El corte

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?

Cristina's life is thrown into turmoil when she is suddenly escorted from her strict Catholic school in Buenos Aires and told that she is really Sofía Lombardi, the daughter of activists who disappeared in the '70s. Questioning everything she once thought true, Cristina embarks on a journey to find her true identity. Meeting others like herself, the young girl soon discovers the real-life horrors of Argentina's relatively recent past and the nightmare that claimed tens of thousands of lives during the country's "dirty war."

Three intertwining stories that take place in La Salada — the largest unregulated market in Buenos Aires: a Korean father prepares his daughter for an arranged marriage, a young Bolivian man searches for work, and a Taiwanese DVD seller tries to woo a young woman to be his girlfriend.

The film does not describe, rather it observes, in a distant manner, the world of Martin, a seventeen year old who feels he doesn’t belong anywhere, not at home, school, nor with his friends or members of his rock band. In search of some happiness, Martin takes off to the coastal town of Mar de Plata, where his older brother lives. Unglamorous, yet enchantingly addictive and refreshingly genuine, Acuña paints a confused and uncomfortable world, and makes us want revisit it over and over again.

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

After a brutal loss, Sofia comes out of her thoughts to face an unbearable pain.

A young woman proposes to the passengers of a full bus a change in seats. On the trip they will discover that, regardless of the result, it is always good to review the established order.

Three situations of vaguely theatrical origin, stripped of all outer clothing, reveal the track of a different cinema. whose realism seeps into the cracks of his apparently self-contained, closed world.

A mockumentary about three young student filmmakers as they make a movie about an alleged film director living obscurely in a Buenos Aires mental hospital. In their visits to the mental hospital, the three students will forge a very special relationship with the self-styled former film director as they follow different clues and strategies to discover his 'true' identity.

Many stories happen simultaneously through Internet. In the real world, people are lonely, isolated, desperate for finding love, friendship and tenderness. They project themselves as superheroes, with infinity of friends and hypersex. They live asphyxiated in front of their machines, unable to live with the people that surround them, exasperated for finding a pinch of love in the fantasy of the net. Outside the virtual world, they do not exist.

A playwright going through a period of crisis returns to his childhood home and begins to nostalgically recall the relationships that shaped his life.

A former soldier reunites with his comrades, who are unaware that they are dead.

Biguá, a port worker, awaits a son with his young girlfriend and embarks on the high seas. Javier, at 40 years old, has a wife he loves, works, enjoys a good time; and imagines recurring dreams. Another life, with another being very different, they cross as in a magical and mysterious dream. The film revisits the theme of the double and its question: will there be, somewhere in the world, a double for each one of us? And, if it exists, what would happen if we took their life?

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.

In 1952, Argentina's beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near "Evita". Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife's body. The military junta now in control kidnapped the corpse; so afraid were they of Eva's symbolic power that they even made it illegal to utter her name.

Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.

3 friends merge their paths on a cloudy day in Berlin. As they walk along the sunset each one will turn a page on their life. Some will be left behind, others will fly away but only one will stay keeping Berlin still possible for all. —Juan Carlos Lo Sasso

A dynamic young man falls in love with his own boss, a married businessman, with two children.

In a turmoil-torn Argentina, in the summer of 1978, Edgar Tulio Valenzuela (Tucho) and Raquel Negro (María), heavily pregnant with a young son, are kidnapped by the Armed Forces and taken to the outskirts of Rosario. A high-ranking Argentine Army officer makes Tucho a proposal that, if he follows it, will betray the ideals to which he dedicated his life. If he rejects it, he will lose his wife, his son, and the children his future holds. They love each other beyond all reason and circumstance. María and Tucho make a pact... and amidst betrayal and horror, a love story that will last forever is born.

It chronicles a few hours in the life of a family living on the southern coast of Buenos Aires. After breakfast, a father (Guillermo Arengo) heads off with his son (Agustín Alcoba) to a desolate beach for the day, while his wife (Roxana Berco) visits her seriously ill mother (Susana Campos) in a remote, wooded area.

Two close girlfriends come to Buenos Aires from the Northwest looking for a better future, but they are victims of a hoax and should work in a brothel. There, one of them will adapt to survive and the other will try to flee.

Rosália is a woman from São Paulo who has spent decades of her life working in a factory. One day, she is fired.

The film tells the life of Tito Pereyra since his childhood in a town of Tucuman (with an absent father) until the 1980 s in Buenos Aires, when democracy was restored. During that period he makes decisions that will change his life forever.It shows a human being with both bright and dark aspects, whose contrasts seem to determine his destiny.

Rosalía is a factory worker who dedicated her life to working in a factory on the outskirts of São Paulo. Fired and depressed, she is taken on a business trip by road to Buenos Aires. For the first time in an unfamiliar world, she begins a journey that will transform an essential part of her.

Urban comedy that tells the story of Federico and Lucía, two young people who cross paths in a city marked by obsessions and persecutions, and where chance is present to guide them towards a change in their lives.

She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.

A Blank is a first-person documentary about the relationship between the protagonist-director Ramiro and his mother, Elsa, and how his upbringing in the countryside and the dramatic separation of his parents shaped his life today.

A young man wants to make a girl fall in love with him and on the way he discovers that what he wanted was something else...

The night. One night. Perhaps any night anywhere. It rains. A woman. No. A man. A man and a woman. No. A man, a woman and someone else. The table. A table. A table immersed in alcohol, singing, playing music. The music. No, jazz. JAZZ! The seduction, the crossing. Acting, pretend. Laught. The kisses. No. Decline. One night, a woman a man and someone else, on a table. No. The Void.

Tangled in a troubled marriage, a frustrated couple finds hope in a watch-based app that rewards good deeds — until unhealthy obsessiveness takes over.

Ana returns to Buenos Aires to claim her inheritance. She meets her father's close friend Dr. Benedetti, a scientist, where he has discovered a doorway to another dimension which allows Ana to reconvene with the dead.

After receiving a mysterious book and two ancient rings, the realities of Julián and Victoria become inexplicably intertwined. Forced to coexist as their homes connect through a supernatural nexus, they discover an ancient legend of star-crossed gods and a curse that demands a heavy price. With a threatening portal opening in the middle of their daily lives, they must face the mystery and decide if they are willing to close the connection that binds them before it's too late.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.

Mirta is doing her best to navigate the social and economic crisis pummeling Argentina on the eve of the 21st century, after all, she's got an unemployed husband, three stressed-out kids, and a drug addict father-in-law to look after. As the crisis promises to boot the family from the middle class, Mirta decides to open a pizzeria that will serve slices with lots of laughs and extra drama.

In 1930s Argentina, dim-witted Rufino and Jacinto are hired as tough guys ("guapos") by political boss Malatesta to intimidate his opponents, rig elections, etc. However, the two men change allegiances when they meet the lovely Mercedes and La Mendocina, victims of Malatesta and his gang.

The fighters face a gang that will try to steal the sarcophagus of The Mummy.