El disco rojo

Dr. Rodolfo Arias, a controversial and corrupt lawyer, is the victim of an attack and he points to his two enemies Miguel Guevara and Javier Roldán as the ones responsible. Faced with this situation, Guevara proposes to Roldán a plan to assassinate the lawyer. Fucho, a young criminal whose brother had been a victim of Arias' corruption, together with two other thugs, would be responsible for perpetrating the murder.

During the dictatorial regime of Juan Vicente Gómez, the bachelor Ibarra is imprisoned for political conspiracy. In prison, the inmates live together remembering the events that led to their imprisonment. Finally, a group, led by the bachelor Ibarra, manages to carry out a plan to escape from the prison.

Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a sequence in which a group of Latin American men, calling themselves The Bananas, engage in a food fight. Ondine then engages in a wrestling match with Joe Dallesandro, who is married to Brigid Berlin.

Venezuelan comedy by Juan Corona with text by Aquiles Nazoa.

Irreverent and experimental film, rich on Christian symbolism.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

The Orinoko: main character in the film. The first part is set during the pre-conquest and is represented as an earthly paradise. A shaman has precognitive visions: go to Columbus and the Catholic missionary in 1498.

In 1967, José Rodriguez Soltero made “Dialogue with Che” (1968), starring Venezuelan artist, actor, producer and dancer Rolando Peña as Che. Warhol superstar Taylor Mead is also featured, in the role of a CIA agent. “The film was partly underwritten by Andy Warhol, who gave a check to cover lab fees. "Dialogue..." was seldom shown in the States - it is entirely in Spanish - but had some life in the European screens. It had a modest run at the Cinémathèque Française, where it was championed by Marie Meerson and Henri Langlois, and played at the Berlin Film Festival in 1969. Historically, it has been shown with two prints projected side by side, the second screen starting with a 3-minute delay. --Film-Makers Coop

Two sisters in love with the same man.

In Secretaries Day, either you get laid or you get paid.

Photographed entirely in color, Four Stars was projected in its complete length of nearly 25 hours (allowing for projection overlap of the 35-minute reels) only once, at the Film-Makers' Cinematheque in New York City. The imagery in the film is dense, wearying and beautiful, but ultimately hard to decipher, for, in contrast to his earlier, and more famous film Chelsea Girls, made in 1966, Warhol insisted that two reels be screened simultaneously on top of each other on a single screen, rather than side-by-side. The film's title is a pun on the rating system used by critics to rank films, with "four stars" being the highest rating. From Wikipedia.

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

Esther and Gustavo are celebrating seven years of happy marriage. Two beautiful children and a comfortable home in a residential area backs the stability of the still young couple, a conventional model of marriage where nothing seems to disturb their harmonious coexistence.

An attractive songstress (Libertad Leblanc) lands herself a performing contract and leaves her home in Buenos Aires. She travels to Venezuela, and when arriving in Caracas, she soon discovers that her contract is a hoax made by a major drug baron. She finds that she is knee-deep in trouble herself and must be careful if she is to get out of her predicament in one piece. When imported to the U.S., the film was dubbed into English, new footage (shot in New York City) was added and it was given the memorably salacious title The Pink Pussy: Where Sin Lives.

Aquilino, better known as "Lepe", is a circus clown who returns to Caracas after several years of absence with his assistant Lepino to discover the whereabouts of his granddaughter Geraldine, the result of a relationship his daughter had with the young millionaire Juan Bértola, who died in a plane crash when Geraldine was just a baby.