of Holy Mary, raised by the priest, and consecrated to her. As a child, he falls in love with the daughter of the Commander, the local landowner, who is already promised to the son of a ruined count.